Showing posts with label Julian Olevsky. Show all posts
Showing posts with label Julian Olevsky. Show all posts

Sunday, August 4, 2013

Julian Olevsky

Julian Olevsky (Julian Olewsky) was an American violinist and teacher born (in Berlin) on May 7, 1926 - Olevsky's mother was Russian and his father was Polish.  He was a highly respected and admired musician who died at a relatively young age.  At age 7, Olevsky began his studies with his father (Siegmund Olewsky), who was a professional violinist and leader of an orchestra in Berlin.  In 1935, the family had to move from Berlin (by way of Luxembourg) to Buenos Aires, Argentina, where they stayed for about 12 years and perhaps many more.  There, he first studied with Aaron Klasse for two years and then with Alexander Petschnikoff, both of whom were pupils of the famous Hungarian violin pedagogue Leopold Auer, although Petschnikoff also studied with Jan Hrimaly in Moscow.  At age 10, Olevsky made his recital debut and about two years later - in 1938 - made his debut with orchestra.  On that occasion, with the Orquesta Sinfonica Argentina under Austrian conductor Kurt Pahlen, Olevsky played the Glazunov concerto.  He was 12 years old.  Interestingly, Mischa Elman made his British debut with this concerto and Nathan Milstein and Efrem Zimbalist both made their U.S. debuts with this concerto as well.  It has been said that Fritz Busch (brother of violinist Adolf Busch) conducted the orchestra for Olevsky's debut but such is not the case.  However, he later did play (in that same year, 1938) with an orchestra conducted by Fritz Busch - Orquesta de la Asociacion Wagneriana (Orchestra of the Wagner Association) - at the Teatro Presidente Alvear.  The work on the program was Mozart's Sinfonia Concertante (for violin and viola) and the violist was Andre Vancoillie.  Olevsky went on to present his Teatro Colon debut (in Buenos Aires - similar to playing a Carnegie Hall debut in the U.S.) in 1942 with the Philharmonic Orchestra of Buenos Aires with Juan Jose Castro on the podium.  Olevsky subsequently toured South America extensively and eventually came to reside in the U.S. (1947.)  He was 21 years old.  I could not find any reference stating that he had ever attended a conservatory so it is quite possible that all of his music studies were done privately.  In 1949, he made his New York debut at Town Hall.  Between 1947 and 1949, he had devoted much of his time to studying and enriching his recital repertoire.  During that time he also briefly studied with Raphael Bronstein, another pupil of Leopold Auer.  His appearance at Town Hall was highly successful and much-praised.  His accompanist was Wolfgang Rose', Mischa Elman's former accompanist.  Until 1965, Rose' would remain his accompanist for concerts and recordings.  In 1950, Olevsky played his first recital at Carnegie Hall.  He played three more recitals there over the course of his career.  He went on to play in most of the great halls around the world and with some of the great orchestras and conductors - too numerous to mention - who have since become icons and legends in the classical music firmament.  In 1965, he formed a duo with pianist Estela Kersenbaum with whom he toured and later recorded all of the Mozart Sonatas.  With the addition of cellist Paul Olefsky (Olevsky's cousin), the duo also performed as the Olewsky Trio, recording all of the trios by Brahms as well as trios by Arensky and Tchaikovsky.*  In 1967, Olevsky was appointed to a teaching position at the University of Massachusetts (Amherst), where he taught until the year he died.  His discography on the Westminster label is somewhat limited but includes twelve concertos of Vivaldi (including the Four Seasons with the Vienna State Opera Orchestra), Bach’s six works for unaccompanied violin, Lalo’s Symphonie Espagnole, the Brahms concerto, Bruch’s first concerto, Mendelssohn’s second concerto, and Wieniawski’s second concerto.  I don’t think all of the records have been digitized but you can still acquire one via record collectors – they usually run about forty dollars - although many of his recordings have also been re-issued on the Doremi label.  You will discover that music critics frequently compared Olevsky to Jascha Heifetz and David Oistrakh.  Here is a YouTube file of a performance by Olevsky.  His collection of orchestral and piano scores is now housed at the University of Massachusetts at Amherst.  Among the violins he played was the Emperor Guarnerius Del Gesu from 1738, one of the better-known Guarnerius violins.  That violin had been owned by one of Napoleon’s Military Assistants and that’s supposedly how it acquired its name.  None of that has actually been confirmed by anyone but is part of violin lore.  Olevsky died suddenly (in Amherst) on May 25, 1985, at age 59.  His students include Charles Sherba, Chris Devine, David Tasgal, Dean Radin, Eric Bachrach, Eric Tanner, Gerald Itzkoff, Matthew Hunter, and Steve Leonard.  
* I am indebted to Ms Estela Kersenbaum Olevsky for much of the information on this blog post. Her website pays tribute to this magnificent violinist, her late husband. 

Saturday, December 17, 2011

Longevity

I have been curious lately about the longevity - life span -  of concert violinists.  It seems most of them age rather well and die in old age.  Some have died young, of course, but, among the ones I surveyed here, half reached 80 years of age or more and the other half at least reached age 72.  I did a random check of twenty violinists born in the Twentieth Century (on this blog) and found the average age at death was 81.  The one lasting the longest died at age 99.  Curiously, among female concert violinists, a great number of them (comparatively) died young.  The ratio is, of course, skewed because, over time, there have been fewer women violinists than men.  Katya Tsukanova died at 17, Ginette Neveu died at 30; Arma Senkrah died at 36; Alma Rose' at 37; Eda Kersey at 40; Jitka Suranska at 40; Edith Volkaert at 42; Alma Moodie at 44; Maud Powell at 52; Ida Levin at 53; Johanna Martzy at 54; and Camilla Urso at age 59.  With time, that disproportion will correct itself since there appear to now be more female concert violinists than male.  Among the men who have died young are: Josef Hassid (26), Gregory Cardi (28), Eitan Silkoff (29), Nico Richter (29), Julian Sitkovetsky (32), Francois Prume (33), Ottokar Novacek (33), Ossy Renardy (33), Dmitri Kogan (38), Noel Pointer (39), Michael Rabin (40), Lucien Martin (42), Ferenc Vecsey (42), Andrei Korsakov (44), Henryk Wieniawski (44), Benjamin Godard (45), Tor Aulin (47), Joseph Ghys (47), Paul Kochanski (47), Carl Rosa (47), Christian Ferras (49), Karl Halir (50), Philippe Hirschhorn (50), Alfred Dubois (50), Chevalier De Saint George (53), Nicolai Berezowsky (53), Lucien Capet (55), Joseph Achron (56), Eddie South (57), Stuff Smith (58), Desmond Bradley (58), Leonid Kogan (58), Nicolo Paganini (58), Julian Olevsky (59), Grigoras Dinicu (59), and Vasa Prihoda (59).  On the other hand, Olga Rudge lived to age 100 and Roman Totenberg to age 101.