Kristof Barati

Kristof Barati is a Hungarian violinist and teacher born (in Budapest) on May 17, 1979.  Although born in Hungary, he and his family spent a few years in Venezuela (for reasons unknown) and he even began violin lessons there with his mother at age 5.  By age 8 he was giving concerts with orchestras in Venezuela.  I don’t know at what point the family moved from Venezuela to Europe but several sources state he performed in France at age 11.  Sometime after or before this, he relocated to Hungary to study at the well-known Franz Liszt Academy.  Exactly what year that was is unknown to me.  His teachers at the academy were Miklos Szenthelyi and Vilmos Tatrai.  By 1995, at age 16, he began entering violin competitions at which he was very successful, placing either first, second, or third at all of them.  In 1996, he began studying privately with a little-known professor of violin, Eduard Wulfson, in Paris.  Music critics frequently praise his musicianship (artistry) in addition to his phenomenal technical prowess.  In addition to his world-wide concertizing, he also takes part in important music festivals in Italy, France, Switzerland, and elsewhere as a chamber music player.  Barati’s discography is not yet extensive, but his recordings of the first and second Paganini concertos are among the best.  His recording of the Mozart concertos (all five) has also been very highly praised.  Although he has played other very fine and valuable violins, for about 14 years (from 2003), he played (and recorded with) the Lady Harmsworth Stradivarius violin constructed in 1703.  I don’t know if he is currently using that instrument.  He is known for being a very strong chess player and avid photographer.  Barati has taught at the Sorbonne in Paris and at other venues as a masterclass professor.  Although he has not (as far as I know) performed all 24 Paganini Caprices at a single recital, he has performed all six Sonatas and Partitas for solo violin by Bach in one (very lengthy) recital (in France, then again in Russia.)  Here is a link to the entire recording of the Mozart concertos, courtesy of Brilliant Classics recordings.  Here is a YouTube video of a movement from the Bach Sonata number 1. 

Joseph Lendvay

Joseph Lendvay (Jozsef Lendvay) is a Hungarian violinist and conductor born (in Budapest) on November 7, 1974.  He is best known as a crossover violinist who is very successful as a traditional classical violinist and a gypsy fiddler.  He often performs with his own gypsy band – a group of five or six players – two violins, cello, cembalom, bass, and guitar.  He (probably) began his violin studies with his father, a very popular gypsy violinist.  By age 14, he was already playing some of the most difficult standard works for classical violin.  He studied at the Bela Bartok Conservatory in Budapest as well as the famous Franz Liszt Academy, also in Budapest.  He has won numerous European-based violin competitions; the Koln International Violin Competition and the Tibor Varga International Violin Competition are among them.  In 2002, the President of the Hungarian Republic awarded him the Golden Cross for his artistic contributions to the nation.  He was 28 years old.  It has been said that due to his classical training, his folkloric interpretations sound lighter and more virtuosic and, because of his folkloric roots, his classical performances are more emotional and powerful.  Lendvay was concertmaster of an orchestra called the Philharmonic of Nations (founded by pianist and conductor Justus Frantz in 1995) for a time.  Lendvay has been playing the Ries Stradivarius from 1691 (or 1693 - opinions vary on the date) since 2008. There is another Ries Stradivarius dated 1710 but I don't know who owns or plays that one.  Here is a YouTube video of Lendvay and Vadim Repin playing Csardas.  Here is another where he is playing Gypsy Airs by Sarasate – the harmonies have been altered in several places and the accompaniment includes some traditional folk instruments.  You may likely want to watch it more than once in order to appreciate some of the unusual bowings and fingerings which Lendvay uses.  Finally, here is one where Lendvay plays the Tchaikovsky concerto. 

