Mayu Kishima

Mayu Kishima is a Japanese violinist born (in Kobe, Japan) on December 13, 1986.  She is known for having won one of the largest (if not the largest) monetary prizes in a violin competition – the Isaac Stern Violin Competition in Shanghai awarded her a first prize of $100,000 in 2016.  That was a competition that she almost decided not to enter until the last minute.  Kishima began her violin studies in Tokyo at age 3 and has had quite a number of teachers during her career, including Izumi Hayashi, Kazuyo Togami, Toshiya Eto, Dorothy DeLay, Masao Kawasaki, Machi Oguri, Chihiro Kudo, and Zakhar Bron (with whom she began studying at age 13.)  She graduated from the Advanced School for Music in Cologne in 2012.  She was 26 years old.  By then however, she had already established herself as a concert artist, having begun her professional career in the year 2000 at age 14.  Kishima made her first studio recording in 2003 with the NHK Symphony.  Needless to say, she has played all over the world with some of the finest orchestras and conductors.  Among the violins she has played are a 1779 G.B. Guadagnini and a Stradivarius from 1700.  Here is one of many YouTube videos posted of her performances.  Here is another.  

Mari Samuelsen

Mari Samuelsen (Mari Silje Samuelsen) is a Norwegian violinist born (in Hamar, Norway) on December 21, 1984.  She is well-known for having the most views for one of Vivaldi’s Four Seasons concertos on YouTube – more than 31,729,000.* (Please see updates below.)  That is probably a record for a classical musician on YouTube. It is a really superb performance.  The video is posted on Samuelsen's own channel on YouTube which has 97 thousand subscribers.  However, although she is a supremely gifted artist and technically brilliant, her discography is truly tiny – the reasons for that, as far as I know, are a mystery.  She began violin lessons at age 3 then began studying with Norwegian violinist and teacher Arve Tellefsen from age four.  After about ten years, she began studying with Stephan Barratt Due in Oslo.  She also later studied with well-known pedagogue Zakhar Bron in Switzerland.  In addition, she attended masterclasses with Ivry Gitlis, Ana Chumachenco, Midori, Donald Weilerstein, Pamela Frank, and Robert Mann.  Samuelsen’s career is well-established in Europe although she has performed in several venues in the US as well.  She has also played with several major orchestras led by high profile conductors in some of the world’s great concert halls.  As far as I know, she has never entered any violin competitions.  On August 25, 2016, Samuelsen and her cellist brother (with whom she frequently performs as a duo) gave the American premiere (with the Los Angeles Philharmonic) of a work for violin and cello by the late film composer James Horner.  Samuelsen plays a 1773 Guadagnini violin on loan from a Norwegian foundation.  Here is one YouTube video of hers (Vivaldi) and here is another (variations on the theme God Save the King by Adrien Servais and Joseph Ghys.) 

Boris Belkin

Boris Belkin (Boris Davidovich Belkin) is a Russian violinist and teacher born (in Yekaterinburg – aka Sverdlovsk) on January 26, 1948.  He began his violin studies at age 6.  One year later, he made his first public appearance with Kiril Kondrashin on the podium.  He was a student at the Central Music School (for specially gifted children) in Moscow, a branch of the Tchaikovsky Conservatory.  At the Moscow Conservatory, his teachers – among others – were Yuri Yankelevich (teacher also of Leonid Kogan, Ilya Kaler, Zakhar Bron, Vladimir Spivakov, and Ruben Aharonyan), Maya Glezarova (assistant to Yuri Yankelevich), and Felix Andrievsky.  He began his concertizing career in Russia while still a student, a very common practice everywhere.  In 1974, at age 26, he left Russia and settled in Western Europe.  (He had applied to take part in the Paganini Competition in Genoa but the authorities denied him a visa so he then applied to emigrate to Israel and from there, he made his way to Belgium.)  He has appeared with virtually every major orchestra in the world.  He performed the Tchaikovsky concerto with the New York Philharmonic and Leonard Bernstein on April 22 and 24, 1975.  On June 6 and 7, 1978, he played the Tchaikovsky concerto with the Berlin Philharmonic.  Belkin's discography is not extensive by any measure but it includes the rarely performed Strauss concerto.  He began teaching in Italy – at the Accademia Chigiana (founded in 1932) – in 1986.  He also teaches in the Netherlands at the Advanced Music School (College of Music) in Maastricht (about 90 miles south east of Amsterdam – the city is a lot closer to Cologne, Germany and Brussels, Belgium than it is to Amsterdam.)  Belkin has played a Stradivarius from the Russian State collection, a 1754 Guadagnini, and two modern violins (1994 and 2007) by Roberto Regazzi.  For many years, he has used a bow made by a famous maker - Daniel Tobias Navea Vera.  Here is one of Belkin’s YouTube files.  

