Sunday, December 6, 2020
Dueñas has already concertized in many countries around the world (including the U.S.) and has played in some of the most prestigious concert halls but, since she is still a student at the University, understandably spends most of her time in Europe. Here is one of her many YouTube video performances. You can judge her virtuosity and style for yourself. Dueñas speaks four languages fluently – German, English, French, and Spanish. She is also currently studying the Russian language. Two of her violins have been a Nicolo Gagliano (1764), on loan from the German Musical Life Foundation and the Muntz Guarneri (1736) on loan from the Nippon Music Foundation. I do not know if she is still using either one of those fine violins. The photo is courtesy of David Ausserhoffer.
Sunday, December 15, 2019
Orlando Barera was an Italian (some would say American) violinist and conductor born (in Bologna, Italy) on February 6, 1907. Two sources say he was born in Ferrara, Italy in 1908. (Ferrara is about 25 miles north of Bologna.) He began his career as a concert violinist but is best known for being the conductor of the El Paso (Texas) Symphony from the fall of 1951 to the spring of 1970. Prior to that he was the conductor of the Baton Rouge (Louisiana) Symphony for one year and just before that, he was the concertmaster and Assistant Conductor (for one year also) of the Houston Symphony. Before those two posts, he had served as concertmaster of the Kansas City (Missouri) Symphony and the Havana Symphony (prior to Fidel Castro’s political revolution.) Barera is one of many violinists who turned from concertizing to conducting – Jaap Van Zweden, Eugene Ormandy, David Zinman, Alan Gilbert, Neville Marriner, Pierre Monteux, Peter Oundjian, Jacques Singer, Charles Munch, and Theodore Thomas are among them. He began his studies with his father, who was a professor at the conservatory of music in Bologna. He graduated at age 15 with diplomas in violin, composition, and piano. Immediately thereafter, he added an additional two years of study before embarking on a solo career. His concertizing began in Italy but then later included France, Germany, Hungary, Czechoslovakia, Russia, and the Netherlands. His first appearance in the U.S. took place at Town Hall in New York on February 10, 1936. He was 29 years old. He later played at the Library of Congress in Washington D.C. that same year but returned to play in Europe in the latter part of that year. On November 11, 1936, he played Lalo’s Symphonie Espagnol with the Prague Radio Symphony. Karl Ancerl was on the podium. I do not know if the performance was recorded. Upon his return to the U.S., he gave a second recital at Town Hall on December 27, 1936. He played Mozart’s fourth concerto with the Boston Symphony on February 21, 1937. Serge Koussevitzky conducted. On December 3, 1938, he was guest artist with the New York Philharmonic. This time, he played the Mendelssohn concerto, the one in e minor. John Barbirolli conducted. When war broke out, he enlisted in the U.S. Army and served a tour of duty until the war’s end. His career - which he took up again when he was appointed concertmaster in Kansas City – was thus interrupted. An interesting detail in his career is that between July 11 and November 10, 1950, he participated (as assistant principal second violinist) in 14 recording sessions which Leopold Stokowski conducted in New York. At many of these recording sessions, Victor Aitay, the soon-to-be concertmaster of the Chicago Symphony, was Barera’s stand partner – Aitay was, at that time, a section violinist in the Metropolitan Opera Orchestra. Being the well-known figure he was on the east coast and beyond, Barera was able to introduce many world class string players to El Paso audiences. Among them were Ruggiero Ricci, Zvi Zeitlin, Isaac Stern, Berl Senofsky, Zino Francescatti, Pierre Fournier, Mischa Elman, Michael Rabin, Zara Nelsova, Arturo Delmoni, Salvatore Accardo, and Tossy Spivakovsky. Of his association with Barera, Michael Rabin once said “Barera is very good and a hell of a nice guy. Believe me, I wish every conductor would be as easy to work with as he is. He takes away all the tightness and strain and just lets me enjoy myself.” Barera owned and played a Gagliano violin from a year and specific maker unknown to me – the Gagliano violin-making family produced several good makers. Barera died on March 26, 1971, at age 64.
