Kristof Barati

Kristof Barati is a Hungarian violinist and teacher born (in Budapest) on May 17, 1979.  Although born in Hungary, he and his family spent a few years in Venezuela (for reasons unknown) and he even began violin lessons there with his mother at age 5.  By age 8 he was giving concerts with orchestras in Venezuela.  I don’t know at what point the family moved from Venezuela to Europe but several sources state he performed in France at age 11.  Sometime after or before this, he relocated to Hungary to study at the well-known Franz Liszt Academy.  Exactly what year that was is unknown to me.  His teachers at the academy were Miklos Szenthelyi and Vilmos Tatrai.  By 1995, at age 16, he began entering violin competitions at which he was very successful, placing either first, second, or third at all of them.  In 1996, he began studying privately with a little-known professor of violin, Eduard Wulfson, in Paris.  Music critics frequently praise his musicianship (artistry) in addition to his phenomenal technical prowess.  In addition to his world-wide concertizing, he also takes part in important music festivals in Italy, France, Switzerland, and elsewhere as a chamber music player.  Barati’s discography is not yet extensive, but his recordings of the first and second Paganini concertos are among the best.  His recording of the Mozart concertos (all five) has also been very highly praised.  Although he has played other very fine and valuable violins, for about 14 years (from 2003), he played (and recorded with) the Lady Harmsworth Stradivarius violin constructed in 1703.  I don’t know if he is currently using that instrument.  He is known for being a very strong chess player and avid photographer.  Barati has taught at the Sorbonne in Paris and at other venues as a masterclass professor.  Although he has not (as far as I know) performed all 24 Paganini Caprices at a single recital, he has performed all six Sonatas and Partitas for solo violin by Bach in one (very lengthy) recital (in France, then again in Russia.)  Here is a link to the entire recording of the Mozart concertos, courtesy of Brilliant Classics recordings.  Here is a YouTube video of a movement from the Bach Sonata number 1. 

