Roger Best

Roger Best was an English violinist, violist, and teacher born (in Liverpool) on September 28, 1936.  I think he is only the sixth violist I have posts on – the others are Alessandro Rolla, Paul Hindemith, Emanuel Vardi, William Primrose, and Walter Trampler.  Every one of them began on violin and later switched to the viola.  Of course, there are many concert violinists who also play viola, even as soloists, but never relinquish violin for viola – Pinchas Zukerman, Maxim Vengerov, Nigel Kennedy, and Wolfgang Mozart are among them.  Best also played other instruments, as did Stephane Grappelli and a few other violinists, but mostly to make a living while he was a student.  He began his violin studies with his father but soon began to study with a professional teacher.  At age 11, he won a scholarship to the Liverpool Institute.  He later won a scholarship to study at the Royal Manchester College of Music – his teacher was Paul Cropper - earning a living touring all over England with various orchestras as well.  Later on, none other than John Barbirolli invited Best to play in the Halle Orchestra, based in Manchester, England.  After two years there, Best joined the Northern Sinfonia as Principal violist.  The orchestra was based in Newcastle, about 300 miles north of London.  Although he sporadically concertized as a soloist, he eventually (by 1972) gravitated toward orchestral playing, performing as a chamber player and studio musician.  He ended up playing in dozens of recordings, though anonymously, as most orchestral players do.  Beginning in 1977, Best was also the violist of the Alberni Quartet but only for a time.  The Alberni has had at least four different violists.  Best was the third in the series.  Among others, Richard Bennett and Malcolm Arnold wrote viola concertos for Best - Best premiered the Arnold concerto in September, 1971 and recorded it later on.  The Bennett concerto he actually premiered in New York in 1973.  Best later taught at the Royal College of Music, the Royal Academy of Music, and the Royal Scottish Academy.  He played an Antonio Mariani viola constructed in 1645, give or take.  The instrument had previously been played by Lionel Tertis.  Best died on October 8, 2013, at age 77.  There is a quote in his obituary which I like: “He also played croquet at national championships level – a game that suited his temperament well, combining as it does courtesy with a killer instinct.” 

Wanda Wilkomirska

Wanda Wilkomirska (Jolanta Wanda Wilkomirska) is a Polish violinist and teacher born on January 11, 1929.  She was the first violinist to play at gala concerts of three world famous concert halls; the Warsaw Philharmonic Concert Hall (1955), the Barbican Hall (London-1976) and the Sydney (Australia-1973) Opera House.  Her concertizing career was especially fruitful between 1950 and 1980.  Her website says she is the most famous Polish violinist but that is, of course, a big stretch, considering she is in the company of such luminaries and geniuses as Karol Lipinski, Henryk Wieniawski, Isidor Lotto, Joseph Hassid, Henryk Szeryng, Szymon Goldberg, Samuel Dushkin, Henri Temianka, Paul Kochanski, Richard Burgin, Ida Haendel, Cecylia Arzewski, George Bridgetower, and the incomparable Bronislaw Huberman.  She is, understandably, known for promoting modern Polish music.  She began her studies with her father at age 5.  At age 7, she made her public debut in a recital, playing a Mozart sonata.  I don’t know which sonata.  Subsequently she attended the Lodz Academy of Music in Poland.  Lodz is about 80 miles south of Warsaw.  She graduated in 1947.  She was 18 years old.  I do not know how she was able to elude the Nazis between 1939 and 1945.  There is no mention of that anywhere.  In 1950, she graduated from the Liszt Academy in Budapest.  She then studied with Henryk Szeryng for three months in Paris.  In 1952, she competed in the Wieniawski violin competition and took second prize.  She was 23 years old.  Her concertizing career began more or less at about that time and she subsequently went on to play around the world with all the major orchestras and conductors.  On August 22, 1959, she played Paganini’s first concerto with the Berlin Philharmonic.  On October 15, 1960, she again soloed with the philharmonic playing the Mendelssohn concerto – none other than Paul Hindemith was on the podium.  On October 22, 1962, she played the Mendelssohn concerto (the one in e minor) with the Chicago Symphony - the performance took place in Milwaukee.  On September 15 through September 20, 1977, she made her first and last appearances with the New York Philharmonic playing the second concerto of Shostakovich.  Erich Leinsdorf conducted.  She was 48 years old.  In 1982, Wilkomirska decided to settle in (West) Germany, where she began to teach at the Advanced Music School in Heidelberg in 1983.  However, as do practically all concert artists who take teaching posts, she continued to concertize.  In 1999, she settled in Australia, where she has lived ever since.  Wilkomirska has been teaching at the Sydney Conservatorium of Music since that time and has also taught at the Australian Academy of Music in Melbourne, although she no longer teaches at either school.  She has been a member of the jury at various violin competitions and has played chamber music concerts with other artists many times.  Among other premieres, Wilkomirska has given the premieres of the violin concertos numbers 5 and 7 by Grazyna Bacewicz.  Here is a You Tube posting of one of her performances.  Her recordings can be easily found on the internet.  Her record labels have included Naxos, Deutsche Grammophon, EMI, Philips, and Polskie Nagrania.  Wiłkomirska performs on a 1734 Pietro Guarneri violin.  She also played a violin for some twenty years which four well-known appraisers (Bein, Beare, Kass, and Rosengard) have said is a fake – a 1740 Domenico Montagnana.  The violin was owned by the Polish government before being sold to Herbert Axelrod who sold it to the New Jersey Symphony in 2003.  The violin had already passed through the hands of Dietmar Machold, the now infamous violin dealer who is in jail for defrauding violin buyers and sellers and banks.  He issued a certificate back in 2002 which assigned a value of $750,000 to the violin.  Experts have said it is likely worth about $25,000. 