Sayaka Shoji

Sayaka Shoji is a Japanese violinist born (in Tokyo) on January 30, 1983.  She gained considerable attention after winning the Paganini Violin Competition at age 16 (in 1999), the youngest competitor to ever do so and the first Japanese violinist to win the gold medal at that competition as well.  Although she spent her very early childhood in Italy, she began her violin studies in Japan, at age 5.  Among her first teachers (in Tokyo) were Kazuko Yatani and Reiko Kaminishi.  At 15, she moved to Germany for further study.  At 21, she graduated from the Advanced School for Music in Cologne where her main teacher was Zakhar Bron, although she also studied with Uto Ughi and Shlomo Mintz, among others.  (Bron’s other famous pupils have been Maxim Vengerov, Daniel Hope, Mayuko Kamio, and Vadim Repin.)  Needless to say, Shoji has performed with every major orchestra and most of the world’s illustrious conductors.  Her first appearance with the Berlin Philharmonic was at the Salzburg Easter Festival in 2002, playing Bruch’s first concerto.  Mariss Jansons was on the podium.  She first appeared with the New York Philharmonic on October 7, 2004 playing the first Prokofiev concerto under the baton of the late Lorin Maazel.  She was 21 years old.  Her repertoire includes three works seldom heard in concert: the Schumann, the Mendelssohn (in d minor), and the Max Reger concertos.  As far as I know, Shoji has already recorded the Reger concerto but not yet the Schumann or Mendelssohn’s first concerto.  Typical reviews from informed, respected, and experienced music critics read as follows:”…virtuosity of the highest order, …infused with poetry, …passionate, free, with an emotional intensity that many violinists will never achieve.”  Her spectacular rendition of the Brahms concerto can be seen and heard here.  In my opinion, the only performance which rivals it is the Heifetz rendition, and that, for me, is saying a lot.  Shoji mostly records for the Deutsche Grammophon label.  Volume 4 of her recording of all (10) Beethoven violin sonatas will be released in 2015.  Her violin is the Recamier Stradivarius from 1729.  Shoji’s photo (used here, slightly modified) is courtesy of Nikolaj Lund, well-known European photographer of classical musicians and classical music subjects.   

Mayuko Kamio

Mayuko Kamio is a Japanese violinist born (in Toyonaka, Osaka) on June 12, 1986.  She has been fortunate to have played with well-known, established artists from an early age.  When she was barely out of her teens, one of the critics for the New York Times described her as being “distinguished by her warmly luxurious, buttery tone and long, seamless phrasing.”  In Japan, she has played in every major venue and appeared with practically every orchestra.  She has also appeared in every major city in Europe.  In the U.S., her activity has been more limited, but no less successful.  She has also been (in 2003) the subject of a documentary by Josh Aronson, the director of the recent film about Polish violinist Bronislaw Huberman – Orchestra of Exiles.  The film is the last film in which Isaac Stern appears.  Kamio’s record labels are SONY-BMG and RCA.  In 1999, she won a major competition in England – the Menuhin competition.  She was 13 years old.  In 2000, she won a major competition in the U.S.  In 2004, Kamio took first prize in another competition in Monte Carlo.  In 2007, she won the best-known violin competition in the world – the Tchaikovsky.  She was 21 years old.  Kamio began to study violin when she was 4 years old.  Her teachers were Chikako Satoya and Chihiro Kudo, among others.  At age ten (1996), she made her debut with orchestra in Tokyo.  The concert was broadcast on TV and Charles Dutoit was on the podium.  Later on, in the U.S., beginning at age 14, she studied with Masao Kawasaki and Dorothy DeLay.  After that, she studied further in Europe with one of the best teachers currently still teaching – Zakhar Bron – at the Advanced School for Music and Theatre in Switzerland.  She received her artist’s diploma from that school but I know not in what year – it may have been 2007.  By then, she had already made her New York recital debut (in 2003.)  Kamio has played a 1727 (nameless, run-of-the-mill) Stradivarius and more recently, the Sennhauser Guarnerius (del Gesu) from 1735.  You can see and hear Kamio – at age 18 - perform the last section of the famous Mendelssohn concerto in this YouTube video.  In this other one, you can hear a PaganiniCaprice – number 13. 

