Thursday, August 20, 2009

Maxim Vengerov

Maxim Vengerov (Maxim Alexandrovich Vengerov) is a Russian violinist, teacher, writer, and conductor born on August 20, 1974 (Itzhak Perlman was 28 years old.) He is known for his phenomenal technique, extroverted playing, high fees, and tango dancing. He began his study of the violin at age 5 (fairly typical for a violinist) in his home town of Novosibirsk. Two years later, he continued his studies at the Special Music School in Moscow. Three years after that, Vengerov began his studies with Zakhar Bron (in Novosibirsk) and continued with him for about the next six years, part of those six years at the Royal Academy of Music in London. By this time, he had won first prize in the Carl Flesch Violin Competition in London (1989 – at age 15). He has been giving master classes, concertizing, and recording ever since. Vengerov has played on three or four different Stradivarius violins, the Kreutzer being one of them (I do not know which one – there are four Stradivarius violins named Kreutzer - from 1701, 1720, 1727, and 1731. See comments below.) Some of his many recordings have won top prizes and high praise from critics. Vengerov took a nine-month sabbatical in 2005, during which he learned jazz improvisation and the electric violin – in the style of Leila Josefowicz, and Nigel Kennedy – and during which he (despite the sabbatical) also played 50 recitals. Sometime during June of 2007, Vengerov stopped playing altogether in order to deal with a shoulder ailment and to concentrate on teaching and conducting (he has been studying conducting since 1998.) Vengerov has been teaching at the Royal Academy (London) since 2005, but at other schools as well – in the style of Daniel Barenboim. There are many Vengerov videos on YouTube and several fan pages on Facebook.

3 comments:

  1. eery coincidence. just blogged about how much i loved his bruch concerto and a friend of mine has been obsessed w/ him since his ysaye's ballade.

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  2. It is a nice coincidence. Vengerov is an outstanding teacher as well.

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  3. Vengerov's acquisition of his 1727 Kreutzer Strad was made possible by Yoko Nagae Ceschina, a well-known patron of the arts.

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