Tibor Serly

Tibor Serly was a Hungarian violinist, violist, conductor, composer, and teacher born (in Losone, Hungary) on November 25, 1901.  He studied with some of the greatest musicians of the late nineteenth century, including Jeno Hubay and Zoltan Kodaly.  Although he was an orchestral violinist for many years, he is now mostly remembered as a composer and the arranger of the Bartok viola concerto.   Serly’s first teacher was his father who was a composer of theatre works and conductor as well.  Interestingly, Serly began his studies in the U.S. since his family brought him here as a very young child.  He played in pit orchestras in New York (which his father conducted) until he was 21 years old, at which time he returned to Hungary (in 1922) to study at the Liszt Academy in Budapest.  His main teachers there were Jeno Hubay, Zoltan Kodaly, and Leo Weiner (teacher also of Fritz Reiner, Georg Solti, and Janos Starker.)  Serly graduated from the academy in 1925.  He was 24 years old.  He then returned to the U.S. and played in the Cincinnati Symphony (as violist from 1926 to 1927 under Fritz Reiner), in the Philadelphia Orchestra (as violist – one source says violinist - from 1928 to 1937 under Leopold Stokowski and Eugene Ormandy), and the NBC Orchestra (as violist from 1937 to 1938 under ill-tempered Arturo Toscanini.)  It has been said that Stokowski appointed Serly Assistant Conductor of the Philadelphia Orchestra in 1933 – perhaps it is true.  (I made an inquiry of the Philadelphia Orchestra to confirm that but they never responded.)  After 1938, Serly mostly devoted his time to composition, conducting, and teaching.  He was 37 years old.  His friendship and professional association with Bela Bartok began in 1925 (in Hungary) - he met with him sporadically thereafter.  However, Serly was in regular and frequent contact with Bartok between 1940 and 1944, after Bartok came to the U.S.  Serly completed Bartok’s viola concerto from many sketches which Bartok didn’t have time to assemble himself prior to his death.  (The concerto has subsequently been further revised by Bartok’s son Peter Bartok and violist Paul Neubauer as well as by violist Csaba Erdelyi – every edition is quite different so that an orchestra must be careful to use the same edition as the soloist when performing it.)  Serly also completed the last 17 bars of the third piano concerto – some say he merely orchestrated the last 17 bars of the piece – others say he orchestrated the entire piece.  Serly’s own works are now very seldom played but he remains an important figure in modern music because he promoted atonal and other non-traditional ways of putting notes together to form a whole.  He became a professor at the Manhattan School of Music (New York) but taught at other institutions as well.  Serly was one of many musicians who became well acquainted with poets and other artists of that period, including the notorious Ezra Pound and his violinist-lover, Olga Rudge.  (Few people know that Ezra Pound was also a composer.  It has been said that Rudge discovered 300 of Vivaldi’s forgotten concertos in Italy and thus greatly helped the resurgence in interest in Vivaldi’s music.)  Serly helped Pound organize concerts in Rapallo, Italy, to which he frequently traveled.  As late as 1976, Serly was still publishing books on music theory which are now not widely known.  He wrote a viola concerto in 1929 and that work is still sometimes played.  He also wrote a violin concerto.  His other works remain quite obscure.  He died after being struck by a vehicle (some sources say it was a car) while visiting London in 1978.  His exact date of death is October 8, 1978.  He was 76 years old.  

Gyorgy Garay

Gyorgy Garay was a Hungarian violinist, teacher, and music editor born (in Rakospalota) on December 2, 1909.  He is now a very obscure violinist who was well-known in his day.  His first teacher was Joseph Bloch at the Budapest Academy of Music.  Garay was 9 years old when he started his studies.  Three years later, he was a student of Oscar Studer.  In 1925, he began studying with Jeno Hubay and graduated a year later.  Interestingly, his public debut took place in Vienna (1926.)  He made his debut in Hungary (Budapest) in 1927.  Garay soon gravitated toward a career in chamber music, playing violin in the Hungarian Trio from 1927 to 1930.  Between 1930 and 1933, he was first violinist with the Garay Quartet.  In the 1930s, he developed a second career as a soloist in Europe.  Between 1940 and 1945, he was a violinist with the Fovarosi Orchestra in Budapest.  He became principal violinist at the Hungarian State Opera House in 1945 and stayed until 1951.  From 1951 to 1960, he was concertmaster of the National Philharmonic (State Concert Orchestra) – this orchestra may or may not be the same orchestra which exiled itself (to Germany) in 1956 and became the Philharmonia Hungarica.  From 1949 to 1961, Garay was also a violin teacher at the Franz Liszt Academy of Music in Budapest.  In 1960, he became concertmaster of the Radio Symphony in Leipzig (MDR Symphony Orchestra.)  While there, he also taught at the Mendelssohn Academy of Music.  Henceforth, he performed less and less as a soloist.  He gave many premiere performances of new works (mostly by Hungarian composers) and recorded some of these works as well.  Here is one of several of his audio files on YouTube - the violin concerto (1973) by Wilhelm Neef.  Garay died (in Leipzig) on May 15, 1988, at age 78.  His violin was a Stradivarius of 1733 – as far as I know, it bears no name.  It is now played (and perhaps owned) by well-known Hungarian violinist Antal Zalai.  

