Jinjoo Cho is a Korean violinist and teacher born (in Seoul) on July 12,
1988. She is well-known as the winner of
several violin competitions around the world (2005, 2006, 2010, 2013, 2014),
the Indianapolis being the most important among them. It is the nature of competitions that in
2012, Cho entered the Queen Elizabeth (of Belgium) violin competition and did
not make it to the finals. (Igor
Pikayzen, a very successful violinist with a brilliant technique did not make the
semi-finals in that same competition (that year), although he later won other competitions. Erick
Friedman came in sixth place in the Tchaikovsky competition in 1966…, and so it
goes.) Cho has – for the most part -
studied at the Cleveland Institute of Music (CIM) and the Curtis Institute in
Philadelphia. Her main teachers have
been Paul Kantor (for four years), Jaime Laredo, Zakhar Bron, Arnold
Steinhardt, and Mark Steinberg. She
began her violin studies at age 5 and later attended the Korean Art
School. Cho came to the US at age 14
and enrolled at the CIM almost immediately.
In Cleveland, she also attended the Gilmour Academy, a private
(boarding) school. At age 26 (September,
2014), she won first prize in the Indianapolis International violin competition. As a result, she is performing on the Gingold
Stradivarius of 1683 (also known as the Martinelli Stradivarius), a four year
loan from the competition. Prior to
winning the Indianapolis, she had been concertizing for many years (since the
age of 16) and had gained extensive experience in orchestral work and chamber
music playing due to her attendance at various summer music camps. Her technique has been described as stunning
and her playing as being full of passion.
She has been quoted as saying: “I think the importance of music is that it
enables you to reach places in your heart that you might otherwise never reach.
It promotes soul searching. Music also helps you see part of yourself and
better understand people even in diverse situations. Once you've experienced profound art, I really
feel you are a citizen of the world. You
have a whole other means of traveling to different times and places that have
shaped lives.” Here is one YouTube video
of her playing with piano accompaniment – the seldom-heard Francis Poulenc
violin sonata.
Pamela Frank is an American
violinist and teacher born (in New York City) on June 20, 1967. She is now best known as a chamber music
player and teacher, although she has performed as a soloist with many of the
world’s top orchestras and conductors.
In the early 2000s she had to stop performing due to a serious (hand)
injury suffered in 2001. In that regard, she joins (among
others) Rodolphe Kreutzer, Jascha Heifetz, Bronislaw Huberman, Fritz Kreisler, Erick Friedman, Maxim
Vengerov, Emanuel Vardi, Manuel Quiroga, Kyung Wha Chung, Hilary Hahn, and Jacques Thibaud, each of whom had
their career interrupted by hand or arm injuries. After extensive rehabilitation, she returned
to the stage in August of 2012. She has
taught at the Peabody Conservatory in Baltimore (since 2003), the Curtis Institute (since 1996) in Philadelphia, and the
State University of New York. She has
also served on several juries of violin competitions around the world and
played at various music festivals, including the well-known Verbier, Salzburg, and Ravinia festivals. Frank has also frequently given masterclasses in Europe, Israel, Canada, and the U.S. She is fluent in German, French, and (of course) English but is one of the few violinists who does not have a website. Frank began her
studies at age 5, studying violin privately with Shirley Givens for about eleven years. She then studied further with Szymon Goldberg
(1909-1993) and Jaime Laredo. Her formal (public) debut took place in 1985 at New York's Carnegie Hall with the New York String Orchestra under Alexander Schneider. She was 18 years old. She had been a section player with that ensemble since the age of 15. Frank later debuted a second time in Carnegie Hall playing a recital there in April of 1995. She graduated
from the Curtis Institute in 1989, presenting her graduation recital on February 15, 1989, playing works by Bach, Ysaye, Kreisler, Schubert, and Beethoven. She
first appeared with the New York Philharmonic on October 27, 1994, playing the
Dvorak concerto. Leonard Slatkin was on
the podium. Her second and last
appearance with the orchestra was on December 1, 1998. On that occasion she played Mozart’s third
concerto. Andre Previn conducted. On September 11, 1996, she appeared with the Berlin Philharmonic alongside cellist Clemens Hagen playing the Double Concerto by Johannes Brahms. Daniel Harding was on the podium. She was 29 years old. Her father, the pianist Claude Frank
(1925-2014), often accompanied her in recital.
(Leonid Kogan and his pianist daughter (Nina) often played together
too.) In December of 1997, she and her father presented the entire Beethoven sonata cycle at London's Wigmore Hall. Frank’s discography is not
extensive although it includes the complete Mozart concertos and the complete
Beethoven and Brahms Sonatas. Her playing is
featured in the soundtrack to the movie “Immortal Beloved.” Among other violins, Frank has played a
Guarnerius Del Gesu from 1736 known as the Wieniawski. Here is a YouTube audio file of one of her
Beethoven performances. Photo is courtesy of Nicolas Lieber
