Oldrich Vlcek

Oldrich Vlcek is a Czech violinist and conductor born (in Byk, Czechoslovakia) on May 18, 1939.  (I could not find Byk on a map of Czechoslovakia so I don’t know where it is.)  He is known for having recorded over 200 CDs with various European chamber orchestras, although the vast majority (on various labels) have been with the Prague Chamber Orchestra and the Virtuosi di Praga.  He has also performed with some of the most outstanding soloists of our time, including Mstislav Rostropovich, Josef Suk, Sergey Krylov, and Placido Domingo.  Among his distinguished accomplishments has been his appointment (in 2004) as one of the principal conductors of the orchestra of the Estates Theatre in Prague.  You can read a little more about this famous theatre here.  After studying with Bohumila Kotmela, Vlcek was a pupil of Nora Grumlikova at the Prague Academy of Art (Academy of Performing Arts in Prague - film director Milos Forman [aka Jan Tomas Kohn] also studied there.)  Vlcek also studied conducting with Vaclav Neumann, the chief conductor of the Czech Philharmonic (1968-1990).  He was appointed concertmaster and conductor of the Prague Chamber Orchestra (established in 1951) in 1980.  In 1990, he re-established the Virtuosi di Praga.  He is given credit for quite successfully navigating (with this ensemble) the hard economic times that came upon Czechoslovakia after the fall of the Communist regime in 1990.  He had actually founded the Virtuosi di Praga in 1976 but the orchestra had disbanded for reasons I know nothing about.  Besides Czechoslovakia, Vlcek has also guest conducted in Europe, Korea, and Canada.  As leader and soloist with the Prague Chamber Orchestra and the Virtuosi di Praga, Vicek has toured worldwide.  His very interesting recording of the Four Seasons is here.  You can hear Vlcek play Vivaldi here.   

Akiko Suwanai

Akiko Suwanai is a Japanese violinist and teacher born (in Tokyo) on February 7, 1972.  Suwanai won the Tchaikovsky violin competition at age 18 (1990) and is well-known for playing one of Heifetz’ old violins, the Dolphin Stradivarius of 1714.  She initially studied in Tokyo with Toshiya Eto.  Eventually she moved to the U.S where she studied with Dorothy DeLay and Cho Liang Lin at Juilliard.  Then she moved to Berlin to study with Uwe Martin Haiberg at the Advanced School of Art (the University of Art.)  Suwanai has since solidly established her career, gaining praise from critics and audiences throughout the world.  She frequently tours with top orchestras, but mostly in Europe.  She soloed with the New York Philharmonic on November 20, 1997, playing the Mendelssohn concerto – the one in e minor.  Suwanai first performed with the Berlin Philharmonic on September 12, 2000, playing Ravel’s Tzigane.  She was 28 years old.  Charles Dutoit was on the podium.  She opened the Shanghai Spring International Music Festival in 2009, being the first Japanese violinist invited to do so.  She has recorded with the Academy of St Martin in the Fields, the Philharmonia Orchestra, and the Chamber Orchestra of Europe, among others.  Suwanai also teaches master classes occasionally.  As far as I know, Suwanai presently has her home base in Paris.  Paris, New York, Berlin, Rome, and London are probably the most popular cities for concert violinists to work from.  Here is a YouTube video of her playing (in the orchestra) with a few other musicians at the Louvre.  And another is here at the same concert, playing the double concerto by Bach.  Among her collaborators at the concert are Manrico Padovani, Sergey Khachatryan, Viviane Hagner, Hyun-su Shin, Manuela Janke, Steven Isserlis, and Arabella Steinbacher.  There are many other videos of Suwanai in concert on YouTube.  The photo is courtesy of Leslie Kee.  