Barnabas Kelemen

Barnabas Kelemen is a Hungarian violinist and teacher born (in Budapest) on June 12, 1978.  He is known for having won the prestigious Indianapolis Violin Competition in 2002.  His repertoire is very extensive and includes Schumann’s concerto and Bruch’s second concerto which are seldom heard live.  Kelemen also plays a great deal of contemporary music.  On May 2, 2013, he premiered (in New York’s Carnegie Hall) a long lost concerto by Mihaly Nador, composed in 1903 (and revised in 1941-42) but never performed.  Reviewers of the performance compared Kelemen to Heifetz.  The audience applauded after each movement of the concerto, which is not typical, especially in the case of more modern works.  Kelemen began studying violin at age six with Valeria Baranyai.  He entered the Franz Liszt Academy at age 11 and studied with Eszter Perenyi.  He graduated in 2001.  He was 23 years old.  By then, he had already won first prize in the Mozart Violin Competition in Salzburg (1999.)  Three years after winning the Indianapolis competition, he began teaching (in 2005) at the same school from which he graduated.  In 2010, he founded (with his violinist wife Katalin Kokas) the Kelemen Quartet.  (Among violinists who married other concert violinists are Olga Kaler, Adele Anthony, Marina Markov, Ruth Posselt, and Elizabeth Gilels.)  The Kelemen Quartet has also received top prizes at chamber music competitions.  In addition, several of Kelemen’s recordings have also received awards from music periodicals and critics.  Interestingly, except for the cellist, the Kelemen Quartet players sometimes switch places with each other – alternating between first violin, second violin, and viola.  Kelemen has taken conducting lessons from Leif Segerstam and has already conducted a few concerts in Europe.  He often appears in the dual role of soloist-conductor with chamber orchestras.  Needless to say, Kelemen has toured the world several times (and continues to do so) as a soloist and with the quartet.  In 2014, he began teaching at the Advanced School for Music and Dance in Cologne, Germany.  Here is a YouTube video of his playing a well-known Mozart sonata.  It shows how different his temperament and style are from a more conventional concert violinist but you be the judge.  After winning the Indianapolis competition, Kelemen played the 1683 Stradivarius (Martinelli Stradivarius) that all Indianapolis competition winners get to use for four years.  (The Martinelli was “restored” in 2014 and is currently being played by Jinjoo Cho)  Kelemen is currently playing a Guarneri (del Gesu) constructed in 1742.  

