Favorite Performances

This is a list of my favorite performances or recordings of the standard violin concerto repertoire, and perhaps a couple that are not yet so standard.  The word “favorite” does not necessarily mean “best,” it just means the one I enjoy the most or the one that speaks to me best or the one I favor for reasons I can’t readily explain.  Just as are my choices of violinists who are profiled here, the list is completely arbitrary.  You will notice that Heifetz figures somewhat prominently and perhaps he would have been named even more times but there are many concertos which he – to the best of my knowledge - never recorded: the Barber, Berg, Dvorak, Haydn, Khachaturian, Mendelssohn 1, Saint Saens 3, Schoenberg, Schumann (!!!), Shostakovich, Stravinsky, and Vivaldi.  Heifetz is named 12 times; Isaac Stern is named 1 time,  Gil Shaham is named 2 times; Michael Rabin is named 2 times; all the rest only once.  Not counting Vivaldi, there are 42 concertos included. I also threw in a few concert favorites which are not concertos but are very frequently played. 

Actor                        Pip Clarke

Bach 1                      Vladimir Spivakov

Bach 2                      Isabelle Faust

Barber                      Elmar Oliveira

Beethoven                Arabella Steinbacher

Berg                         Ivry Gitlis

Brahms                     Jascha Heifetz

Bruch 1                     Isaac Stern

Bruch 2                     Jascha Heifetz

Conus                       Jascha Heifetz

Dvorak                     Joseph Suk

Elgar                        Jascha Heifetz

Glazunov                  Ilya Kaler

Haydn 1                    Judith Ingolfsson

Khachaturian            Leonid Kogan

Korngold                  Jascha Heifetz

Lalo 2                       Joshua Bell

Mendelssohn 1         Yehudi Menuhin

Mendelssohn 2         Gil Shaham

Mozart 3                   Arthur Grumiaux

Mozart 4                   JuliaFischer

Mozart 5                   Jascha Heifetz

Paganini 1                Michael Rabin

Paganini 2                Tedi Papavrami

Paganini 3                Henryk Szeryng

Paganini 4                Uto Ughi

Paganini 5                Salvatore Accardo

Prokofiev 1              Jascha Heifetz

Prokofiev 2              Jascha Heifetz

Saint Saens 3           Zino Francescatti

Schoenberg              Zvi Zeitlin

Schumann                Frank Zimmermann

Shostakovich 1        Leonid Kogan

Shostakovich 2        Itzhak Perlman

Sibelius                    Jascha Heifetz

Stravinsky                Hilary Hahn

Tchaikovsky            Tossy Spivakovsky

Vieuxtemps 4           Jascha Heifetz

Vieuxtemps 5           Jascha Heifetz

Vivaldi 1-50             Fabio Biondi

Vivaldi 50-100         Giuliano Carmignola

Vivaldi 100-150       Simon Standage

Vivaldi 150-200       Enrico Onofri

Walton                     Jascha Heifetz
Wieniawski I           Gil Shaham 

Wieniawski II         Michael Rabin 

Zigeunerweisen       Joseph Lendvay 
Zigeunerweisen      Arthur Grumiaux 
Zigeunerweisen       Mischa Elman 

