Karl Halir

Karl Halir (Carl Halir) was a Czech violinist, teacher, and composer born on February 1, 1859.  In his day, he was famous for his interpretation of the Beethoven concerto.  However, he is also remembered for having played the first performance of the revised version – the version now commonly heard today – of the Sibelius concerto.  He was also a very tall man with an imposing presence, as were August Wilhelmj and Erick Friedman (and is Arnold Steinhardt.)  It has been said that in his hands, the violin looked like a toy.  His father was his first violin teacher.  At the Prague Conservatory he studied under Antonin Bennewitz (teacher also of Josef Suk and Otakar Sevcik) and later (from age 15) with Joseph Joachim in Berlin, at the Advanced School for Music.  Upon graduation, Halir joined Benjamin Bilse’s Band in Berlin, the precursor of the Berlin Philharmonic.  He was either the concertmaster of this band or played among the first violins.  I do not know for sure.  He was concertmaster also of the orchestra at Konigsberg in 1879.  He was 20 years old.  Two years later, he became concertmaster in Mannheim and remained for 3 years.  One source states that after Konigsberg, he spent two seasons in Italy as part of the private orchestra of a Russian nobleman.  In 1884, he was appointed concertmaster of the orchestra in Weimar (Grand Ducal Court Orchestra) and was there for 10 years (1884-1894.)  That same year, as part of the Bach Festival, he and Joachim played the Bach concerto for two violins in Eisenach to great acclaim.  He was 25 years old.  Joachim was more than twice his age.  Halir much later (in 1897) joined Joachim’s string quartet as second violinist – the quartet had originally been formed in 1869.  After Joachim’s death, Halir formed his own quartet.  After leaving the Weimar orchestra in 1894, he became concertmaster of the Berlin Court Opera orchestra and teacher at the school from which he had graduated (the Hochschule fur Musik) – he taught there until the day he died.  In Berlin, he also formed a piano trio which included pianist George Schumann and cellist Hugo Dechert.  All the while, he continued his solo concerts and recitals.  In 1888, Halir played the Tchaikovsky concerto in Leipzig.  Tchaikovsky was at the performance and was so impressed with the concert he later described it as a memorable day.  In 1896, Halir toured the U.S.  He arrived on November 4, 1896, for a 25-concert tour.  For the tour, Joachim lent Halir his Red Stradivarius of 1715 (now called the Joachim Strad – not to be confused with the Red Mendelssohn), said to be worth $12,000 at the time.  That violin was a gift to Joachim from the City of London in 1889.  It went to Joachim’s nephew, Harold Joachim, upon Joseph Joachim’s death.  Today, it is in Cremona, Italy and is worth more than $12,000.  Joachim’s generosity was a further sign of the affection and respect he had for Halir.  Halir’s itinerary included the cities of Chicago, Minneapolis, Milwaukee, Cambridge, Boston, Baltimore, Washington, Philadelphia, and New York, among other places.  On November 13, 1896, in New York, he made his U.S. debut with the Beethoven concerto.  On December 4, he gave the U.S. premiere of Spohr’s eighth concerto.  On October 19, 1905, in Berlin, with Richard Strauss conducting the Berlin Philharmonic, Halir gave the famous performance of the final version of the Sibelius concerto.  He also played one of Charles Loeffler's violin works at that same concert.  In Berlin, most of his students were American violinists.  Among other things, Halir wrote violin etudes and scale studies and a cadenza for the Brahms concerto, works which are not well-known today.  Halir died (in Berlin) on December 21, 1909, at age 50. 

Joan Field

Joan Field was an American violinist born (in Long Branch, New Jersey) on April 28, 1915 (Heifetz was 14 years old and would live an additional 72 years.)  She is a very rare example of an American concert violinist who never attended an American music school, although she studied privately with Albert Spalding (teacher at Boston College), Franz Kneisel (teacher at Juilliard), and Michel Piastro (Concertmaster of the NBC Symphony under Toscanini and the New York Philharmonic under Rodzinski.)  (In fact, Nicolo Paganini, Zino Francescatti, and Alexander Markov never formally attended a conservatory either.  For the record, neither did Daniel Barenboim.)  She began violin studies at the age of 5.  One source states that her earliest teacher was pianist Andre Benoist, whom, it is said, discovered her.  From age 10, in Europe (Paris, France), she studied with Jacques Thibaud and George Enesco, among others.  At age 14, she returned from Europe (1929) and continued her studies, most likely with her former teachers.  Her debut in Town Hall in New York City took place five years later, in 1934.  She was 19 years old.  Benoist was her accompanist, accompanist also of Jascha Heifetz, Pablo Casals, and Albert Spalding.  The program included the violin concerto of Ernst von Dohnanyi (Opus 27 in d minor), a seldom-performed work.  The review of the performance (in the New York Times) stated that "Miss Field's playing is that of a thoughtful, sensitive, and fastidious musician."  From that point forward she regularly concertized and recorded, in the U.S. and in Europe, playing with all of the major orchestras.  In 1937, she played at the White House, hosted by President Franklin Roosevelt and First Lady Eleanor Roosevelt.  She first soloed with the New York Philharmonic in Carnegie Hall on March 25, 1939, playing Wieniawski’s second concerto.  In 1944, she began a successful radio career at WQXR in New York (the same station which violinist Eddy Brown helped found in 1930), eventually writing, producing, and performing in more than 200 weekly programs.  She premiered the violin concerto of prodigious (though unknown) composer Mana-Zucca (Augusta Zuckerman) which was probably written for her.  Eddy Brown later recorded the concerto.  Field also premiered Sergei Prokofiev’s second violin sonata in the U.S.  She was the first to record Charles Ives’ first violin sonata (1951) as well – she had already been playing his violin works for some time.  Her playing (for an October, 1948 Town Hall recital) was described as being “uncommonly satisfying.”  Coming from a professional New York music critic, that wording is itself very uncommon and an exceedingly high compliment.  Decca signed her to a recording contract in 1958 and one of the first works recorded by her for this label was Spohr’s eighth violin concerto - she was only the third violinist to record the work.  (Georg Kulenkampff was the first to record it, in 1935, and Heifetz was the second, in 1951.)  One of her rare recordings – now out of print - can be found here.  Although YouTube has no videos of her playing, a Facebook fan page can be found here.  Until 1968, Field played the Joseph Joachim Stradivarius violin (1698) which is now in Geneva, Switzerland.  She retired (in Florida) in 1965, at age 50.  (Iso Briselli retired from the concert stage at age 35.  On the other hand, at age 89, Ivry Gitlis is still giving concerts.)  Joan Field died in Miami Beach on March 18, 1988, at age 72.  As far as I know, she only taught privately.