![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70TPkVand-4BeGWHbOiEi1OMsmiIyxyO6wBdi7r8hQ-psZFEi4ZLD8x5VY39SCo30RkJqmAJCOrPmLgJGa4xGJrRsxZG0fN0NTmh42hCdsztnHulriHAayODBYbxjQSfuTX8JO4uQugI2/s320/Leduc+Guarnerius+-+1743.jpg)
I have long believed that 60% of the sound of any violin comes from the player - the violinist's bow arm. The rest comes from the instrument. If you don't believe me, go hear a concert by the San Francisco Symphony. The current concertmaster is playing Heifetz' Strad. I think it's the Dolphin. It does not sound the way it did when Heifetz had it. It has nothing to do with the technique because Barantschik is a great player. It is all bow arm and that comes from intuition. A great violin however, makes it that much easier to get the sound out - your sound.
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