Wanda Wilkomirska

Wanda Wilkomirska (Jolanta Wanda Wilkomirska) is a Polish violinist and teacher born on January 11, 1929.  She was the first violinist to play at gala concerts of three world famous concert halls; the Warsaw Philharmonic Concert Hall (1955), the Barbican Hall (London-1976) and the Sydney (Australia-1973) Opera House.  Her concertizing career was especially fruitful between 1950 and 1980.  Her website says she is the most famous Polish violinist but that is, of course, a big stretch, considering she is in the company of such luminaries and geniuses as Karol Lipinski, Henryk Wieniawski, Isidor Lotto, Joseph Hassid, Henryk Szeryng, Szymon Goldberg, Samuel Dushkin, Henri Temianka, Paul Kochanski, Richard Burgin, Ida Haendel, Cecylia Arzewski, George Bridgetower, and the incomparable Bronislaw Huberman.  She is, understandably, known for promoting modern Polish music.  She began her studies with her father at age 5.  At age 7, she made her public debut in a recital, playing a Mozart sonata.  I don’t know which sonata.  Subsequently she attended the Lodz Academy of Music in Poland.  Lodz is about 80 miles south of Warsaw.  She graduated in 1947.  She was 18 years old.  I do not know how she was able to elude the Nazis between 1939 and 1945.  There is no mention of that anywhere.  In 1950, she graduated from the Liszt Academy in Budapest.  She then studied with Henryk Szeryng for three months in Paris.  In 1952, she competed in the Wieniawski violin competition and took second prize.  She was 23 years old.  Her concertizing career began more or less at about that time and she subsequently went on to play around the world with all the major orchestras and conductors.  On August 22, 1959, she played Paganini’s first concerto with the Berlin Philharmonic.  On October 15, 1960, she again soloed with the philharmonic playing the Mendelssohn concerto – none other than Paul Hindemith was on the podium.  On October 22, 1962, she played the Mendelssohn concerto (the one in e minor) with the Chicago Symphony - the performance took place in Milwaukee.  On September 15 through September 20, 1977, she made her first and last appearances with the New York Philharmonic playing the second concerto of Shostakovich.  Erich Leinsdorf conducted.  She was 48 years old.  In 1982, Wilkomirska decided to settle in (West) Germany, where she began to teach at the Advanced Music School in Heidelberg in 1983.  However, as do practically all concert artists who take teaching posts, she continued to concertize.  In 1999, she settled in Australia, where she has lived ever since.  Wilkomirska has been teaching at the Sydney Conservatorium of Music since that time and has also taught at the Australian Academy of Music in Melbourne, although she no longer teaches at either school.  She has been a member of the jury at various violin competitions and has played chamber music concerts with other artists many times.  Among other premieres, Wilkomirska has given the premieres of the violin concertos numbers 5 and 7 by Grazyna Bacewicz.  Here is a You Tube posting of one of her performances.  Her recordings can be easily found on the internet.  Her record labels have included Naxos, Deutsche Grammophon, EMI, Philips, and Polskie Nagrania.  Wiłkomirska performs on a 1734 Pietro Guarneri violin.  She also played a violin for some twenty years which four well-known appraisers (Bein, Beare, Kass, and Rosengard) have said is a fake – a 1740 Domenico Montagnana.  The violin was owned by the Polish government before being sold to Herbert Axelrod who sold it to the New Jersey Symphony in 2003.  The violin had already passed through the hands of Dietmar Machold, the now infamous violin dealer who is in jail for defrauding violin buyers and sellers and banks.  He issued a certificate back in 2002 which assigned a value of $750,000 to the violin.  Experts have said it is likely worth about $25,000. 

Lorand Fenyves

Lorand Fenyves was a Hungarian violinist and teacher born (in Budapest) on February 20, 1918.  He is known for having spent much of his career in Canada and is credited with helping establish an entire generation of musicians in that country.  His teachers in Hungary included Jeno Hubay and Zoltan Kodaly, internationally known violinist and composer, respectively.  Though he made his professional debut at age 13, he graduated from the Franz Liszt Academy in 1934, at age 16.  Two years later, having been recruited by Bronislaw Huberman, he left Europe for Israel to become a founding member of the Palestine Symphony (Israel Philharmonic.)  He soon became its concertmaster.  He was 18 years old.  In 1940, he helped found the Israel Conservatory and Academy of Music in Tel Aviv.  He also organized the Israel String Quartet, originally known as the Fenyves String Quartet.  He moved to Switzerland in 1957 (at age 39) where he was concertmaster of the Orchestre de la Suisse Romande and violin professor at the Geneva Conservatory.  He visited Canada in the summer of 1963.  The following year, he accepted a one-year position at the University of Toronto.  He actually remained there until his retirement in 1983.  In 2003, the University gave a recital in honor of his 85th birthday – a common thing for universities to do for their revered music professors.  After his retirement from the University of Toronto, Fenyves began teaching (in 1985) at the University of Western Ontario.  Nevertheless, he also gave masterclasses at music centers around the world and performed as violin soloist with well-known conductors and orchestras numerous times.  You can listen to Fenyves play a Bach Sonata in this YouTube audio file, recorded when he was about 70 years old.  Among his pupils are Tasmin Little, Elissa Lee, Scott St John, and Lynn Kuo.  Fenyves died (in Zurich, Switzerland) on March 23, 2004, at age 86.  The 1720 (circa 1720) Stradivarius violin which he owned – now known as the Fenyves Strad – was sold at auction in 2006 for about $1,500,000 USD.  Fenyves had purchased it in 1961.  

