Iso Briselli

Iso Briselli (Isaak Briselli) was a Russian (Ukrainian) violinist born on October 20, 1912 (Heifetz was 11 years old.)  Although he concertized for over two decades, he is remembered (as is Franz Clement) for having commissioned a famous concerto – Samuel Barber’s violin concerto.  He began studies at age 3 and while still a child studied with Peter Stolyarsky before his family moved to Berlin (1922) where he began his studies with Carl Flesch.  Two years later, when Flesch moved to the U.S. to teach at the new Curtis Institute (Philadelphia), he encouraged Briselli to go with him.  He arrived in the U.S. - together with the Flesch family - in December of 1924.  Briselli entered Curtis during the winter of 1925 and thus became part of the very first class, at age 13, to enter Curtis.  After Flesch left Curtis (1928), Briselli studied with Leopold Auer and Efrem Zimbalist, among others.  He graduated in May, 1934.  Soon after Briselli arrived in the U.S., a rich Philadelphian – Samuel Fels - informally adopted Briselli and became his patron as well.  Briselli made his debut in 1926 with the Philadelphia Orchestra under Artur Rodzinski, playing the first Paganini concerto.  He was 14 years old.  In 1939, Fels engaged (for $1000) the unknown Barber – who was a fellow Curtis student, although much older - to write a concerto for Briselli.  The concerto was finished in December of 1939.  The myth about Briselli finding the third movement of the concerto too difficult started with Barber and a writer by the name of Nathan Broder.  It was documented later on by Barbara Heyman, a Samuel Barber biographer (1992), that the story was wholly untrue.  Thousands of historically incorrect concert program notes (and liner notes for albums) have been written since Broder’s false story first came out.  Although Barber knew the true facts, he never did anything to set the record straight.  At the time of the commission, Briselli was already a brilliant violinist who regularly played the works of Paganini, Wieniawski, Sarasate, Vieuxtemps, Ysaye, Bruch, Mendelssohn, Beethoven, Dvorak, and all the rest.  It is logical to suppose that the third movement of the Barber would have posed no serious challenges.  Indeed, Briselli never said the movement was too difficult or unplayable.  He objected to the music itself – it did not musically fit the other two movements and it was not an appropriate finale and not grand enough – speaking from a traditional point of view, it was too weak.  It is interesting that critics who first heard the concerto agreed with Briselli’s opinion, though they did not know it at the time.  Briselli never played the concerto in public.  Briselli stopped concertizing in the mid 1940s to devote his time to the various Fels Fund philanthropic projects.  He died on April 9, 2005, at age 92. 

Louis Kaufman

Louis Kaufman was an American violinist born on May 10, 1905 (Heifetz was four years old.) He was probably the most recorded violinist of all time, though Heifetz and Ricci can claim the same thing. He played for the soundtracks on as many as 500 movies and also made 125 recordings on 30 different labels. It has been said that his tone was similar to Heifetz’. Kaufman began to study at Juilliard with Franz Kneisel at age 13. His solo debut took place at Town Hall in 1928 and was very successful. He played viola in the Musical Art Quartet for seven years (1926-1933.) Among his chamber music colleagues were Jascha Heifetz, Pablo Casals, Mischa Elman, Fritz Kreisler, and Efrem Zimbalist. His 1947 recording of Vivaldi’s Four Seasons brought Vivaldi’s music to the general public’s attention, though violinist Olga Rudge (Ezra Pound’s mistress) is given credit for rediscovering Vivaldi in Italy, just as Mendelssohn is credited with rediscovering Bach’s music. (Alfredo Campoli is credited with the first recording of the Four Seasons - in 1939 from a radio broadcast - and Bernardo Molinari with the second - in 1942.) A YouTube post of Kaufman playing the third concerto of Camille Saint Saens is available here.  If Heifetz had recorded the Saint Saens concerto, it might have sounded something like that.  Kaufman also championed the works of many contemporary composers, Francis Poulenc and Darius Milhaud among them.  Even while he worked for the movie studios, he concertized around the world.  Among the hundreds of movie soundtracks his violin is heard in are Casablanca, The Grapes of Wrath, Cleopatra, and Gone With The Wind. Kaufman was also the first to record Samuel Barber’s violin concerto. His autobiography, published in 2003, is titled A Fiddler’s Tale. Kaufman died on February 9, 1994, at age 88.

Albert Spalding

Albert Spalding was an American violinist, composer, writer, and teacher born (in Chicago) on August 15, 1888 (Brahms was 55 years old.) It has been said that he was the first American-born violinist of international stature. Aside from being a superlative virtuoso, he is remembered for many different things. Spalding was an early recording pioneer, playing for over 100 recordings, mostly for the Edison Company. He was also a member of the armed forces twice – during World War One and World War Two, serving in what today would be known as the Intelligence branches. Spalding premiered Barber’s violin concerto (February, 1941) when the violinist who commissioned it (Iso Briselli) refused to play it. He wrote two violin concertos (among other things), though they are no longer played. In the 1920s, he was one of the first to play classical music concerts on the radio. His uncle was a Hall-of-Fame baseball player (pitcher) who began a world famous sporting goods company. Spalding began his violin studies at age 7. His first lessons were in Florence, Italy. He also studied in New York, Paris, and Bologna. At the age of 14, he received his degree and title of Professor of Music from the Bologna Conservatory. He made his public debut in Paris at age 16 (1906) with the third Saint Saens Concerto. With the composer on the podium, Spalding played the same concerto in Florence a year later and received much praise. He then appeared in London and Vienna. On November 8, 1908, he made his American debut in New York (with the New York Symphony, under the baton of Walter Damrosch.) In 1909, he toured the U.S. with the Dresden Philharmonic. He was 21 years old.  From that point forward – except for the two breaks taken to serve during World Wars One and Two - he concertized throughout the world. Spalding retired in May of 1950, just after having played with the New York Philharmonic for an audience of 20,000 in New York. He taught at Boston College and Florida State University. Spalding also wrote his autobiography (1946) and a novel (1953.) He died unexpectedly in New York on May 26, 1953, at the age of 64.