Sunday, November 17, 2019
Ilya Gringolts is a Russian violinist, teacher, conductor, and composer born (in Leningrad) on July 2, 1982. He is known for being immersed in period-instrument performance as well as contemporary playing styles. Ever since he won the 1998 Paganini Competition at age 16, his virtuosity has become well-known. (The following year, Sayaka Shoji won the competition – she also was 16 years old.) As is customary with almost all contemporary violinists, Gringolts participates in many music festivals around the world. (The production of music festivals seems to have exploded after 1950 and festivals of one kind or another can now be found in every corner of the planet.) Gringolts began studying the violin at age five. I do not know who his first teacher was. At age 8, he began studying violin and composition in the St Petersburg (formerly known as Leningrad) Special Music School with Tatiana Liberova and Jeanna Metallidi, two teachers of whom I had never heard. In 1994, he made his debut with the Moscow Symphony Orchestra. He was 12 years old. I don’t know which piece he played at that concert. In 1995, he made his European orchestral debut in Finland, playing Bruch’s first concerto. After winning the Paganini competition, he relocated to New York (in 1999) and studied at Juilliard with Dorothy Delay and Itzhak Perlman for three years. During the latter part of those same three years, he was spending a lot of time in London, studying and giving concerts. Gringolts made his Canadian debut (in Ottawa) in 1999 (one source says 2002) – Pinchas Zukerman was on the podium. He was 17 years old. He has been very busy ever since, playing all over the world with every important conductor and in every prestigious venue. In 2013, he recorded the 24 Paganini Caprices. A usually-reliable source states that Gringolts now teaches at the Advanced School for the Arts (aka Zurich Academy of the Arts) in Zurich, Switzerland. Another source says he teaches (or has taught) at the Basel Hochschule. When I checked, neither school would confirm his position as violin professor. Regarding his teaching, he has stated – contrary to universally-accepted dogma - that being a motivator is not part of his job. In his own words: “I think that everyone is his or her own motivator. You should know why you do something, otherwise you shouldn’t do it.” In 2008, he founded the Gringolts Quartet. He maintains a busy schedule with the quartet. It also allows him to spend more time with his wife, who is the quartet’s second violinist. His discography is not extensive by any measure but the recordings he has under his belt have been highly praised and have received awards. Among those recordings are the Arensky and the Taneyev concertos, two works which are very (very) seldom heard. You might want to obtain his recording of the first Paganini concerto since it is pretty outstanding – it was released in March of 1999. It is not yet available on YouTube. A current project in progress is his recording of all of Igor Stravinsky’s works for violin. Among the violins he has played are the Kiesewetter Stradivarius (1723), the Provigny Stradivarius (1716), and a Guarneri Del Gesu dated 1742. Here is one of Gringolts’ YouTube videos – a concerto by the mysterious and enigmatic violinist Pietro Antonio Locatelli.