Zigeunerweisen       Leila Josefowicz 
Tzigane                    Jascha Heifetz 

Poeme                      Jascha Heifetz 
Rondo Capriccioso Leila Josefowicz 

Bach Chaconne       Viktoria Mullova 

Lee Actor

Lee Actor is an American violinist, composer, and conductor with an unfolding career as a very successful composer, a career which almost happened as a second thought.  He is also an electrical engineer and has worked for years in the Information Technology field as well as the video game industry.  The dual endeavors are not as far apart as many would imagine – not nearly.  Music and Science – especially mathematics – are intimately intertwined.  Actor’s engineering degrees are from Rensselaer Polytechnic Institute (1970-1975, Troy, New York, about 150 miles north of New York City), one of the top science schools in the country.  Simultaneously studying music and science, he chose to pursue science upon graduation and worked at GTE in Boston for several years.  One of his violin professors was Angelo Frascarelli.  Although he began violin studies at age 7, kept up his pursuit of music studies at Rensselaer, played violin and viola in the Albany (New York) Symphony for three years (1972-1975), Actor also devoted  time to composition.  While working full-time, he studied conducting privately with David Epstein at MIT (Boston, 1975-1978) and composition with Donald Sur.  Up until 1978, Actor was playing violin in various orchestras on a regular basis and was composing chamber music works in his spare time.  Three years later (1979), he found himself in Silicon Valley (California), working in the IT field but  taking advanced courses in music as well.  While there, Actor secured his Master’s degree in composition from San Jose State University (1982) and pursued further studies at the University of California at Berkeley.  In 1982, Actor went to work for a start-up video game company.  The industry was in its infancy.  That led to his starting his own video game development company in 1988.  In 1997, he was one of three founders of Universal Digital Arts, a subsidiary of Universal Studios.  Finally, in 2000, he went to work as Director of Engineering for yet another high-tech start-up and retired from the industry one year later.  All this time, music had never been far away.  It is interesting that several famous musicians in history have had other careers, almost simultaneously as they were playing or writing music – Jean-Marie Leclair, Charles Dancla, Pierre Baillot, Alexander Borodin, Modest Mussorgsky, Ignace Paderewski, Camille Saint Saens, Charles Ives, and Efrem Zimbalist come to mind.  In 2001, Actor was invited to fill the Assistant Conductor post with the Palo Alto Symphony.  However, Actor had already been conducting various orchestras since 1974.  He was later (2002) appointed Composer-in-Residence of the same orchestra and thus began to compose prolifically.  As far as I know, Actor does not devote much time to small-scale works.  Every review of his orchestral music consistently praises his skills, originality, and ingenuity as a composer.  Actor has mostly put the violin aside – as have Alan Gilbert, Lorin Maazel, David Zinman, Jap Van Zweden, and a few other violinists – in favor of other pursuits in music, composition and conductng.  English violinist Leonard Salzedo used to play violin in the Royal Philharmonic (UK) and actually continued playing in that orchestra for quite some time while devoting a lot of his spare time to composition – mostly ballet music.  That, however, is rare.  Other violinists who turned from playing to other endeavors include Theodore Thomas, Victor Young, Eddy Brown, Patricia Travers, Iso Briselli, Pierre Monteux, Joseph Achron, Eugene Ormandy, and Arthur Judson.  Actor has composed concertos for horn, alto saxophone, timpani, guitar, and violin, as well as various orchestral works, including two symphonies, and most of his works have already been recorded as well, by both European and American orchestras.  It is an enviable record for someone “new” to the composition scene, so to speak.  A typical comment from a critic reads: “[the work] is an incredible tour de force, written by an immensely talented composer.”  About his violin concerto, Pip Clarke (the English violinist for whom it was written), says “The music is exciting, passionate, and highly romantic,...filled with beautiful melodies and writing throughout.”  At a time when most music schools here and abroad shun melody, structure, and tonality, Actor is a true iconoclast.  A video of his Horn Concerto can be found here.  As Bronislaw Huberman always said, the true test of permanence in art has always been audience acceptance and Lee Actor has tons of it to spare.  It’s actually a very good thing that he turned from violin playing to composition.  One of my next blogs will focus on his violin concerto.  

Pip Clarke

Pip Clarke is a British violinist and teacher who, although concertizing all over the world, has been living in the U.S. since 1990.  She is known for playing in a very Romantic and expressive manner and is frequently compared to legendary violinists Ruggiero Ricci, Jascha Heifetz, and Tossy Spivakovsky.  Her tone has been described as haunting and her style as breathtakingly romantic, though that description might be far too limiting.  She also has in her repertoire a work which is a particular favorite of mine – the Bruch second concerto in d minor, which is seldom played nowadays.  Clarke is also one of only two violinists I know of who does not have a website – Silvia Marcovici is the other.  She has appeared with over 70 orchestras in the U.S. alone and has appeared in recital in the most important venues in Canada, Asia, and Europe.  Clarke began her music studies on the piano at age 5 (in Manchester, England) and her violin studies (with Ruth Parker) two years later.  For six years she studied with Roger Raphael at Chetham’s School of Music in Manchester, then with Lydia Mordkovitch (pupil of David Oistrakh) at the Royal Northern College of Music and later still with David Takeno at the Guildhall School of Music in London.  Her public debut was at age 16 at the South Bank Center in London.  She embarked on her very busy career upon graduation and has been concertizing ever since.  Clarke also appeared on British television with English composer and conductor Michael Tippett.  Her American debut took place on October 27, 2007 at Carnegie Hall with the Korngold concerto.  Although her repertoire encompasses all of the standard concertos, she is especially lauded by critics for her interpretations of Bruch’s Scottish Fantasy, and the Walton, Korngold, Goldmark, and Dvorak violin concertos.  Reviewing a recent CD release, a well-known critic said: “She blazes impetuously with plenty of dash and brio...she’s no mere purveyor of bland, unruffled, unengaged precision.”  Of her first CD release, Musical Opinion (the oldest classical music journal in England) wrote that it included “one of the most compelling accounts on record of Chausson’s Poeme.”  One of her most recent recordings is of Lee Actor’s brilliant and unabashedly romantic violin concerto, a work commissioned especially for her.  You can listen to it here.  As almost all concert artists now do today, Clarke participates in music festivals far and wide, including the well-known Ravinia Music Festival near Chicago.  Clarke also gives master classes in the U.S. and Europe.  In recital and in recordings, her accompanists have usually been pianists Sandra Rivers (accompanist of Sarah Chang as well), Scott Holshouser, and (composer-pianist) Marcelo Cessena.  Clarke has played violins by Joseph Guarnerius and Matteo Goffriller, but her present violin is a modern (1983) violin by Sergio Peresson.  Other musicians who own or have owned Peresson’s instruments include Yehudi Menuhin, Pinchas Zukerman, Isaac Stern, Norman Carol, Jaime Laredo, Eugene Fodor, Ivan Galamian, Mstislav Rostropovich, and Jaqueline du Pre.  If you’ve been reading this blog for a while, you might recall that Peresson was a Philadelphia violin maker (luthier) whose instruments were in so much demand, he had to stop taking orders for violins in 1982.  As far as I know, their sound is indistinguishable from the very best Stradivarius or Guarnerius violins.