Heimo Haitto

Heimo Haitto was a Finnish violinist, teacher, conductor, writer, and actor born (in Viipuri, Finland) on May 22, 1925.  He is Finland’s most famous violinist, although he is now (unjustly) forgotten.  Haitto was a notorious, unconventional classical musician, in the style of Nicolo Paganini, Arthur Hartman, Elias Breeskin, and Eugene Fodor.  He was a gambler and loved drinking, although it has been said he was not an alcoholic.  He deliberately turned his concertizing career off a couple of times.  For a time, he actually lived the life of a vagabond, being literally homeless, traveling by train, in boxcars.  However, notwithstanding all of the turmoil, idiosyncrasies, romantic excesses, and bohemian lifestyle, he was a brilliant violinist and a genuine artist.  I think it can be said he had an extraordinary zest for life.  YouTube now contains some of his performances.  As Pinchas Zukerman has done, Haitto married a cellist (Beverly LeBeck, pupil of Pablo Casals) and, later on, an actress (Marja-Liisa Nisula.)  He married a third time in the mid 1970s.  Haitto’s playing style reminds me somewhat of Ivry Gitlis.  Haitto wrote his memoirs in the early 1970s (Heimo Haitto Maailmalla - published in 1976) but I don’t think there’s an English translation available.  He also published a book on his violin playing experiences in 1994 - Viuluniakka Kulkurina.  Although his father worked for the railroad, he was also a violinist and gave Haitto his first lessons, beginning at age 5.  At age 9, Haitto’s father took him to the Vyborg Music Academy and left him entirely in the care of professor Boris Sirpo (1893-1967.)  (Vyborg and Viipuri are one and the same city.)  Under Sirpo’s tough and rigid supervision, Haitto practiced almost constantly.  At age 13, Haitto made his public debut in Helsinki with the Helsinki Philharmonic and Sirpo on the podium.  He also appeared in his first movie – Soldier’s Bride – playing the part of a boy violinist.  In that same year he won an international violin competition sponsored by the British Council of Music in London and soon after briefly toured the Scandinavian countries.  In that year also, due to the Russian-Finnish war, Sirpo brought Haitto to the U.S. to tour on behalf of the Red Cross.  In fact, Haitto's Guarnerius had been destroyed in an air raid.  By then, Haitto had already been studying rigorously under Sirpo’s very strict tutelage for five years.  According to some sources, Haitto was not allowed to have contact with his family during those years.  Arriving in the U.S. in February of 1940, Haitto appeared with the Philadelphia Orchestra in April of that year, playing the Paganini D major concerto.  That was his U.S. debut.  He also soloed with many other American orchestras.  He played in Carnegie Hall under John Barbirolli as well.  Eventually, accompanied by Sirpo, he settled in Portland, Oregon in 1942.  Most European artists arriving in the U.S in those years chose to begin their American careers from home bases in New York, Philadelphia, Boston, or even Chicago, but not Haitto.  In 1943, Haitto was released by his strict teacher and set out on his own.  He then settled in Los Angeles.  There, he played in the Los Angeles Philharmonic (September/1952 to May/1954) and in Hollywood studio orchestras but appeared far and wide as a soloist as well.  He was 18 years old.  He also appeared in another movie: There is Magic in Music.  That's the same movie that violinist Patricia Travers appeared in as a very young teenager. One source says he enlisted in the military but another says he was not accepted because he was foreign-born.  In actuality, he desired to be a parachutist in the Marine Corps but his enlistment was declined, even though he had a letter of recommendation from President Franklin D. Roosevelt.  Instead, he was made a part of the Army Special Services.  That's how he ended up in New York.  Among the group that was in that Special Services Unit with Haitto were Ruggiero Ricci, Red Skelton, Mickey Rooney, and Eddie Fisher.  In New York, he studied privately with Ivan Galamian, famous teacher at Juilliard.  Haitto and Isaac Stern became friends there during this time - Stern was studying with Louis Persinger.  With five other violinists, Haitto performed Paganini's 24 Caprices, each Caprice being alternately played by each violinist until all five played together at the end.  Later, in Los Angeles, Haitto became friends with Jascha Heifetz and was a guest at Heifetz' house many times.  Haitto had married Beverly LeBeck in New York in the spring of 1945.  He was 20 years old.  His new wife later (like him) became a cellist in the Los Angeles Philharmonic - 1949-1950 and, again, 1954-1955.  Evidently, they did not play in the Los Angeles Philharmonic at the same time.  Brilliant as he was, Haitto was dismissed from the orchestra due to excessive absences and other problems.  It has been reported that he loved to go to Las Vegas and gambled heavily.  During the 1950s, he concertized and became the conductor of an orchestra in Salem, Oregon.  Haitto and Beverly moved to Seattle after Beverly left the Los Angeles Philharmonic.  He eventually became the concertmaster of the Seattle Symphony and also conducted a youth orchestra at the Cornish School of Arts in Seattle.  The third photo (circa 1955) shows Beverly and Haitto in the kitchen of the home of a close friend in Seattle.  The photo is courtesy of Mr Ed Vainio, now a resident of Montana (USA), in whose parents' home the photo was taken.  Haitto visited Finland in 1948 and again in 1956.  He moved to Mexico City and lived there (with Beverly LeBeck) between 1960 and 1962, serving as concertmaster of an orchestra, but I don’t know which orchestra.  At the time, there were four professional orchestras in the city.  In 1962, Beverly LeBeck began playing in the Metropolitan Opera Orchestra (New York.)  Haitto spent the years between 1963 and 1965 in Finland.  After divorcing LeBeck, he married Marja-Liisa Nisula (the actress) in 1964 but divorced her 2 years later.  From 1965 to about 1976, he was a vagabond (in the U.S.) and even spent some time in jail.  In 1976, Haitto returned to Finland permanently and began to practice again.  He was 51 years old.  He also remarried (Eva Vastari this time) in that year and, six months later, he was ready to play again.  Vastari had been a journalist.  In childhood he had played a Guarnerius violin but in adulthood I don’t know what he played.  He actually built two (red) violins which he used for performances and recordings.  Those violins now hang in Haitto's favorite restaurant in Helsinki - Tin Tin Tango.   Vastari and Haitto formed a duo.  She read poetry and he played.  He also did some teaching and lecturing at the Lahti Conservatory and other schools.  They finally settled in Marbella, Spain.  The photo shows him playing dominoes there.  Haitto fell ill in 1995 and died on June 10, 1999, at age 74.  Haitto made several commercial recordings which are still available, though they are not easy to find; however, his recording of the Sibelius concerto (along with Six Humoresques which Sibelius wrote as Opus 87 and Opus 89) can be found here.  Finlandia Classics has also released Haitto's recording of the Paganini concerto (number 1) and the Vieuxtemps concerto (number 4) - that release can be found here.  He also recorded for Finnish National Radio (YLE) broadcasts -  those recordings might not be available.  You can hear his unique style of playing here and here.  Most of Heimo Haitto's video and audio files can be found on this Channel - it is Tuomas Haitto's YouTube channel - Tuomas Haitto is Heimo Haitto's nephew.  