Victor Aitay

Victor Aitay was a Hungarian violinist, teacher, and conductor born (in Budapest) Hungary on April 14, 1921.  He is remembered as one of the long-time concertmasters of the Chicago Symphony.  As did many of the older players in American orchestras, he came to the U.S. from Europe in the early part of the twentieth century.  He first studied with his father then entered the Franz Liszt Academy at the age of 7.  After graduation, he became concertmaster of the Hungarian Royal Opera and the Budapest Philharmonic.  He did extensive solo playing throughout Europe as well.  In 1941, he was fired, arrested by the Nazis, and sent to a concentration camp.  In 1943, he escaped, made his way back to Budapest and was saved by Raoul Wallenberg, the Swedish diplomat, who provided asylum at the Swedish Embassy.  He was 22 years old.  In 1945, he was given his old job back but soon resigned and left for Vienna.  He then founded the Aitay String Quartet with Janos Starker but work was hard to find.  In 1946, from Vienna, he (with his wife and child) made his way to the U.S.  He was 25 years old.  Arriving in New York with the clothes on his back and his violin, he soon auditioned for his European countryman, Fritz Reiner.  From 1946 to 1948, he played in the Pittsburgh Symphony – Fritz Reiner was the orchestra conductor at that time.  Some sources say Aitay was there one year and others say he was there two years.  From 1948 until 1954, he played in the Metropolitan Opera Orchestra.  While there, he also did some orchestral recording work with Leopold Stokowski, almost always playing as principal second violin.  He was associate concertmaster of the Met orchestra from 1952 until he left to join the Chicago Symphony as assistant concertmaster.  In 1965, after 11 years, he was appointed associate concertmaster and (finally) concertmaster in 1967 – from 1963 to 1967, Steven Staryk was the CSO’s concertmaster.  Aitay was 46 years old.  As do all great concertmasters with their respective orchestras, he appeared as soloist with his orchestra a number of times.  One such occasion took place on January 29, 1981, when he played Bartok's first concerto with Georg Solti on the podium.  Aitay was concertmaster until 1986 but served as concertmaster emeritus until 2003.  He was 82 years old when he retired.  He had been in the orchestra almost fifty years.  There are very few commercial recordings by Aitay as a soloist (I found only one) although he recorded with the Chicago Symphony countless times as a member of the string section.  He was also first violinist with the Chicago Symphony String Quartet.  His violin – in addition to a Vuillaume and a Guadagnini – was the Baron von der Leyen Stradivarius of (circa) 1705 - please see comments below for further information.  The Stradivarius was sold for $2,600,000 in April of this year.  Victor Aitay died on July 24, 2012, at age 91. *

Johanna Martzy

Johanna Martzy was a Hungarian violinist born on October 26, 1924 (Heifetz was 23 years old.)  She is remembered for her short career.  Martzy began studying violin at age six.  Soon afterward she started lessons with Jeno Hubay at the Liszt Academy in Budapest and continued with him until 1937.  By age 13 she was already touring Hungary and Romania.  Her debut, playing the Tchaikovsky concerto, took place in 1943 with Mengelberg conducting the Budapest Philharmonic.  In October of 1947, she won first prize in a competition in Geneva, Switzerland.  In February of 1949 she made her debut in Amsterdam (again with the Tchaikovsky concerto), accompanied by the orchestra of the Concertgebouw.  Once established, Martzy enjoyed great success throughout Europe.  Her first appearance in England was in 1953.  Her New York City debut, with the New York Philharmonic, came in November 1957 playing Bach’s E Major concerto, an unusual work with which to debut.  In December 1958, she played the Mendelssohn concerto with this same orchestra with Bernstein at the podium.  Bernstein had just been appointed chief conductor of the Philharmonic.  She continued touring worldwide until 1976 though by 1969 she had effectively slipped from the limelight.  Some say it was because she had by then married a very rich man – Daniel Tschudi – and lacked any financial incentive to stay active.  She did comparatively little recording – Bach, Mozart, Beethoven, Mendelssohn, Brahms, Dvorak, Bartok, Stravinsky - though many tapes of radio broadcasts still exist.  Rumors have circulated that she chose to give up her recording career rather than give in to Walter Legge (EMI’s Director.)  Martzy mostly played a Carlo Bergonzi violin (1733) though she also owned a 1733 Stradivari (previously owned by Kreisler and Huberman) and a Peter Guarnerius - Carl Flesch’s old violin.  She died in Switzerland, her death virtually unnoticed, on August 13, 1979, at age 54. 

Ilona Feher

Ilona Feher was a Hungarian violinist and teacher born on December 1, 1901 (Heifetz was born the same year.) She is remembered as a teacher rather than as a violinist. Many biographical writings mention her striking beauty. She studied with Jeno Hubay at the Franz Liszt Academy (Budapest) and began concertizing at an early age, until the Second World War interrupted her career. For a number of years after the end of the war, she played exclusively in Eastern Europe. In 1949, she moved to Israel, where she lived and taught for the rest of her life - nonetheless, she gave master classes all over the world as well. Shlomo Mintz is among her well-known pupils. I do not know if she ever did any recording - commercial or live. I'm estimating that Feher died on January 1, 1988, at age 87.

