Eda Kersey

Eda Kersey was an English violinist and teacher born (in Goodmayes, a district of London) on May 15, 1904.  She was a very accomplished musician whose career was mostly spent in England.  She was also one of quite a few female violinists who died young – Maud Powell, Johanna Martzy, Ginette Neveu, Edith Volkaert, Alma Rose, Alma Moodie, and Arma Senkrah are among them.  Several sources speak very highly of her and emphasize that she would have left a great legacy if only she had lived long enough to record the great works of the violin repertoire.  She is also known to have stated that practicing seven hours a day (which she routinely did) should be sufficient for any violinist.  Her musical education began on the piano at age four.  She took up the violin at age six when she actually began studying at the Trinity College of Music in London.  Two years later, she was awarded a certificate from the college with very high marks.  She was eight years old.  After that, she began studying with Edgar Mouncher (a pupil of Otakar Sevcik.)  After only two years, at age ten, she played Wieniawski’s second concerto (first movement only) in Southampton, a city which is 65 miles from London.  That concert (in 1915) was a great success.  At age 13, she moved to London to live with an aunt and uncle in London and began studying with Margaret Holloway, a pupil of Leopold Auer.  Her first London recital took place three years later at the Aeolian Hall when she was sixteen years old.  (New York City also had its own Aeolian Hall.)  Along the way, she premiered the concertos of Arnold Bax, Erno Dohnanyi, and Stanley Wilson, as well as works by other contemporary composers.  She also gave the first English performance of the Barber concerto at a Proms concert in 1943.  Her first Proms concert had been in 1930 playing the Beethoven concerto with the famous Henry Wood conducting.  She was 26 years old.  That performance was the first of several appearances she made at the popular Proms concerts.  In 1931, she formed a piano trio which was simply named The Trio Players.  Her last concert took place in June, 1944, at the Albert Hall in London.  Kersey played a Nicolo Amati, a J.B. Vuillaume, and a Guarnerius del Gesu (which she acquired from Belgian violinist Alfred De Reyghere in 1942), among other violins.  Eda Kersey died on July 13, 1944, at age 40.  Negotiations for many recordings of the standard repertoire had nearly been concluded before her sudden death but she never got to actually record anything other than some small pieces (with piano accompaniment) and the Bax concerto (with orchestral accompaniment) several months earlier. 

Ayla Erduran

Ayla Erduran is a Turkish violinist and teacher born (in Istanbul) on September 22, 1934.  She is one of Turkey’s best known concert violinists.  She is also one of the very few pupils of Zino Francescatti.  Erduran is still active as a recitalist.  Although her career began with a recital at age ten, she was never known as a child prodigy.  That first recital included Mozart’s fourth concerto and Beethoven’s Spring Sonata.  She began violin lessons at age 4 - her first teacher was her mother (who was a violinist though not a very good one.)  Erduran’s early years were difficult because her mother was not unlike Guila Bustabo’s mother, which is to say, she was domineering and very pushy.  (Guila Bustabo’s mother was known to beat her on occasion.  Bustabo’s fellow pupils many times saw her with bruises on her little head and arms.)  After a short while, Erduran began lessons with Karl Berger in Istanbul.  Berger was known as the best violin teacher in Turkey at the time and Erduran studied with him for five years.  From age 10 to age 15 or 16, Erduran studied in Paris with Rene Benedetti, also a very well-known French violin teacher of that day.  (Several biographical summaries say Erduran studied at the Paris Conservatory but I was not able to confirm that.  Perhaps it’s true.)  In 1951, she traveled to the U.S. where she studied for four years with Ivan Galamian and Zino Francescatti, presumably in New York and not at the same time.  Many concert violinists concertize while studying but I do not know if Erduran did that.  She left the U.S. in 1955 – she was either 21 or 22 years old.  Before leaving, she made her American debut in New York but I do not know with which orchestra she played or when or what she played – all I know is that Thomas Scherman conducted the program.  Her European debut took place in Warsaw, Poland, where she played the Glazunov concerto with the Warsaw Philharmonic.  In 1957 she went to Moscow to study with David Oistrakh.  She stayed until sometime in 1958.  She was 24 or 25 years old.  In 1957, she was awarded fifth place in the Wieniawski violin competition – there were more than 120 competitors that year.  The next 40 years she spent concertizing around the world playing with many famous conductors and orchestras in prestigious concert halls.  Erduran premiered the Elgar concerto in Turkey.  Between 1973 and 1990 she taught at the Lausanne Conservatory in Switzerland.  She returned to Istanbul in 1990 – she was 56 years old.  Erduran has been recognized for her artistic achievements by several countries, including Turkey, the Netherlands, England, Poland, and Belgium.  Among the violins she has played are a Guarnerius from 1720 (not a Del Gesu) and the famous Roederer Stradivarius from 1710, now played (though not owned) by French violinist David Grimal.  Two biographies have been written about Erduran – they are probably still in print.  Here is a YouTube audio file where Erduran plays a popular Kreisler piece. 