Daniel Hope

Daniel Hope is a British violinist, writer, teacher, and conductor, born (in Durban, South Africa) on August 17, 1973.  Besides his concertizing, he is known for his varied interests and is also identified with his extended promotion (more than 17 years) of the music of composers who perished in concentration camps in World War II.  Those composers include Gideon Klein, Pavel Haas, Erwin Schulhoff, and Zigmund Schul.  As a violinist and advocate for various causes, he follows in the footsteps of Bronislaw Huberman, Arthur Hartmann, Joseph Achron, Vladimir Spivakov, Ivry Gitlis, and Shlomo Mintz.  Hope began his violin studies at age four in England as a result of his (indirect) close association with Yehudi Menuhin, whose secretary was Hope’s mother.  He later studied at the Royal Academy of Music (London) with Zakhar Bron (teacher also of Maxim Vengerov and Vadim Repin) until graduation.  However, by age 11, he was already playing concerts with Yehudi Menuhin, with whom he collaborated artistically more than 60 times, including Menuhin’s final concert on March 7, 1999 – Menuhin died five days later.  At age 29, in the midst of an established concertizing career, Hope joined the famous Beaux Arts Trio (Menahem Pressler and Antonio Meneses) in 2002 and played with them until they disbanded (after a 53-year career) in 2008.  Of course, he has already played in most of the major concert halls with most of the major orchestras in the world.  He has for many years also been engaged by some of the top music festivals.  Hope has written a fascinating book entitled Family Album but it is written in German – I don’t know whether an English translation is available.  His recording catalog is not extensive but it includes the original version of the Mendelssohn concerto.  Thanks to this recording, we can better appreciate Ferdinand David’s contribution in making the concerto more Romantic in style – the original version sounds a little archaic; in places, as if it had come from Viotti or Spohr.  The recording is not available on YouTube but this one is - it's a more modern concerto.  The New York Times has stated that Hope “puts classical works within a broader context – not just among other styles and genres but amid history, literature, and drama – to emphasize music’s role as a mirror for struggle and aspiration.”  Among other violins, Hope has played a 1769 Gagliano (purchased from Menuhin) and a 1742 Guarnerius – the Lipinski Guarnerius – on loan from a German family.  

Russian Violinists

These Russian violinists (and a few more) are included among those about whom I have written micro biographies:  Joseph Achron, Iso Briselli, Zakhar Bron, Mischa Elman, Leonard Friedman, Elizabeth Gilels, Ivry Gitlis, Boris Goldstein, Alexei Gorokhov, Eduard Grach, Jascha Heifetz, Julia Igonina, Iliana Isakadze, Ilya Kaler, Leonid Kogan, Andrei Korsakov, Natasha Korsakova, Louis Krasner, Albert Markov, Nathan Milstein, Viktoria Mullova, David Oistrakh, Anna Rabinova, Vadim Repin, Alexander Schneider, Abram Shtern, Toscha Seidel, Vladimir Spivakov, Steven Staryk, Peter Stolyarsky, Maxim Vengerov, Abram Yampolsky, Zvi Zeitlin, Efrem Zimbalist,....  Even among avid and knowledgeable concert goers, only three or four are known.  I asked a violinist colleague the other day whether he had heard a certain recording by Ivry Gitlis.  He did not even know who Gitlis was.  It is generally agreed that Heifetz, Gitlis, Kogan, Milstein, and Oistrakh, are at the very top.  The others are superlative players who for reasons known only to a few, have never achieved that rank which bequeaths an aura of violinistic sainthood of sorts – more than mere historic immortality.  Nevertheless, they form the superstructure on which the others stand, the ones against whom we identify the greatest.  It is also interesting that some of the greatest Russian players were students of a Hungarian, not Russian, violinist: Leopold Auer.