Sunday, October 27, 2019
Rodney Friend is an English violinist, teacher, and author born (in Bradford, England) in 1939. He is best known for being the concertmaster of three of the world’s best orchestras – the New York Philharmonic, the London Philharmonic, and the BBC Symphony. He began his violin studies at age seven. I do not know who his first teacher was. At 12, he received a scholarship to study at the Royal Academy of Music in London. His main teacher was Frederick Grinke, a Canadian violinist who played for Churchill, Truman, and Stalin at the famous Potsdam Conference in the summer of 1945. Friend later studied with Endre Wolf, Yehudi Menuhin, and Henryk Szeryng. One usually-reliable source says he also later studied at the Royal Manchester College of Music. In September, 1964, Friend became the concertmaster of the London Philharmonic. He was 24 years old. He played the Britten concerto in his first solo appearance with this orchestra. However, by then, he had made his London debut playing the Sibelius concerto with the Halle Orchestra (in 1961) at the Festival Hall with John Barbirolli on the podium. Friend played with the London Philharmonic for 12 years. In 1975, he was invited to be the New York Philharmonic’s concertmaster. He was 35 years old. He had already made his American debut with this orchestra playing the Britten concerto. He probably began his tenure as concertmaster in New York in the fall of 1976. On March 10, 1977, in his new role as concertmaster, he soloed with the orchestra, this time playing Karol Szymanowski’s first concerto. Erich Leinsdorf was on the podium. In 1981, Friend returned to England and became the concertmaster of the BBC Symphony. In that year also, he became professor of violin at the Royal College of Music. He was 42 years old. Since 1990, he has devoted his time to teaching, writing, judging international competitions, and playing and/or directing chamber music concerts. He formed the Solomon Trio in 1991. In 2006, Friend’s two-volume work entitled The Orchestral Violinist (a study guide for orchestral players) appeared. It has been acclaimed by many critics. In 2010, he founded the Cambridge International String Academy at Trinity College. In 2015, he joined the Royal Academy of Music faculty. In 2019, his pedagogic work entitled The Violin in Fifths was published. Many sources say it is a unique study guide. It is easily found on the internet. Among other violins, Friend has played (and might still be playing) a Giuseppe (Battista) Guarneri violin dated 1696 (not a Del Gesu.) (According to a usually-reliable source, for a time, he also played a Guarneri Del Gesu dated 1731.) Needless to say, he has recorded (as an orchestral violinist) practically the entire orchestral repertoire. He has also appeared in every important concert hall in the world and worked alongside the most eminent conductors and soloists of the twentieth century. Here is a very charming YouTube audio file of one of his commercial recordings as soloist.
Sunday, September 29, 2019
Amihai Grosz is an Israeli violist and teacher born (in Jerusalem) in 1979. He is well-known as the Principal violist of the Berlin Philharmonic. Nevertheless, he is also in great demand as a soloist. He began, as most violists do, as a violin student at age 5. He began to play and study the viola at age 11. Most of his studies took place in Israel and in Germany. In 1995, he founded the Jerusalem Quartet with three other student-colleagues from the Jerusalem Music Center. He was 16 years old. The quartet (which comprised the majority of his professional activity between 1995 and 2009) subsequently won several distinguished awards and prizes from various organizations. As a viola soloist, Grosz has also won top prizes in several competitions. In 2010, Grosz was appointed Principal violist of the Berlin Philharmonic. Although orchestral players are for the most part anonymous to the general public, principal players enjoy slightly higher profiles. Grosz continues to perform as a soloist and as a member of various chamber groups involved with music festivals all over the world. His instrument is one by Gaspar Da Salo, constructed in 1570.
Sunday, August 18, 2019
Arkadi Futer (Arkadi Naumovitch Futer) was a Russian violinist and teacher born (in Moscow) on September 6, 1932. He is known for his impressive recording of Wieniawski’s first violin concerto in F sharp minor, but he is also known for having spent a large part of his career in Spain. For some time, he was concertmaster of Vladimir Spivakov’s Moscow Virtuosi, which was founded in 1979. I do not know if he was the initial concertmaster – he probably was. The Moscow Virtuosi later resided in Spain for nine years (1990-1999.) When the Moscow Virtuosi left Spain, Futer stayed behind. He then became concertmaster of the Oviedo Symphony Orchestra. He was 67 years old. (Oviedo is the small capital city of the principality of Asturias, located in northern Spain, next to the Bay of Biscay.) Prior to his association with the Moscow Virtuosi, Futer was concertmaster of the Moscow Philharmonic, the Moscow Radio Orchestra, and the Orchestra of the Film Industry of the USSR. He was also a member of at least two string quartets. Futer began his studies at age 7 in Kiev, in the years of 1939 or 1940, I don’t know which. His first teacher was Nina Dulova. In 1943, he returned to Moscow with his family. He was 11 years old. He entered the Tchaikovsky Conservatory at age 18. Yuri Yankelevitch was one of his teachers. He later graduated from the conservatory with top honors. He was named Artist of the Russian Republic in 1998. Futer died (in Gijon, Asturias, Spain) on September 5, 2011, at (almost) age 79. His granddaughter, Vera Futer, is now a professor at the University of Oviedo. Here is an audio file of Futer’s Wieniawski recording.