Noel Pointer

Noel Pointer was an American jazz violinist, composer, and record producer born on December 26, 1954.  Just as the lives of many musical luminaries were cut short – Wolfgang Mozart, Felix Mendelssohn, George Gershwin, Franz Schubert, Vasa Prihoda, Glenn Gould, Ginette Neveu, Josef Hassid, Arma Senkrah, Andrei Korsakov, and Michael Rabin come to mind – his life was also cut short at a very early age.  What he could have accomplished is anyone’s guess but he was well on his way to becoming a legend.  Early in his career he decided to take up jazz violin and went as far as producing albums.  Pointer also became involved in national social causes such as literacy and the arts, receiving special citations from the U.S. Congress.  In 1981, he was nominated for a Grammy.  He was 26 years old.  Pointer began his music studies at an early age but exactly what age I do not know.  He became interested in jazz while studying at New York’s High School for Music and Art.  He began playing for studio sessions while at the Manhattan School of Music.  His public debut took place at age 13 in New York, with the Symphony of the New World.  He went on to appear with the Chicago Chamber Orchestra and the Detroit Symphony as a classical violinist.  By age 19, Pointer was playing regularly with many theatre orchestras in New York City, including the Radio City Music Hall Symphony, the Dance Theatre of Harlem Orchestra, and the Apollo Theatre Orchestra.  Pointer enjoyed steady work as a club jazz violinist in New York as well.  He recorded for the Blue Note, United Artists, and Liberty record labels.  He also recorded with a variety of artists.  Of his seven solo albums, four reached Billboard’s top five jazz albums list.  As a composer, Pointer wrote music for several dance troupes in New York.  He died suddenly on December 9, 1994, at age 39.  

Jacques Singer

Jacques Singer (Jakob Singer) was a Polish (some would say American) violinist and conductor born (in Przemysl, Poland) on May 9, 1910.  Although he was a very fine violinist, he is today remembered as a conductor, owing to the fact that he spent the latter part of his career as a conductor of various well-known orchestras, having almost given up playing the violin altogether.  In this respect he joins Edouard Colonne, Eugene Ormandy, Theodore Thomas, Charles Munch, Pierre Monteux, Neville Marriner, David Zinman, Alan Gilbert, Peter Oundjian, Orlando Barera, Jaap Van Zweden, and a few others.  Singer acquired a reputation for improving orchestras as well as improving audience attendance dramatically but he also faced problems wherever he went, feuding with music critics, orchestra members, or boards of directors.  He began his violin studies at a very early age and by age 7 had already performed in public.  When he was 10 years old, the family moved to the U.S, arriving in November of 1920.  They settled in Jersey City, a place very close to New York City.  In 1925, at about age 15, Singer made his American debut at Town Hall.  He then attended the Curtis Institute (Philadelphia), studying with Carl Flesch.  A year later (1927) he began studying at Juilliard.  He was 17 years old.  His teachers there were Paul Kochanski and Leopold Auer.  Singer graduated in 1930.  Two years before he graduated, he had joined the Philadelphia Orchestra, becoming the youngest player at that time.  One source claims he was fourteen years old when he joined the orchestra but that is very unlikely.  According to one source, Leopold Stokowski encouraged him to take up conducting.  By 1936, Singer had become the conductor of the Philadelphia Orchestra’s Youth Orchestra.  He was 26 years old.  The New York Times said he was a conductor to watch.  Singer was one of the first conductors to address the audience during concerts, something which violinist Henri Temianka also used to do before everyone else thought it was a good idea.  Singer was permanent conductor with the Dallas Symphony from 1938 to 1942.  He was very well received in Dallas but his tenure there was interrupted by the war.  In the Army, he conducted bands but also served as a soldier.  He possibly could have rejoined the Dallas Symphony after the war but he didn’t.  Why that is so is anyone’s guess.  During his tenure there, subscriptions tripled.  In 1946, he conducted summer concerts for two months in New Orleans.  In 1947, he was appointed music director at Vancouver (Canada.)  He stayed until 1951, leaving after feuding with the board of directors over budget issues.  He then formed a competing orchestra (the British Columbia Philharmonic) but that didn’t last.  He guest conducted in New York (Broadway) and in Israel (Jerusalem Radio Orchestra, Israel Philharmonic, and Haifa Symphony) in 1952.  From 1955 until 1962, he served as conductor of the Corpus Christi Symphony.  In 1962, he was again guest-conducting in England (London Philharmonic and Royal Philharmonic) among many other places, including South America.  He renewed his contract with the Corpus Christi Symphony in 1962 but soon asked to be released because the Portland Symphony offered him a position (and possibly a better financial deal) beginning the same year.  He conducted in Portland from 1962 to 1971 – he did not conduct during the 1972-1973 season although he was paid for it.  He left after a feud about artistic matters.  The Portland Symphony became the Oregon Symphony during his tenure.  Players in that orchestra (and others) often complained about his brusque, bombastic manner, his volatile temper, and his poor conducting technique, but admired his musicianship and exciting entrepreneurial style.  Singer spent the rest of his life in New York and DeKalb (Illinois), conducting, among others, the American Symphony Orchestra and the Northern Illinois Philharmonic.  I’m guessing that there are some recorded broadcasts around somewhere although not readily available.  Singer died in Manhattan on August 11, 1980, at age 70.  

