Francesca Dego

Francesca Dego is an Italian violinist, writer, and teacher born in Lecco, Italy, in 1989.  (Lecco is about 20 miles north of Milan, Italy, and about 10 miles east of Lugano, Switzerland.)  She is an ultra-Romantic artist known for her iconic interpretations of Nicolo Paganini’s music.  Her debut album (for Deutsche Gramophone) was a recording of Paganini’s 24 Caprices, played on the same Guarneri violin which Ruggiero Ricci used on the very first recording (of the unaccompanied version) of the Caprices, a Guarneri del Gesu from 1734.  That Guarneri was her instrument for many years.  She possesses a very brilliant technique (it has been described as flawless), but her approach is often an operatic one, providing dramatic and poetic sensitivity to everything she plays.  She has stated that violinists often treat Paganini’s concertos like showpieces when in fact, they are infused with vocal drama.  As can be expected, she has toured the world several times and played with every major orchestra.  Dego began violin lessons at age 4 with her father, a writer, journalist, and college professor.  For unknown reasons, the family moved to San Diego, California, when Dego was age 5 and there she studied with Michael Tseitlin at the Fairbanks School of Performing Arts.  It was also there that she made her solo debut at age 7, playing Bach’s first violin concerto.  (A recording or video of that performance may exist, but it’s not posted on the internet.)  A while later, possibly in 1998, at age 9, the family moved to Milan where she graduated from the Giuseppe Verdi Conservatory, having there studied for several years with Daniele Gay, whom she holds in high esteem.  She also studied at the Stauffer Academy in Cremona, the Siena Chigiana Academy (in Siena), and the Royal College of Music in London.  Her teachers have included Salvatore Accardo, Itzhak Rashkovsky, and Schlomo Mintz.  Dego was invited to record on Paganini’s famous Guarneri violin in 2019.  After Paganini’s death, the violin had never been played for more than a few minutes at a time until Dego was granted the distinction of recording, in the span of several days, an entire CD with it.  In various interviews, Dego describes in detail the experience of the recording sessions with the violin, which included a security team of six people, posted around her at all times, including during a recital in Venice.  Dego’s discography is not yet very extensive but it includes 15 CDs – two of those CDs are devoted to chamber music (trios and quartets) and two are devoted to the music of Ferruccio Busoni, including his violin concerto.  She has recorded the complete Beethoven sonatas on three CDs.  Dego has also championed (and recorded) the violin concerto of Friedrich Wolf (better known as Ermanno Wolf-Ferrari), a concerto (published in 1944) which was dedicated to the nearly forgotten violinist Guila Bustabo.  Here is a complete recording of the concerto.  Interestingly, Dego has not commercially recorded the concertos of Bach, Beethoven, Mendelssohn, Bruch, Tchaikovsky, Prokofiev, or Sibelius, although they have been in her repertoire for many years - you can, however, find her live recordings of them on YouTube with different orchestras.  She has recording sessions scheduled for June, 2026, but I don’t know which works she will be recording.  Here is Dego’s recording of Paganini’s 4^th Caprice, considered the most difficult out of the 24.  In addition to being gifted with the looks of a fashion model (Versace provides gowns for her performances), she is also a writer, contributing articles to music periodicals – Strings Magazine, The Strad, Suonare News, and Musical Opinion are among them.  She has also written a book titled Tra leNote (Among the Notes) but I don’t know if it has been translated.  She is now based in London and plays a Francesco Ruggeri violin from 1697.  Here is one quote among many: “My dream is to always be able to work with orchestras and colleagues who inspire me and make it possible to create something special on stage.” 
 

Wolfgang Schneiderhan

Wolfgang Schneiderhan (Wolfgang Eduard Schneiderhan) was an Austrian violinist, conductor, and teacher born (in Vienna) on May 28, 1915.  He was well-known for being a concertmaster as well as a concert violinist.  His many recordings for the German record label, Deutsche Grammophon, are also well-known and his portrait is easily recognizable in that he almost always wore horn-rimmed glasses – he even bore a resemblance to an American diplomat.  He spent most of his career in Europe, though he toured the U.S. in 1958 as part of a chamber orchestra.  He was also caught up in political movements of the time as were most German and Austrian musicians of that era.  His first teacher was his mother, beginning at age 3.  He made fast progress and his first public performance took place at age 5 in Vienna.  In 1923, he started studying with Otakar Sevcik in Pisek (Czechoslovakia) but later returned to Vienna to study with Julius Winkler because Sevcik was not one to linger long in any one place.  In 1926, he played the Mendelssohn concerto in Copenhagen and subsequently began to tour as a prodigy.  He was 11 years old.  Between 1929 and 1932, he worked in England.  He was 17 years old when he returned to Austria.  He then became concertmaster of the Vienna Symphony.  In 1937, he became concertmaster of the Vienna Philharmonic and remained there until 1951 (some sources say 1949.)  All the while, he was concertizing and recording as a soloist.  He also formed the Schneiderhan Quartet in 1937 (which he disbanded in 1951) with Otto Strassner, Ernest Moravec, and Richard Kroschak.  In 1947, he presented Elgar’s violin concerto in its first performance in Vienna.  He was 32 years old.  In 1948, he joined a piano trio with which he also recorded, though not much.  He left the trio in 1956.  In that same year, he left the Mozarteum in Salzburg – where he had been teaching since 1938.  He had also taught at the Vienna Academy (Hochschule Fur Musik) from 1939 to 1950 (one source says 1937 to 1950.)  He began teaching at the Lucerne Conservatory (Switzerland) in 1949 and co-founded the Lucerne Festival Strings in 1956.  His first solo appearance with the Berlin Philharmonic took place on November 3, 1942.  He played Viotti’s concerto number 22 in a minor – he was 27 years old.  He soloed with this orchestra many times.  His last appearance with them took place on October 3, 1987.  He played Frank Martin’s violin concerto on that occasion.  He was 72 years old.  He founded the Fritz Kreisler violin competition in Vienna in 1996.  His most popular recordings are probably the Beethoven concerto and the ten Beethoven violin sonatas.  Here is a YouTube audio file in which he plays his cadenza to the Beethoven concerto.  It is actually an arrangement by Schneiderhan of Beethoven’s own revised cadenza to his piano version of the violin concerto.  Schneiderhan does a magnificent job playing it.  The Beethoven concerto probably has had at least ten cadenzas written for it but the most played are the ones composed by Joachim and Kreisler.  Schneiderhan took up conducting in the middle 1970s but he did not do too much of that.  Among Schneiderhan’s violins was a 1715 Stradivarius - now known as the Schneiderhan Stradivarius – which had previously been owned by Martin Marsick – and a 1704 Stradivarius, currently owned by an Austrian Foundation.  Schneiderhan died (in Vienna) on May 18, 2002, at (almost) age 87.