Sayaka Shoji

Sayaka Shoji is a Japanese violinist born (in Tokyo) on January 30, 1983.  She gained considerable attention after winning the Paganini Violin Competition at age 16 (in 1999), the youngest competitor to ever do so and the first Japanese violinist to win the gold medal at that competition as well.  Although she spent her very early childhood in Italy, she began her violin studies in Japan, at age 5.  Among her first teachers (in Tokyo) were Kazuko Yatani and Reiko Kaminishi.  At 15, she moved to Germany for further study.  At 21, she graduated from the Advanced School for Music in Cologne where her main teacher was Zakhar Bron, although she also studied with Uto Ughi and Shlomo Mintz, among others.  (Bron’s other famous pupils have been Maxim Vengerov, Daniel Hope, Mayuko Kamio, and Vadim Repin.)  Needless to say, Shoji has performed with every major orchestra and most of the world’s illustrious conductors.  Her first appearance with the Berlin Philharmonic was at the Salzburg Easter Festival in 2002, playing Bruch’s first concerto.  Mariss Jansons was on the podium.  She first appeared with the New York Philharmonic on October 7, 2004 playing the first Prokofiev concerto under the baton of the late Lorin Maazel.  She was 21 years old.  Her repertoire includes three works seldom heard in concert: the Schumann, the Mendelssohn (in d minor), and the Max Reger concertos.  As far as I know, Shoji has already recorded the Reger concerto but not yet the Schumann or Mendelssohn’s first concerto.  Typical reviews from informed, respected, and experienced music critics read as follows:”…virtuosity of the highest order, …infused with poetry, …passionate, free, with an emotional intensity that many violinists will never achieve.”  Her spectacular rendition of the Brahms concerto can be seen and heard here.  In my opinion, the only performance which rivals it is the Heifetz rendition, and that, for me, is saying a lot.  Shoji mostly records for the Deutsche Grammophon label.  Volume 4 of her recording of all (10) Beethoven violin sonatas will be released in 2015.  Her violin is the Recamier Stradivarius from 1729.  Shoji’s photo (used here, slightly modified) is courtesy of Nikolaj Lund, well-known European photographer of classical musicians and classical music subjects.   

Hans Letz

Hans Letz (Jean Letz) was a German violinist born (in Ittenheim) on March 18, 1887.  He is mostly remembered as a teacher of many students at Juilliard (New York.)  He studied at the Strasbourg Conservatory and at the Berlin Royal Academy of Music with the famous Joseph Joachim (1831-1907), concertized in Europe for a while then came to the U.S. in June of 1908.  He was 21 years old.  He soon joined the Chicago Symphony (in 1909) and was appointed concertmaster in 1910.  Theodore Thomas had already left the scene, so to speak.  Letz left this position in the spring of 1912 and in May of that year joined the Kneisel Quartet (the best string quartet in the country according to several critics) as second violinist.  (For some odd reason, Chicago Symphony concertmasters do not stay on for long periods, unlike other top orchestra concertmasters at the New York Philharmonic, the Boston Symphony, the Cleveland Orchestra, and the Philadelphia Orchestra.)  Letz also began teaching at the Institute of Musical Art (now Juilliard) in 1912 and continued doing so until 1920.  When Kneisel disbanded the quartet in 1917, Letz formed his own – the Hans Letz Quartet it was called.  It was active until 1925.  It is doubtful that any recordings of the quartet exist – I do not know.  Letz then again taught at Juilliard (the Institute of Musical Art) from 1925 onward.  He was 38 years old.  Letz retired from Juilliard in 1960, though he took two years off between 1956 and 1958.  He had been there more than forty years.  Letz played a Pressenda violin from 1829, a Guadagnini from 1783, a Testore from 1739, and a Montagnana from 1730.  The Guadagnini eventually ended up in the hands of Lorin Maazel, a sometime violinist who became a conductor - he sold it late last year for an undisclosed sum.  Letz is said to have favored a small, refined tone, especially suited to chamber music.  Among Letz’ many pupils are Mary Canberg, Dorothy DeLay, Sally Thomas, Vittorio Giannini, Anatoly Kaminsky, Robert Kurka, Peter Marsh, Calvin Sieb, Andor Toth, and Patricia Travers.  Hans Letz died (in Hackensack, New Jersey) on November 14, 1969, at age 82, largely forgotten.