Alma Roseˊ

Alma Roseˊ (Alma Maria Rose´) was an Austrian violinist and conductor born (in Vienna) on November 3, 1906 (Heifetz was 5 years old and would live an additional 81.) She is remembered for having (for ten months) conducted the world’s, and possibly history’s, most notorious orchestra – the all-female orchestra which played for inmates at the Auschwitz-Birkenau prisoners’ camp (in Poland, also known as Auschwitz II – there were three Auschwitz camps, Birkenau being the largest) during the final days of World War Two. It is important to point out at this juncture that Alma Rose´ was Jewish, although both parents were converts and were well-assimilated into Viennese Christian society, as she was. Her father was long-time Vienna Philharmonic concertmaster Arnold Rose´ (one and the same who turned Fritz Kreisler down after Kreisler’s audition to join the orchestra. He was highly respected and esteemed all over Europe.) Her uncle was composer-conductor Gustav Mahler, on her mother’s side. She may even have been named after Mahler’s wife, Alma Mahler. She was also at one time married (1930-1935) to brilliant Czech violinist Vasa Prihoda (1900-1960.) Books have been written (by Fania Fenelon and Richard Newman) and films produced about her (one of them using an Arthur Miller script) which go into great detail concerning her activities during her tenure at Auschwitz-Birkenau, if one can call it that. It is generally agreed that her talent was modest but that she had great ambition. She studied at the Vienna Conservatory and at the Vienna State Academy. Her debut came in 1926, playing the Bach double concerto alongside her father – that in itself is indicative of her abilities. (They recorded the concerto two years later and – amazingly - an audio version is available on YouTube, here. If you choose to listen to it, be prepared to hear a bombastic cadenza, some odd-sounding glissandi, and a style of playing which is very much from a long, long time ago. Don’t say I did not warn you.) She never became a full-fledged solo artist or an acclaimed concert violinist. However, in 1932, she formed an all-female orchestra called The Vienna Waltzing Girls (or The Waltzing Girls of Vienna) and enjoyed great success with the highly-accomplished ensemble, which toured all over Europe. It was a wonderful life – while it lasted. The orchestra quickly disbanded after the German annexation of Austria in March of 1938. Shortly thereafter, a few months before the outbreak of World War Two (September of 1939), with the help of several friends, including Bruno Walter, Carl Flesch, and Adrian Boult, she and her father managed to make their way to London. Since Arnold Rose’s pension had been terminated by the Nazis, they experienced acute financial difficulties. In England, they played where they could. At this point, Arnold Rose´ was 76 years old. Alma returned to Holland to play and earn money for expenses back in London. She considered it safe to do so and she had many engagements. However, after the German invasion of the Netherlands in May of 1940, she could no longer perform openly and went into hiding for many months, eventually making her way to France, from where she hoped to get away to safety. In late 1942, she tried to transfer herself to (neutral) Switzerland but was betrayed to the Gestapo and captured before she could do so. She was then interned at Drancy (near Paris.) A few months later, in July 1943, she was sent from Drancy to Auschwitz. When she arrived, she was not immediately recognized. She was placed in a block from which inmates were taken for medical research purposes - experiments. In the nick of time, someone identified her and she was then engaged as a musician for a rag tag orchestra which then already existed at the camp. Among them were at least three professional musicians. The camp commander was a serious music lover. Eventually, Rose´ took over the duties of a full-fledged conductor and arranger and built it up to include 45 members, much larger than a typical chamber orchestra. She would also occasionally play violin solos with the orchestra.  It is generally agreed that she treated the players quite harshly.  On or about April 2, 1944, Rose´ attended a birthday party for one of the camp’s block leaders where, it has been said, she ate some bad meat. As soon as she arrived back at her private quarters, she exhibited symptoms of food poisoning. She was taken to the camp infirmary and, despite treatment, died two days later – April 4, 1944. She was 37 years old. During her tenure, none of the orchestra members died – whether from natural or other causes. Her 1757 Guadagnini violin – which she had entrusted to some friends in Europe – made its way to London in 1945 or 1946 and was soon sold to Felix Eyle, concertmaster of the Metropolitan Opera Orchestra at the time. A usually reliable source has it that Zakhar Bron (Russian violin pedagogue) now owns it.

