Showing posts with label Wilma Neruda. Show all posts
Showing posts with label Wilma Neruda. Show all posts

Sunday, May 19, 2019

Wilma Neruda

Wilma Neruda (Wilhelmine Maria Franziska Neruda aka Madame Norman-Neruda aka Lady Halle) was a Czech (Moravian) violinist and teacher born (in Brno) on March 21, 1838.  (As far as I could determine, her year of birth is still in question - it could be 1838, 1839, or even 1840.)  She was very famous and influential in her day but now – even among serious music enthusiasts – is largely forgotten.  However, her name will be immortal in music history for the fact that she married one of the best known names in the conducting world, Charles Halle, founder of the Halle Orchestra.  She began violin studies with her father, Josef Neruda, at age 4.  At age six, Neruda began studying with Leopold Jansa, in Vienna.  Jansa was also the teacher of Composer Karl Goldmark.  At age 7, she made her public debut in Vienna, with her sister at the piano, playing a Bach violin sonata.  In 1848, she made her English debut in London – she was 10 years old.  (One source gives the date as June 11, 1849.)  In 1852, she presented a series of concerts in Moscow.  It has been said that none other than Henryk Wieniawski considered her one of his main rivals.  In 1859, Neruda formed the Neruda Quartet, comprised of three of her siblings and herself as first violinist.  She was 20 years old.  She subsequently enjoyed a very busy and successful career.  In 1864, she married F. W. Ludwig Norman, a well-known Swedish musician, and subsequently presented herself as Wilma Norman Neruda.  The couple separated after four years and she soon moved to London – she had not returned to England since 1848.  She was now 30 years old.  In 1869, she was named professor of violin at the Royal Music Academy in Stockholm.  Many years later, in 1888, Neruda married Charles Halle and, after Halle was knighted that same year, became Lady Halle.  She and Halle, who was an accomplished pianist, had participated in many chamber music concerts together before their marriage and continued to do so afterward.  In 1890, they toured Australia.  In 1895, they toured South Africa.  Shortly after her husband died in October of 1895, she was gifted a palace in Italy (near Venice) by several members of the aristocracy.  She resided there for a while.  In 1899, four years after Halle died, she toured the United States and Canada.  Although she retired from concert life at age sixty, she continued to perform sporadically.  In late 1898, she moved to Berlin to teach, but continued to live part of the year in London.  In 1907, she played at the memorial concert for Joseph Joachim.  Neruda played a Stradivarius violin from 1709 (or 1710), known as the Vieuxtemps Strad.  The violin was a gift to her made (by several members of the aristocracy) in 1876.  She also owned several other violins.  Neruda died on April 15, 1911, in Berlin, at age 73. 

Tuesday, August 28, 2012

William Kroll

William Kroll was an American violinist, teacher, and composer born (in New York) on January 30, 1901.  As were violinists Joseph Achron, Christian Sinding, Benjamin Goddard, Ottokar Novacek, and Arthur Hartmann, he is famous for a single composition, Banjo and Fiddle, which most concert violinists learn and play at one time or another.  He began his violin studies with his father (a violinist) at age 4.  At age 9 or 10, he went to Berlin to continue his studies with Henri Marteau, Joseph Joachim’s successor at the Berlin Advanced School for Music.  He returned to the U.S. after World War I broke out in 1914.  In New York, he studied at Juilliard (Institute of Musical Arts) with Franz Kneisel from 1916 to 1921.  He actually made his public debut in New York at age 14.  One source describes his debut as “prodigious.”  Although Kroll concertized as a soloist in Europe and the Americas, he dedicated a great deal of time to chamber music as a member of various chamber music ensembles, well-known in their time: the Elshuco Trio (William Kroll, Willem Winneke, and Aurelio Giorni, 1922-1929), the South Mountain Quartet (1923-), the Coolidge Quartet (William Kroll, Nicolai Berezowsky, Nicolas Moldavan, and Victor Gottlieb, 1936-1944), and the Kroll Quartet (William Kroll, Louis Graeler, Nathan Gordon, and Avron Twerdowsky, 1944-1969.)  The Coolidge Quartet was being paid $400.00 per concert in 1938, a good sum in those days – the equivalent of $6,550.00 today.  From a very early age, he taught at several music schools, namely Juilliard (1922-1938), Mannes College (1943-), the Peabody Conservatory (1947-1965), the Cleveland Institute (1964-1967), and Queens College (1969-)  Kroll made very few commercial recordings but an interesting one is a recording of three Mozart Sonatas available here for about $120.00.  It includes the famous K454 sonata which Mozart wrote in 1784 for Regina Strinasacchi, one of the very first female concert violinists.  You can listen to a short Kroll recording on YouTube here.  Among his violins were a 1709 Stradivarius (the Ernst Strad, aka as the Lady Halle Strad, owned and played by Heinrich Ernst, and, later, by Wilma Neruda) and a 1775 G.B. Guadagnini.  Kroll died (in Boston) on March 10, 1980, at age 79.