Heinrich Biber

Heinrich Biber (Heinrich Ignaz Franz Biber von Bibern) was a Czech (some would say Austrian) violinist and composer born (in Wartenberg) on a date unknown but probably in July or August of 1644.  Although he was a virtuosic violinist and highly regarded in his day for his skill in playing the violin, he is today better known as a composer.  One source states that he seldom (if ever) toured as a concert violinist.  He was in the employ of the nobility and wrote music, both secular and sacred, for them.  He was even ascended to the nobility (1690 - at about age 45) by one of his employers.  Just as Bach, Vivaldi, Zelenka, and a few other Baroque composers lost favor and remained obscure during a time span of one hundred years or more but were re-discovered, Biber and his music enjoyed a renaissance in the late 1900s.  This was due mainly to the discovery of a brilliant set of violin sonatas known as the Mystery Sonatas or the Rosary Sonatas.  The set is comprised of 15 works plus a Passacaglia attached to the end as number 16.  There are quite a number of recordings of the Sonatas, just as there are dozens of recordings of Vivaldi’s Four Seasons.  Biber is said to be one of the most important composers of violin music – just as are Locatelli, Corelli, Vivaldi, Tartini, Paganini, Spohr, Viotti, Vieuxtemps, Wieniawski, Sarasate, and a few others.  Little is known of his early life.  He did work at various courts from an early age.  Eventually he ended up spending the bulk of his career in Salzburg – from the year 1670 onward; playing, conducting, and composing for Maximilian Gandolph, Archbishop of Salzburg.  This was about 90 years before Mozart’s time.  Biber first published his works in 1676.  He was 32 years old.  In 1679, he became assistant music director and in 1684, he was appointed music director.  Today, his most popular and best-known work consists of the Mystery Sonatas, although they were not published during Biber’s lifetime.  If he played these sonatas himself, he must have been an extraordinary violinist because they are riddled with difficulties.  In addition, all of the sonatas require that the violin be tuned other than in the usual fifths – only the Passacaglia is played with normal tuning.  Biber composed much music for choir and orchestra as well as other instrumental works, some of it quite exploratory or experimental in nature.  A piece entitled The Battle (that’s the abbreviated title) makes use of effects which would not again see the light of day until more than two hundred years later – extreme polytonality, imitations of drums, imitations of canon fire, unusual harmonic progressions, and insertion of extraneous objects into instruments to change their texture.  Here is part one of a YouTube video of a performance of the piece.  Here is part two of the same performance.  This is part one of a partita (Partia) for six players in seven movements.  This is part two of the same partita.  And finally, eight of the famous Mystery Sonatas can be found here.  About one minute and 15 seconds into the Praeludium of Sonata number one you may think you hear a striking resemblance to the main melody in the second movement of Saint Saens’ first piano concerto but that is probably just a striking coincidence.  Similarly, Sonata number 15 contains a tiny portion which somewhat resembles the theme of Paganini’s twenty-fourth Caprice.  Biber died on May 3, 1704, at age 59.  

