Aaron Rosand

Aaron Rosand is an American violinist born on March 15, 1927 (Heifetz was 26 years old.) He is known for his pure, lustrous tone, for championing (classical) Romantic music, playing in the Romantic style, and for his many years of teaching at the Curtis Institute (Philadelphia.) Rosand first studied with Leon Sametini (a pupil of Ysaye) in Chicago and later with Efrem Zimbalist (a pupil of Auer) at the Curtis Institute. He made his debut with the Chicago Symphony at age 10. He has been concertizing all over the world ever since. He is among the very few to have recorded the violin concertos of Jeno Hubay, Anton Arensky, Klaus Egge, and Claus Ogermann. Among his extensive discography is an unusual one featuring, among many other things, the violin Romances by Liszt, Svendsen, Sinding, Janacek, and Nielsen. He can be seen and heard on several videos on YouTube. On October 14, 2009, Rosand sold his Guarnerius violin (1741 - the Kochanski) for over ten million dollars. He had been playing it since 1957.

Guila Bustabo

Guila Bustabo (Guila Adelina Theressina Bustabo) was an Italian-Bohemian violinist born on February 25, 1916 (Heifetz was 15 years old.) She is remembered (if at all) for a brilliant career which ended prematurely. Bustabo later said: "Menuhin got away from his parents. He was lucky. I never got away from mine." She was the daughter of a domineering (some would say abusive) mother. Bustabo was actually born in Wisconsin (which is in itself unusual.) She began lessons with her mother before she was three years old. By age five, she was studying with Leon Sametini (a pupil of Ysaye) in Chicago. She is said to have played in the Chicago Symphony and the Chicago Grand Opera Company although that is debatable given her age at the time. After Sametini procured a scholarship for her (from Juilliard), she went to New York to study with Louis Persinger. Other pupils who were studying with Persinger at the same time (including Yehudi Menuhin) would later remember noticing bruises on her little arms and head when she would arrive in the morning. On November 2, 1929, she played the first movement from Wieniawski's F sharp minor concerto (a very difficult work) at a children's concert of the New York Philharmonic.  Bustabo again soloed with the New York Philharmonic on December 6, 1930, this time playing the first movement from Mozart's fifth violin concerto. She played Wieniawski’s d minor concerto in her New York, Carnegie Hall debut at age 15 (1931.) By 1934 she was touring Europe and even played the Sibelius concerto for Sibelius himself (by his invitation) in 1937. The old man was exceedingly impressed with her playing. Bustabo was, by then, also playing a Guarnerius violin which had been given to her as a gift by several admirers (including Toscanini.) Some sources say that Lady Ravensdale purchased the violin for her in 1934 after her London debut. Perhaps both versions are true. In 1938 and 1939 she appeared with the New York Philharmonic. Her last appearance with the philharmonic took place on January 10, 1948 - it was for a youth concert at Carnegie Hall.  She was by then 31 years old.  During the war years, Bustabo played almost exclusively in all the Nazi-occupied territories in Europe. After the war (1945), she was arrested by General Patton in France, though she was never charged. After that episode, word got around that she had been a Nazi sympathizer (if not a collaborator) and her solo career became somewhat inert, especially in the U.S. She was barely thirty years old. In 1949, she married an American military bandmaster (Edison Stieg.) It has been reported that violinist Yfrah Neaman heard her play in a recital at Wigmore Hall (London) in the late 1940s and “came away very disappointed.” With most of her engagements dried up, she took a teaching post in Innsbruck (Austria) in 1964. She ended up retiring in 1970 (at age 54) and settled in Birmingham, Alabama, with her mother. In Birmingham, she sat in the first violin section of the Alabama Symphony for five years, though she played like a soloist and could not sight read (please see comments below for a second opinion). She divorced her bandmaster husband in 1976 (or 1977 – accounts vary) and her mother (Blanche) finally died in 1992 (see comments below for a correction). Guila Bustabo herself died on April 27, 2002, in her two-room apartment in Birmingham, Alabama, at age 86. I do not know what became of her Guarnerius violin - one source says it was returned to its original owner. Bustabo’s recordings of the Bruch and Beethoven concertos with the Concertgebouw are still available. Bustabo's best known pupil is Judith Ingolfsson.