Julia Igonina

Julia Igonina is a Russian concert violinist born on April 3, 1978 (Heifetz was 77 years old.)  She is widely known as a champion of contemporary violin works, though her repertoire includes the standard concertos of Bach, Brahms, Mozart, Beethoven, Mendelssohn, Tchaikovsky, Glazunov, Prokofiev, Sibelius, and all the rest.  One of the rare pieces she plays is Alexander Tchaikovsky’s second violin concerto, a fiendishly difficult work.  Her recital repertoire is also incredibly extensive.  She began her violin studies at the age of six with Vyacheslav Khavkin at the Glinka Music School in Minsk (1984-1997.)  Afterward, she studied with Eduard Grach at the Tchaikovsky Conservatory in Moscow, from which she graduated in 2004.  (Grach has become the most eminent violin pedagogue in the Russian Federation since Zakhar Bron went to the Royal Academy in England.)  Her debut came at the age of fourteen with the Belarus State Orchestra playing the Mendelssohn concerto.  She has since concertized extensively in Europe, the Middle East, and Asia.  As far as I know, she has never played in the U.S.  Igonina has also won (between 1998 and 2005) several major violin competitions.  As Nicolo Paganini played for royalty, Yehudi Menuhin played for the Pope, Isaac Stern played for the U.S. President, and Chloe Hanslip played for the Queen of England, Julia Igonina has also played for a highly placed world dignitary - the President of the Republic of China (Jiang Zemin - 2004.)  In 2008, she became the leader of the New Russian Quartet, based at the Moscow (Tchaikovsky) Conservatory.  She began to judge at international violin competitions in 2009.  YouTube has several videos of her playing, including a brilliant interpretation of the Vitali Chaconne which Heifetz made famous.  Igonina plays on a Vincenzo Panormo (aka Vincenzo Trusiano) violin (made circa 1789) - formerly, Julian Sitkovetsky's violin.  (Photo of Julia Igonina by Anna Chobotova) 

Peter Stolyarsky

Peter Stolyarsky (Pyotr Solomonovich Stoliarsky), was a Russian (Ukrainian) violinist and teacher born on November 18, 1871 (Brahms was 38 years old.)  He, like Leopold Auer, Carl Flesch, and Ivan Galamian, is remembered as a pedagogue and not a concertizing soloist.  He began his studies with his father then progressed to Stanislaw Barcewicz, Emil Mlynarski (the founder of the Warsaw Philharmonic) in Poland, and Josef Karbulka back in Odessa.   He graduated from the Odessa Conservatory in 1893 and went to work almost immediately in the orchestra of the Odessa Opera House where he played for about 26 years.  He started teaching privately in 1898 and opened his own music school in 1912 (some sources say 1911), at age 41.  From 1919 he taught at the Odessa Conservatory.  He was instrumental in the opening in Odessa of a music school for gifted children in 1933.  His famous pupils include David Oistrakh, Nathan Milstein, Boris Goldstein, Albert Markov, Naoum Blinder, Elizabeth Gilels, Eduard Grach, and Zakhar Bron (himself an eminent teacher.)  Stolyarsky died on April 29, 1944, at age 72.

Zakhar Bron

Zakhar Bron is a Russian violinist and teacher born on December 17, 1947 (Heifetz was 46 years old and would live an additional forty years.) He began his violin studies as a child. Later on, he entered the Moscow Conservatory and studied with Boris Goldstein and Igor Oistrakh. As are Carl Flesch, Leopold Auer, Peter Stolyarsky, and Ivan Galamian before him, he is much better known as a teacher than as a violinist. Some time during the 1970s, he entered the Queen Elizabeth Competition but did not place among the top five finalists. In 1977, he came in third place in the Wieniawski Competition. His career as a pedagogue began at the Moscow Conservatory when he became Igor Oistrakh's assistant. He started his very successful private studio in Novosibirsk, Russia. After gaining a good reputation as a teacher, he was appointed violin professor at the Royal Academy in London. He has subsequently taught at other major music schools in Europe. He has also given master classes all over the world. Bron currently teaches at the Advanced Music School in Cologne. His star pupils are Vadim Repin and Maxim Vengerov.