David Grimal

David Grimal is a French violinist, conductor, and teacher born on February 9, 1973.  He is best known as the Artistic Director (and Conductor) of the French group Les Dissonances.  Ironically, Les Dissonances plays without a conductor and performs challenging repertoire (such as the Rite of Spring) which no other conductor-less orchestra would dare.  Grimal leads from the first chair.  Regarding Les Dissonances, Grimal has stated: “We work together in the sense of community of mind, a gathering of very strong positive energy and joy.”  Regarding the violin itself, he has said: “What interests me is the invisible - that something which makes the dancer take flight and causes his gesture to be eternal.”  The Dissonances musicians are from different parts of France and Europe – from various other ensembles – almost none are permanent members.  The orchestra plays in many different cities and venues.  Understandably, Grimal frequently plays the violin concerto repertoire with this orchestra.  When he does, he never actually conducts, as all other conductor/violinists do - he just lets the orchestra play by itself (and it is fully capable of doing so.)  His style of playing, although virtuosic and brilliant, is relaxed, unassuming, and unpretentious.  His repertoire includes the Schumann concerto, which is now gaining in popularity.  Grimal began lessons at age five but I do not know the name of his first teacher.  First teachers are usually not famous pedagogues or even famous violinists – sometimes they are immediate family members.  At the Paris Conservatory Grimal won first prizes in violin and chamber music at age 20 (1993.)  He later studied with the enigmatic Philippe Hirschhorn, most likely in the Netherlands, where Hirschhorn was then teaching.  He also briefly studied with other violinists after he graduated.  In 1996, he received the European Culture Prize.  He was 23 years old.  Needless to say, he has played in most of the world’s great halls with high-profile conductors and orchestras.  However, other than live recordings, his discography (on various labels) is not extensive.  Nonetheless, the few studio (commercial) recordings he has done have received national and international awards and recognition.  A great many composers have written works for him.  In 2004 Grimal founded Les Dissonances.  In 2008, he became artist in residence at the Dijon Opera.  (Dijon is about 200 miles southeast of Paris and is the birthplace of Rameau.)  Grimal has taught at the Advanced School of Music in Saarbrucken (Germany) for some time although I don’t know how long he has been there.  (Saarbrucken is about 180 miles north of Dijon and 200 miles east of Paris.  It is very close to the French border with Germany.)  Additionally, he plays at many music festivals around Europe and has frequently held masterclasses wherever he performs.  His violin is the Roederer Stradivarius from 1710, previously owned by Turkish violinist Ayla Erduran.  He also plays a modern violin made for him by French luthier Jacques Fustier.  You can listen to the finale from Brahms’ Third Symphony here.  Here is Grimal playing Mozart’s fifth concerto – first movement.  

Valery Klimov

Valery Klimov (Valeri Alexandrovich Klimov) is a Russian violinist and teacher born (in Kiev) on October 16, 1931.  He is known for having won the very first International Tchaikovsky Violin Competition (in March, 1958), the best known violin competition in the world.  He was 26 years old.  That was the same competition at which Van Cliburn (the American piano player) won first prize in the piano division, subsequently becoming popular and famous.  That year, Russian composer Dmitri Shostakovich was the chairman.  Klimov’s first teacher was his father.  He later studied at the Odessa Conservatory and later still at the Moscow Conservatory with David Oistrakh.  As far as I was able to determine, Klimov did not perform outside Russia until 1967.  Quite possibly his first concert outside the Soviet Union was in London, England.  Although he has toured around the world, his career has mostly been spent in Russia.  He has been teaching at the Moscow Conservatory for a long time and has received many official awards.  Among his many pupils are Elena Denisova, Hisaya Sato, Alice Waten, Fiona Ziegler, Evgeny Grach, Rachel Schmidt, and Alena Tsoi.  Here is a YouTube video with Klimov playing the Khachaturian concerto.  Among other things, it gives you a chance to hear the excellent acoustics of the Sydney Opera House.  

Mayu Kishima

Mayu Kishima is a Japanese violinist born (in Kobe, Japan) on December 13, 1986.  She is known for having won one of the largest (if not the largest) monetary prizes in a violin competition – the Isaac Stern Violin Competition in Shanghai awarded her a first prize of $100,000 in 2016.  That was a competition that she almost decided not to enter until the last minute.  Kishima began her violin studies in Tokyo at age 3 and has had quite a number of teachers during her career, including Izumi Hayashi, Kazuyo Togami, Toshiya Eto, Dorothy DeLay, Masao Kawasaki, Machi Oguri, Chihiro Kudo, and Zakhar Bron (with whom she began studying at age 13.)  She graduated from the Advanced School for Music in Cologne in 2012.  She was 26 years old.  By then however, she had already established herself as a concert artist, having begun her professional career in the year 2000 at age 14.  Kishima made her first studio recording in 2003 with the NHK Symphony.  Needless to say, she has played all over the world with some of the finest orchestras and conductors.  Among the violins she has played are a 1779 G.B. Guadagnini and a Stradivarius from 1700.  Here is one of many YouTube videos posted of her performances.  Here is another.  