Nicolai Berezowsky

Nicolai Berezowsky (Nicolai Tikhonovich Berezowsky) was a Russian violinist, composer, and conductor born (in St Petersburg, Russia) on May 17, 1900.  It has been said that at one time he was more famous than Aaron Copland, the iconic American composer – today, Berezowsky is all but forgotten.  The 1953 edition of Grove’s Dictionary of Music makes no mention of him.  He studied violin, piano, and singing at the Imperial Chapel in St Petersburg, graduating in 1916.  One source has him studying violin in Vienna as well with an obscure teacher named Robert Pollak (aka as Robert Pollack), an Austrian violinist who made his New York recital debut on December 18, 1913 and who taught at the Vienna Conservatory from 1919 to 1926.  Pollak is said to be one of Isaac Stern’s teachers, too.  After graduation from the Imperial Chapel, Berezowsky played violin with the opera or ballet orchestras in Saratov (1917-1919) and Moscow (1919-1920.)  According to one source, he left Russia in 1920 – other sources say 1922.  He arrived in the U.S. in 1922 and studied at Juilliard (New York) with Paul Kochanski for some time.  He also played for a while with the Capitol Theatre Orchestra of New York – the same orchestra which hired Eugene Ormandy as a violinist when he first arrived in the U.S. and it is quite possible they played in that orchestra at the same time.  From 1923 to 1929, Berezowsky played with the New York Philharmonic – actually, the New York Philharmonic Society merged with the New York Symphony in 1928 so it could have been with one or the other orchestra that he played; internet sources are not clear on that.  From 1932 to 1936 he was an assistant conductor at CBS.  From 1929 to about 1931 he must have been a freelance conductor and violinist playing and conducting for radio since it wasn’t until 1932 that he again had a steady job.  He played second violin in the Coolidge String Quartet with William Kroll (on first violin) from 1935 until 1940.  From 1941 to 1946 he again worked at CBS.  As far as composition, Serge Koussevitsky (the Boston Symphony conductor) was a great champion of his and gave the premieres of many of his major works.  His cello concerto was premiered by Gregor Piatigorsky and the Boston Symphony.  It seems not to have been terribly popular with the public since Piatigorsky played it only three times in quick succession – once in New York also - then never played it again.  The concerto was premiered in Boston on February 22, 1935, then repeated on February 23 and finally played in New York's Carnegie Hall on March 2, 1935.  (Thanks to Bridget Carr, archivist for the Boston Symphony, for these details.)  Nevertheless, Berezowsky’s other music was performed far and wide and enjoyed much success while he lived – Carl Flesch performed his violin concerto and William Primrose played his viola concerto.  Berezowsky began composing while still a teenager.  His Hebrew Suite was premiered by the New York Philharmonic on December 6, 1928 – Willem Mengelberg was the conductor.  Later on, the philharmonic played other works of his as well.  The last Berezowsky work to be performed by that orchestra was his Christmas Festival Overture back in December of 1953 so, for 60 years now, Berezowsky’s music has been absent from its programs.  Be that as it may, his music is still occasionally performed and some of it has been recorded.  Of all his compositions, the most popular is probably his children’s opera, Babar, the Elephant.  That was one of his last works.  He also wrote concertos for violin, cello, viola, and harp; an oratorio, two operas, four symphonies, various light orchestral pieces, and many chamber music works, including no fewer than 5 string quartets.  Columbia University and the New York Public Library have substantial archives on Berezowsky.  It would not be difficult to resurrect his music, if someone wanted to.  Here is a YouTube audio file featuring the Coolidge Quartet in 1938, playing a 1921 quartet by Paul Hindemith.  It is superb and Berezowsky’s magnificent, warm, clean violin playing can be distinguished from Kroll’s more austere sound.  Berezowsky also did some recording as an orchestral conductor.  Berezowsky’s first wife (Alice Newman) published a 1943 memoir which covered much of their life together, titled “Duets with Nicky.”  Berezowsky died (in New York City) on August 27, 1953, at age 53.  As was violinist Christian Ferras much later (in 1982), Berezowsky was a victim of suicide.   