On The High Cs

It has long been my opinion that in order for an artist to be able to perform, she needs Conviction, Control, Courage, Confidence, Composure, and Concentration.  To a great degree, these are overlapping attitudes.  Conviction is simply the foundation upon which careers (and lives) are built – it is the belief that what one is doing is worth doing to the best of one’s ability.  (Oprah Winfrey once said that you are what you believe. She knows that for sure.)  Before one can convince an audience, one has to be self-convinced.  You might question Leila Josefowicz’ interpretations but not her conviction – it is there in spades.  Then comes Control – that is the same as knowledge or technique – if one cannot exert full control over one’s physical preparedness – control over intonation, rhythm, and tone problems - then one is actually not ready to do the job.  Courage enables us to take that first step onto the stage.  However, Courage comes in varying degrees.  Some of us can muster enough of it to perform in groups, though not as soloists or conductors.  There’s nothing wrong with that.  Isaac Stern called it arrogance and perhaps, in his case, that’s what it was.  Confidence is an attitude that convinces others that you know you can succeed, but it comes after one takes that first step.  Composure is an attitude which overcomes panic.  Ivan Galamian’s solo career didn’t pan out because he was terror-stricken at the thought of playing in front of an audience.  Fear can undermine even the best-prepared, best-trained artist.  Finally comes Concentration.  Imagine going out to play Beethoven or Mendelssohn with great conviction, control, confidence, courage, and composure, but then focusing your attention on the conductor’s very loose bow tie or the second clarinet’s flat tuning or the Principal cellist’s unpolished shoes or the fidgety little boy in the front row.  This is how tiny, little lapses enter a performance.  This is how careers get destroyed.  There are critics out there who know how the music should go – they talk and they write and they tell people who care about these things.  However, these factors only make a career feasible.  Sustainability is another matter. 

Nicolo Paganini

Nicolo Paganini is the most famous violinist who ever lived. He was born on October 27, 1782, in Genoa, Italy (Beethoven was 12 years old.) His early studies were on the mandolin, instructed by his father, who played mandolin on the side to supplement his income. At age 7, Nicolo switched to violin and began studies with Servetto, then Costa, Rolla, Paer, and Ghiretti. By age 18, he had achieved an important appointment to an Italian royal court, after which he received a second appointment at a different aristocratic court (a French court) in Tuscany. Neither appointment meant a great deal to Paganini since, especially after 1813, he earned a very good living through free-lancing. His stupendous and unmatched virtuosity on the violin made him a legend (and a fortune) in his own time. Whenever he played, normal ticket prices were usually doubled. Paganini did not actually play outside of Italy until he was 45 years old. After deciding to venture further west, he toured Germany, Austria, France, Scotland, Ireland, and England, among other places. He would often stay in one city for weeks, playing (and sometimes attending) many concerts.  He is also famous as a composer of prodigiously difficult violin music. Because he could execute things with the violin that seemed humanly impossible, he was rumored to be in league with the Devil. Among many other works, he wrote six violin concertos, but is more famous for his twenty four caprices for solo violin, which have been recorded by nearly every violin virtuoso of our time, except Heifetz. His favored instrument was a Guarneri del Gesu of 1742 or 1743 (nicknamed the Cannone.) He died young, at age 58, on May 27, 1840. It is said that Sivori, his pupil, played for him one last time (at Paganini’s home in France), two weeks before he died.