Andras Agoston

Andras Agoston is a Romanian (some would say Hungarian) violinist and teacher born (in Cluj) on March 17, 1947.  (Cluj is about 230 miles northwest of Bucharest.)  For the most part, Agoston has made his career in Eastern Europe but is recognized the world over, though mainly by audiences who keep very close tabs on the world of classical music.  To the general public, he is definitely not a household name and there is scant information about him on the internet.  Nonetheless, he is a very brilliant and unique artist.  He first studied in his native city with Paula Kouba, Peter Zsurka, and Istvan Ruha.  An audio file of the famous Handel-Halvorsen passacaglia with Ruha on viola is located here – in my opinion, it’s the best recording of this work available anywhere and it’s not even a studio recording.  (Ruha’s viola playing is also simply phenomenal.)  After graduating from the Klausenburg Music Academy (in 1972?), he taught there for 20 years.  Between 1991 and 2001, he was concertmaster of the Philharmonia Hungarica, an orchestra (mainly composed of self-exiled Hungarian musicians) which was initially based near Vienna, Austria.  The orchestra later settled in Marl, a small city about 30 miles northeast of Dusseldorf, Germany.  It became famous for its recording of the complete Haydn symphonies – one of only three orchestras to produce such a project.  The recording project received every award imaginable.  However, the orchestra recorded much more music than this – a total of about 130 discs.  The Philharmonia Hungarica was funded by Germany between 1956 and 2001, after which it ceased to exist.  Agoston continues to give master classes and perform throughout Europe.  As far as I know, he is still based in Marl, Germany.  What violin he plays is unknown to me. Here is a YouTube file in which he plays the Brahms double concerto.  

Victor Tretyakov

Victor Tretyakov (Viktor Viktorovich Tretiakov) is a Russian violinist, teacher, and conductor born (in Krasnoyarsk, Siberia) on October 17, 1946.  He is known for an extraordinary technique.  Though Russia was his home base for the first fifty years of his career, he has performed with (almost) every major orchestra in the world and toured far and wide as a soloist, recitalist, and chamber ensemble musician.  He has been awarded every major prize and been given every honor Russia offers its artists.  Tretyakov began studying the violin at age 5 in Irkutsk (Siberia) with a teacher whom I could not trace (please see comments below).  At age 10 (1956), he entered the Central Music School in Moscow where he studied with Yury Yankelevich (pupil of Abram Yampolski and among whose students are Leonid Kogan, Vladimir Spivakov, Ilya Kaler, and Albert Markov.)  At age 19 (1966), during his first year at the Moscow Conservatory, he won first prize in the Tchaikovsky Competition.  In 1969, he was named soloist of the Moscow State Philharmonic.  He graduated from the Moscow Conservatory one year later (1970.)  He was 23 years old.  However, he continued to study with Yankelevich.  His first performance with the Berlin Philharmonic was on October 17, 1981.  He played the Brahms concerto on that occasion.  He was 35 years old.  In 1983, he became artistic director of the USSR State Chamber Orchestra which later became the Moscow Chamber Orchestra.  He gave that post up in 1991.  From 1986 to 1994, he served as President of the jury for the Tchaikovsky Competition.  He also taught at the Moscow Conservatory for many years but I do not have the dates.  In 1996, he moved to Germany to teach at the advanced school for music in Cologne.  He was 50 years old.  He has also held master classes all over the world. His most famous pupil is probably Roman Kim.   Here is a YouTube audio file in which he plays Paganini’s concerto in D.  With Yuri Bashmet (viola), Natalia Gutman (cello), and Vassily Lobanov (piano), he formed a piano quartet whose name I do not know.  Among other violins, he has played a 1772 Nicolo Gagliano violin and a gorgeous modern violin by Alexander Hazin.  His discography is not extensive (it fills ten CDs) but it covers all of the standard concertos and sonatas.