Szymon Goldberg

Szymon Goldberg was a Polish violinist born (in Wloclawek, Poland) on June 1, 1909.  Although he became one of the youngest concertmasters in history, he is best known for creating and leading the Netherlands Chamber Orchestra for more than two decades.  He began studying the violin at age 7 in Warsaw.  His teacher was Mieczyslaw Mihalowicz.  After a year, he went to Berlin (in 1917) where he began lessons with Carl Flesch.  At age 12, he made his debut playing a recital in Warsaw (in 1921) but continued his studies with Flesch afterward.  At age 15, he made his Berlin debut with the Berlin Philharmonic, playing three concertos: the Paganini number one, the Hungarian Concerto by Joachim, and the Bach E Major.  Only four other violinists that I know of have played three concertos in one evening – Yehudi Menuhin and Raymond Cohen are among them.  Goldberg embarked on several European tours before settling down to become concertmaster of the Dresden Philharmonic at age 16, becoming one of the youngest concertmasters on record, though not the youngest.  He remained in Dresden until 1929, at which time he became concertmaster of the Berlin Philharmonic.  At the behest of the German government, he was forced out of that orchestra in 1934.  He was 25 years old.  During his time in Berlin, he also played in a string trio, between 1930 and 1934, with Paul Hindemith (violist) and Emmanuel Feuermann.  After his dismissal from the Berlin Philharmonic, Goldberg toured Europe and the Far East as a recitalist, accompanied by Pianist Lili Kraus, from 1935 to 1940.  He settled in London in the late 1930s and continued to play and teach.  In 1938, he made his U.S. debut in New York City’s Carnegie Hall.  He was 29 years old.  While playing a recital in Java (Indonesia) in 1942, he was arrested by the Japanese government and interned in prisoner-of-war camps until the end of the Second World War.  He resumed his career after 1945, touring far and wide.  From 1951 until 1965, he was on the faculty of the Aspen Music School (Aspen, Colorado, USA.)  In 1955, he began his conducting career in earnest by accepting the post of chief conductor of the Netherlands Chamber Orchestra.  Some sources give him credit for founding this orchestra but others do not.  He led the orchestra from 1955 until 1977.  From 1977 until 1979, he led the Manchester Camerata.  Eventually, he also guest conducted the London Symphony, the BBC Orchestra, the Chicago Symphony, the Boston Symphony, and the Cleveland Orchestra.  He also taught at Yale (1978-1982), Juilliard (1978-1980), the Curtis Institute (1980-1981), and the Manhattan School of Music (1981-).  Goldberg settled in Japan in 1987.  He was 81 years old.  In 1990, he was appointed conductor of the New Japan Philharmonic (Tokyo, Japan) which he led until 1993.  There are several audio files of Goldberg’s playing on YouTube, one of which is here – it is a duo played with Paul Hindemith on viola.  He also recorded many chamber music works which are easy to find on the internet.  Goldberg died (in Japan) on July 19, 1993, at age 84.  Among his pupils are Ronan Lefkowitz, Ruggero Allifranchini, Pamela Frank, and Fiona Simon.  For many years, Goldberg played the Baron Vitta Guarnerius, now owned by the Library of Congress, and the Liegnitz Stradivarius (1711.) 