Marianna Vasileva

Marianna Vasileva (Marianna Vasilyeva, Marianna Wasiljewa) Is a Russian violinist and teacher born (in St Petersburg) on November 25, 1986.  In addition to a fantastic technique and a very expressive style of playing, she is known for performing all 24 Caprices by Paganini in a single recital – currently, probably the only female violinist to do so.  As far as I know, she has not recorded the famous Caprices but probably will in the near future.  (The first female to record all 24 Caprices is Bulgarian violinist Vanya Milanova, back in 1985.)  Vasileva began her violin studies at age five with her father, a professional violinist.  She has stated that even at that tender age she practiced several hours a day.  Her first accompanist was her mother, a professional pianist, with whom she has performed in recital many times.  At age 7, she began her studies at the St Petersburg Conservatory’s School for Gifted Children with an obscure teacher named Vladimir Ovcharek.  At age 11, she began studying with Dora Schwarzberg at the Advanced School for Music in Vienna.  At age 17 she began studying with Zakhar Bron at the Advanced School for Music and Dance in Cologne.  During all those years, she was also (simultaneously) studying at the St Petersburg Conservatory.  (The St Petersburg Conservatory is where the famous Leopold Auer taught for many years.)  Her performing career actually began at age 8, when she played in public for the first time.  At age 10, she made her formal debut in Russia and Germany playing the first concerto (the one in g minor) by Max Bruch.  In that year, she also won her first violin competition in Russia.  In 2001, she actually won a violin in the International Spohr Violin Competition – I don’t know what violin it was but I’m certain it was a high quality instrument.  She was 15 years old.  In 2009, she won first prize in the International Competition for Young Violinists in honor of Karol Lipinski and Henryk Wieniawski in Lublin, Poland (not to be confused with the well-known Henryk Wieniawski Violin Competition held in Poznan, Poland, every five years.)  She was 23 years old.  In 2010 she won first prize in the Prague Spring International Music Competition.  She currently teaches at the Music Academy in Madrid, in addition to teaching masterclasses around the world, as so many other soloists do.  Her concert tours span the entire world and she has played in almost all of the important musical venues and concert halls.  Her repertoire is very extensive although her discography is still quite small.  I know Vasileva has played a Guarneri Del Gesu violin from 1724 and a 1752 Carlo Antonio Testore violin on many concerts but I don’t know if those are her current instruments – I will try to find out and post it as a comment below.  Vasileva is fluent in four languages; Russian, English, German, and Hebrew.  Here is a YouTube video where she plays a well-known piece by Tchaikovsky.  Here is a sound file where she plays the seldom-heard Ysaye sonata for two violins – the other violinist is Dmitri Kogan, grandson of the great Leonid Kogan.  

Antal Zalai

Antal Zalai (Antal Szalai) is a Hungarian violinist, composer, and teacher born (in Budapest) on January 31, 1981.  He is known for what has been described as a perfect technique and refined artistry.  He is a former child prodigy who was offered his first recording contract while still a teenager and his musical education is very broad.  Zalai began his violin studies with his father and mother at age 5.  From age 7 to age 14 he studied, in Budapest, with Laszlo Denes.  His other teachers in Budapest were Josef Kopelman and Peter Komlos.  In fact, it has been said that he acquired his 1733 Stradivarius violin from Professor Komlos.  That violin had been owned by another Hungarian violinist, Gyorgy Garay, who is now almost completely forgotten.  Zalai graduated from the Royal Conservatory in Brussels in 2009.  He was 28 years old.  However, Zalai had been concertizing since age 12.  Along the way, he had participated in masterclasses given by Erick Friedman, Pinchas Zukerman, Tibor Varga, Lewis Kaplan, Isaac Stern, Gyorgy Pauk, and an assortment of other concert violinists.  He made his British debut in Liverpool in 2008.  That same year he made his debut in Berlin.  The venues he has played in include Carnegie Hall (New York), the Musikverein (Vienna), the Philharmonie (Berlin), and the Moscow Conservatory.  Zalai has toured almost the entire globe and played with some of the most famous names in the conducting world.  He also frequently conducts masterclasses wherever he performs.  As are so many violinists, he is a chess player.  The cadenzas he plays are very frequently his own.  Here is a YouTube video where he teams up with Russian violinist Marianna Vasileva to play the violin duos by Shostakovich – Zalai plays the second violin part.  These duos are written in a style which we do not associate with the famous Russian composer.  The (intense and emotional) performance is easily the best on YouTube.  This othervideo is also quite unique and interesting.