Emile Sauret

Emile Sauret was a French violinist and composer born on May 22, 1852 (Brahms was 19 years old.) He began studying violin at age 6 with Charles Rondolet at Strasburg. Two years later, he was already concertizing. As a young touring artist, his father was his constant companion. Later on, and almost simultaneously, he studied with Charles De Beriot and Henri Vieuxtemps. Like Paganini before him, he never attended a conservatory. His first appearance in England was in 1862, at age 10. He made a return visit in 1866. He was known for his constant European and world-wide travels and his numerous friendships with the most famous musicians of his time – Rossini, Grieg, Brahms, Liszt, Bruch, Saint Saenz, Tchaikovsky, Wagner, Sarasate, Ernst, Wieniawski, Bazzini, and Sivori, to name a few. He toured the U.S. in 1872, where Liszt accompanied him on at least two recitals. He also often played for French Emperor-President Napoleon III and his court. It has been said that his repertoire included no less than 70 concertos and 400 miscellaneous works. In 1873, he married Teresa Carreno, the Venezuelan concert pianist and composer of the national anthem of Venezuela. They divorced in 1875. In 1879, he married Emmy Hotter and henceforth taught at the Stern Academy in Berlin for a number of years. 1890 found him teaching at the Royal Academy of Music in London, which he made his home until his death. In 1903, he taught at the Chicago Musical College. One of his students in Chicago was Sol B. Cohen, a well-known composer, violinist, conductor, and teacher of the early and mid Twentieth Century. Sauret's last teaching appointment was at the Trinity College of Music (in London) where he taught between 1915 and 1919. Among Sauret's famous pupils are William Reed and Isolde Menges. Today, Sauret is mostly remembered for the famous and very difficult cadenza he wrote for Paganini’s first violin concerto, although he wrote more than 200 other works, including three violin concertos - the first in g minor, the second in E major, and the third in B minor. He also wrote a book of extraordinarily difficult violin studies which almost nobody uses now. A Stradivarius violin from 1685 is named after him. A Guarnerius violin from 1744 is also named after him. Sauret died in London on February 12, 1920, at age 68.