Paul Hindemith

Paul Hindemith was a German violinist, violist, teacher, composer, author, and conductor, born (in Hanau) on November 16, 1895.  He is much better known as a composer, though he spent much of his early life making a living as a violinist and violist.  He is one of several great artists who played in dance bands and musical theatre groups – far removed from the classical music arena - as a young man.  Eugene Ormandy, Vasa Prihoda, Elias Breeskin, Alfredo Campoli, Theodore Thomas, Albert Sammons, Alma Rose', and Jacques Thibaud did the same thing.  He began violin lessons with Eugene Reinhardt and Anna Hegner as a child but later entered the Frankfurt Conservatory (Hoch Conservatory) in 1908.  His violin teacher there was Adolf Rebner (pupil of Jacob Grun and Martin Marsick.)  Hindemith also studied composition there with Arnold Mendelssohn and Bernhard Sekles.  In 1914, Hindemith became assistant concertmaster of the Frankfurt Opera.  He was 19 years old.  In 1915, he played the Beethoven concerto in public although it is not known to me where or with whom.  Two years later, he was made concertmaster of the Frankfurt Opera.  From 1914 onward, Hindemith also played second violin in the Rebner String Quartet.  Between 1918 and 1920, he served as a musician – probably as a violinist - for the German military - World War One was over by then.  In 1921, he founded his own String Quartet – the Amar String Quartet – in which he played viola.  He was 26 years old.  He continued his activities with this quartet until 1929.  By 1923 he had resigned his position with the Frankfurt Opera and was gaining fame as a composer - by 1927, he was already teaching composition in the Advanced School for Music in Berlin.  In 1928, he wrote a film music score for a film by Hans Richter.  The score was subsequently lost.  On October 3, 1929, he gave the world premiere of William Walton’s now-famous viola concerto after Lionel Tertis refused it.  Walton was on the podium.  Hindemith frequently toured as a solo viola player, including several times in the U.S.  Part of Hindemith’s history includes his relationship to the infamous Nazi Party.  He was both denounced and embraced by the officials controlling anything to do with art and propaganda at the time.  Between 1935 and 1937, he traveled to Turkey to help with that country’s musical education programs.  In 1935 also, he quit his teaching position in Frankfurt – some sources call it an extended leave.  In 1938, he left Germany for Switzerland – his wife was part-Jewish.  In 1940, he settled in the U.S.  He mostly taught at Yale and Harvard.  Hindemith also devoted much of his time to writing about his music theory – or system - of composition.  In 1953, he returned to Europe, settling once again in Switzerland.  He took up numerous and frequent conducting assignments, going as far as Japan with the Vienna Philharmonic in 1956.  Among much other music, most of which has been recorded, Hindemith wrote 8 operas, 3 ballets, 14 concertos (for various instruments), 11 large-scale orchestral works, 7 string quartets, and 7 viola sonatas.  His most popular work is probably the Symphonic Metamorphosis for orchestra on themes of CM von Weber.  You can listen to it here.  I’ve only played it once in my life.  Hindemith died (in Frankfurt) on December 28, 1963, at age 68.