Chloe Hanslip

Chloe Hanslip (Chloë Elise Hanslip) is an English violinist born on September 28, 1987 (Perlman was 41 years old.) She began violin lessons at age 2. She first played in public at age 4 and at age 5 was encouraged (by Yehudi Menuhin himself) to enroll at the Yehudi Menuhin School. By age 10, she had played in some of the most prestigious venues in the U.S. and Europe. She also studied with Russian violinist Zakhar Bron in Germany (1995.) At 13, she was the youngest recording artist ever to be signed to Warner Classics (England); however, she is not the youngest violinist to be professionally recorded – that honor goes to Sarah Chang (and EMI Classics.) Hanslip has won numerous awards and scholarships and played privately for English royalty since July, 2001 – the most recent such recital in 2008. She recorded Jeno Hubay’s long-neglected first and second violin concertos in June, 2008 – Naxos will release the CD tomorrow, September 29, 2009.

Vadim Repin

Vadim Repin is a Russian violinist born on August 31, 1971 (Perlman was 25 years old), in the same city as Maxim Vengerov. He began his studies with Zakhar Bron (in Novosibirsk) at the age of 5 and was soon recognized as a child prodigy. His first public performance with orchestra was made when he was 7. At age 11, he made his recital debuts in Moscow and St Petersburg, the same year he won the gold medal at the Wieniawski Violin Competition. In 1985, at age 14, he debuted in Munich, Berlin, Helsinki, and Tokyo. His Carnegie Hall debut took place when he was 15. He won the Queen Elizabeth Music Competition at age 17, the youngest winner ever. He is known for his interpretations of Russian music. Though he champions (and plays) contemporary works, his discography (on various labels) includes only the standard repertory – Mozart, Beethoven, Sibelius, Prokofiev, Shostakovitch, and Myaskovsky. He played a Guarneri del Gesu (1736) - until it ended up in the hands of Eugene Fodor - but previously (for about ten years) played Sarasate’s old Stradivarius, the Ruby Stradivarius (1708.)  In 2010, the 1736 Guarnerius returned to Europe to be sold in the private market.  It has been said that as a child, Repin played a rare ¾ Stradivarius, though it is thought by many experts that Stradivari never constructed any ¾ violins. YouTube has several videos of his concerts.

Maxim Vengerov

Maxim Vengerov (Maxim Alexandrovich Vengerov) is a Russian violinist, teacher, writer, and conductor born on August 20, 1974 (Itzhak Perlman was 28 years old.) He is known for his phenomenal technique, extroverted playing, high fees, and tango dancing. He began his study of the violin at age 5 (fairly typical for a violinist) in his home town of Novosibirsk. Two years later, he continued his studies at the Special Music School in Moscow. Three years after that, Vengerov began his studies with Zakhar Bron (in Novosibirsk) and continued with him for about the next six years, part of those six years at the Royal Academy of Music in London. By this time, he had won first prize in the Carl Flesch Violin Competition in London (1989 – at age 15). He has been giving master classes, concertizing, and recording ever since. Vengerov has played on three or four different Stradivarius violins, the Kreutzer being one of them (I do not know which one – there are four Stradivarius violins named Kreutzer - from 1701, 1720, 1727, and 1731. See comments below.) Some of his many recordings have won top prizes and high praise from critics. Vengerov took a nine-month sabbatical in 2005, during which he learned jazz improvisation and the electric violin – in the style of Leila Josefowicz, and Nigel Kennedy – and during which he (despite the sabbatical) also played 50 recitals. Sometime during June of 2007, Vengerov stopped playing altogether in order to deal with a shoulder ailment and to concentrate on teaching and conducting (he has been studying conducting since 1998.) Vengerov has been teaching at the Royal Academy (London) since 2005, but at other schools as well – in the style of Daniel Barenboim. There are many Vengerov videos on YouTube and several fan pages on Facebook.