August Wilhelmj

August Wilhelmj (August Emil Daniel Ferdinand Viktor Wilhelmj) was a German violinist, composer, and teacher born on September 21, 1845 (Brahms was 12 years old.) Today, he is remembered for his arrangement (for violin and piano) of J.S. Bach’s Air from the second movement of his third orchestral suite. He has also been called the German Paganini. He gave his first concert at the age of eight in Wiesbaden and, after Liszt recommended him, he studied with Ferdinand David (concertmaster of the Gewandhaus Orchestra) at the Leipzig Conservatory from 1861 to 1863. For another year, he studied with Joachim Raff in Frankfurt (1864.) In 1865, at age 20, he began his concert career, making a number of world tours. He was the concertmaster at the Bayreuth Festival in 1876 when the first performance of Richard Wagner’s Ring took place. He first played in the U.S. on September 26, 1878, at Steinway Hall on 14th Street (New York.) That concert was a resounding success. From 1886 to 1894 he taught in Dresden, and then he was appointed professor of music at the Guildhall School of Music in London in 1894. It has been said that he possessed a broad, powerful, rich tone and that is probably true since he was over six feet tall - an unusual height for a violinist.* Wilhelmj was also said to play in a very expressive and sensitive style. He played on many different violins but his favorite was one by Stradivari dated 1725, which he acquired in 1866 and which now bears his name. When he retired, he sold that violin to one of his pupils. One of his American pupils was Nahan Franko, concertmaster of the Metropolitan Opera Orchestra for many years (1883-1907) and the first American to conduct at the Met (1904.) Wilhelmj’s compositions range from chamber music – which nobody bothers to play anymore - to arrangements of other composers’ well-known pieces, to cadenzas for violin concertos. Wilhelmj died on January 22, 1908, at age 62 (Heifetz was 7 years old.) 


*Arnold Steinhardt, Erick Friedman, Karl Halir, and Arthur Judson are/were also very tall. 

Joseph Szigeti

Joseph Szigeti was a Hungarian violinist born on September 5, 1892 (Stravinsky was ten years old.) He has never been one of my favorites, though he has been praised by many famous violinists and musicians. It has been said many times that his tone left something to be desired, and that his playing seldom seemed effortless, although his interpretations seemed to have been well thought out, cerebral and intellectual exercises. He began his studies at the age of six but eventually ended up at the Franz Liszt Academy in Budapest under the tutelage of Jeno Hubay. He began playing many concerts in public while still studying and actually made his Berlin debut at age thirteen. In his late teens, he met Busoni (the piano player), who almost instantly became a great musical influence on him. Somewhat coincidentally, a little later on, while recuperating at a hospital in Geneva, he met Bela Bartok, with whom he remained friends until the end of Bartok's life (1945). In 1917, he was appointed violin teacher at the Geneva Conservatory of Music. He married around that same time (1919) - he and his wife settled in the United States in 1940, but returned to Geneva in 1960. Szigeti retired from playing that same year but continued to teach. He published his violin method book (whom nobody uses any more) in 1969. There are many recordings by him of standard and not so standard pieces in the violin repertoire. You Tube also has several videos of his playing. He appears to have been a pedantic teacher and tutor, focusing much attention on minute details of playing. He died in Geneva, Switzerland on February 19, 1973, at age 80.

Tibor Varga

Tibor Varga was a Hungarian violinist and conductor born on July 4, 1921 (Heifetz was 20 years old.) Like so many other great violinists, he was a child prodigy. He studied with Carl Flesch and Jeno Hubay at the Franz Liszt Academy in Budapest. Varga joined a select group of distinguished Hungarian violinists who came before him – Joseph Joachim, Leopold Auer, and Carl Flesch. He could play the Mendelssohn concerto (e minor) from age ten and began his recording career at age 13. At 14 he began concertizing in Europe. In 1947, at age 26, he moved to London and later became a British citizen. Nevertheless, he later (from 1955 on) spent a great deal of time in Germany and Switzerland. Varga worked with the world’s leading orchestras and conductors before starting a long teaching career. A music school he founded in Germany underwent several transformations before he died. A pupil of his became the first female member of the Berlin Philharmonic (1982.) Tibor Varga died in Switzerland on September 4, 2003, at age 82.