Showing posts with label Frederick Grinke. Show all posts
Showing posts with label Frederick Grinke. Show all posts

Sunday, October 27, 2019

Rodney Friend

Rodney Friend is an English violinist, teacher, and author born (in Bradford, England) in 1939.  He is best known for being the concertmaster of three of the world’s best orchestras – the New York Philharmonic, the London Philharmonic, and the BBC Symphony.  He began his violin studies at age seven.  I do not know who his first teacher was. At 12, he received a scholarship to study at the Royal Academy of Music in London.  His main teacher was Frederick Grinke, a Canadian violinist who played for Churchill, Truman, and Stalin at the famous Potsdam Conference in the summer of 1945.  Friend later studied with Endre Wolf, Yehudi Menuhin, and Henryk Szeryng.  One usually-reliable source says he also later studied at the Royal Manchester College of Music.  In September, 1964, Friend became the concertmaster of the London Philharmonic.  He was 24 years old.  He played the Britten concerto in his first solo appearance with this orchestra.  However, by then, he had made his London debut playing the Sibelius concerto with the Halle Orchestra (in 1961) at the Festival Hall with John Barbirolli on the podium.  Friend played with the London Philharmonic for 12 years. In 1975, he was invited to be the New York Philharmonic’s concertmaster.  He was 35 years old.  He had already made his American debut with this orchestra playing the Britten concerto.  He probably began his tenure as concertmaster in New York in the fall of 1976.  On March 10, 1977, in his new role as concertmaster, he soloed with the orchestra, this time playing Karol Szymanowski’s first concerto.  Erich Leinsdorf was on the podium.  In 1981, Friend returned to England and became the concertmaster of the BBC Symphony.  In that year also, he became professor of violin at the Royal College of Music.  He was 42 years old.  Since 1990, he has devoted his time to teaching, writing, judging international competitions, and playing and/or directing chamber music concerts.  He formed the Solomon Trio in 1991.  In 2006, Friend’s two-volume work entitled The Orchestral Violinist (a study guide for orchestral players) appeared.  It has been acclaimed by many critics.  In 2010, he founded the Cambridge International String Academy at Trinity College.  In 2015, he joined the Royal Academy of Music faculty.  In 2019, his pedagogic work entitled The Violin in Fifths was published.  Many sources say it is a unique study guide.  It is easily found on the internet.  Among other violins, Friend has played (and might still be playing) a Giuseppe (Battista) Guarneri violin dated 1696 (not a Del Gesu.)  (According to a usually-reliable source, for a time, he also played a Guarneri Del Gesu dated 1731.) Needless to say, he has recorded (as an orchestral violinist) practically the entire orchestral repertoire.  He has also appeared in every important concert hall in the world and worked alongside the most eminent conductors and soloists of the twentieth century.  Here is a very charming YouTube audio file of one of his commercial recordings as soloist. 

Sunday, September 21, 2014

Elizabeth Wallfisch

Elizabeth Wallfisch (Elizabeth Coates Hunt Wallfisch) is an Australian violinist, teacher, author, and conductor born (in Melbourne, Australia) on January 28, 1952.  The greater part of her career has been spent outside of Australia.  Together with Simon Standage, Fabio Biondi, Andrew Manze, Giuliano Carmignola, Rachel Podger, and Enrico Onofri, she is one of the better-known proponents of historical baroque performance practice, a movement which started in the mid-1970s.  Nevertheless, besides playing on baroque (period) violins, Wallfisch also gives concerts on modern instruments.  (The photo shows her holding a baroque violin.)  One of her many recordings is the one featuring the rarely-heard Rosary Sonatas by Heinrich Biber.  Another is the Opus 3 concertos (published in 1733) by Pietro Locatelli. Although she began studying piano at age 4, she did not begin violin lessons until age 10, a rather late age at which to start by traditional standards.  I do not know who her first violin teachers were.  At 18, she moved to Germany then proceeded to London where she studied at the Royal Academy of Music with Frederick Grinke.  At about age 23, her professional career began in England with the London Mozart Players and the Royal Liverpool Philharmonic.  Up to about her mid-twenties, her education had been entirely founded on traditional modern performance techniques on modern violins.  Her switch to baroque (historical) approaches took place almost by accident.  Among the many ensembles she has led and performed with are the Hanover Band, the Australian Chamber Orchestra, the Australian Brandenburg Orchestra, Les Musiciens Du Louvre, the Raglan Baroque Players, the Orchestra of the Age of Enlightenment, Tafelmusik, the Israel Chamber Orchestra, and the St Paul Chamber Orchestra.  In 1989, she co-founded the Locatelli Trio.  In 2008, she founded the Wallfisch Band, a baroque ensemble that allows for apprenticeships for young players alongside the core orchestra members – personnel changes are made on an on-going basis.  Wallfisch has held teaching positions at the Royal Academy of Music (London), the Royal Conservatory at The Hague, and at the University of Melbourne.  She has been concertmaster at the Carmel Bach Festival (California, U.S.) for over twenty years.  Among the recording labels featuring her are Virgin Classics, Hyperion, and Chandos - they are easy to find on the internet.  As far as I could determine, Wallfisch plays a violin by Petrus Paulus (Pietro Paolo) de Vitor (of Brescia) from about 1750.  Here is one YouTube audio file of Wallfisch playing several Bach concertos.  Here is a short video by the Wallfisch Band playing Telemann.