Eugene Fodor

Eugene Fodor (Eugene Nicholas Fodor, Jr.) was an American violinist born on March 5, 1950 (Perlman was about 5 years old.) His career was somewhat uneven and enigmatic. He first took up the violin when he was five and initially studied with Harold Wippler, concertmaster of the Denver Symphony for a number of years. At 10, he made his orchestral debut with that orchestra (playing Bruch's first concerto) and continued his studies with Wippler for another five years. At 15, he enrolled at Juilliard (New York) where he studied with Ivan Galamian. He also soloed with the Detroit Symphony at age 15. Josef Gingold was his teacher at Indiana University a short time later. By this time, he was already concertizing. He was then a student of Jascha Heifetz at USC. It has been reported that Heifetz dismissed Fodor from his class after Fodor refused to get a haircut to Heifetz' specifications (short.)  He was also winning several competitions along the way, including the Merriweather Post Competition in Washington D.C. After picking up first prize in the Paganini Competition in Italy in 1972 at age 22, Fodor became famous. As if this weren’t enough, two years later (1974), he won a Silver Medal at the Tchaikovsky Competition in Moscow (no Gold Medal was awarded that year.) Ironically, even with these competition wins and dozens of successful concert tours under his belt, he was never a guest soloist with some of the best American orchestras – Boston, Chicago, and New York, among others. Speculation that Isaac Stern was somehow instrumental in shutting him off from certain venues prevails until this day. Fodor had at least 40 concertos and more than 40 violin Sonatas in his repertoire, in addition to countless miscellaneous works for violin and piano or unaccompanied violin. YouTube has a few videos of his playing.  He also recorded several major works for the RCA, Sony, and Grazioso labels, among others. Fodor married (Susan Davis, with whom he had three children) in 1978 and divorced in 1985 (some sources say 1986.) He married her again in November of 2010.  He was said to have a difficult personality.  Fodor is known for having been selected to play Paganini’s violin (the Guarnerius Cannone of 1743, worth about $40 million) in a San Francisco recital in 1999, on the eve of Paganini’s birthday. (Other violinists who have been granted this honor are Camillo Sivori, Bronislaw Huberman, Salvatore Accardo, Ruggiero Ricci, Leonid Kogan, Dmitri Berlinsky, and Regina Carter) The recital received great as well as cool reviews. He is also known for having been arrested (in Massachussetts) for drug possession in 1989. His latest prize was the European Soloist award in 1999. Some time in 2010, he stopped playing the violin altogether. Fodor died on February 26, 2011, at age 60. His 1736 Guarnerius is now for sale in Europe - on the private market.

Heinrich Ernst

Heinrich Wilhelm Ernst was a Czech (Moravian) violinist and composer probably not born on May 6, 1814 (Beethoven was 44 years old). Nobody knows his actual date of birth. He was widely considered the greatest virtuoso after Paganini, who lived during the same epoch. At the age of nine, he began to study the violin and turned out to be a prodigy. He studied with Joseph Bohm, among others. He concertized far and wide, frequently in the same cities and during the same weeks that Paganini scheduled his concerts. After 1844 he mostly lived in England where he joined the Beethoven Quartet Society, often playing with the likes of Henri Wieniawski and Joseph Joachim. He wrote many pieces for the violin, some of which are still in the repertoire. Hear some of his compositions for yourself on YouTube if you want. Ernst died in France sometime in October of 1865, at about age 51.

Michael Rabin

Michael Rabin was an American violinist born on May 2, 1936. He began his violin studies when he was seven. His father was a violinist in the New York Philharmonic. Heifetz, upon hearing him, recommended that he study with Ivan Galamian at Juilliard. By the time he made his Carnegie Hall (New York) debut in November of 1951, he had already appeared as soloist with a number of orchestras. It has been said that his mother was very pushy and hard on him, as was the mother of Guila Bustabo.  Rabin recorded many of the standard concertos as well as the Paganini Caprices, one of his favored recordings. He was also said to have recorded the Moto Perpetuo by Paganini (with the Hollywood Bowl Orchestra) in one take. In his later years, beginning in about 1960, his playing began to decline noticeably. He had to cancel his performance at the inauguration of Philharmonic Hall on September 26, 1962 at the very last minute for health reasons. For some time, Rabin played the Kubelik Guarnerius (1735). He died (in New York) on January 19, 1972, at age 35. His cause of death has been the subject of much speculation. It has also been rumored that he suffered from mental illness, or drug addiction, or some nervous condition. Although all of his recordings are outstanding, his discography is quite limited due to his early demise. 

Charles De Beriot

Charles Auguste de Bériot was a Belgian violinist and composer born on February 20, 1802 (Beethoven was 32 years old.) It is said that his playing was influenced by Viotti, Baillot, and Paganini. He toured Europe extensively and was chamber violinist to King Charles the Tenth of France and King William the First of the Netherlands. In 1843, De Beriot became a professor of violin at the Brussels Conservatory. His best known pupil was Henri Vieuxtemps. He retired from that post in 1852. His compositions are varied and he wrote no less than 10 violin concertos. He is remembered for his violin etude books which are still in use today. De Beriot died in 1870.

Prone to violins

I hope this title is not too cutesy. Do not read this - it is just a test while I put this blog together.