Camilla Wicks is a Norwegian (some would say American) violinist born on August 8, 1928 (Heifetz was 27 years old.) She is well-known for her exceptionally thoughtful and insightful interpretations, her inspired phrasing, and the extremely wide range of her repertoire. Most of her recordings are now collectors' items - her recordings of many rare Twentieth Century works (many of them Scandinavian) are significant, illuminating, and incandescent (some would say stunning.) She began her violin studies with her father at age 3. At age 7, she made her debut with orchestra in Long Beach, California, playing Mozart's D major concerto. She learned Bruch's g minor concerto at age 8 and the Paganini D major concerto at age 9. A year later, her family moved to New York where she began studying with Louis Persinger at Juilliard. With Persinger as her piano accompanist, she made her debut at New York's Town Hall in February of 1942. Two years later, she made her debut with the Los Angeles Philharmonic with the third concerto of Saint Saenz. Her Carnegie Hall debut came in April of 1946 with the New York Philharmonic - she played the Sibelius concerto on that occasion. Wicks continued to concertize extensively in the U.S. and in Europe until about 1958. She then stopped playing altogether and even sold her "Duke of Cambridge" Stradivarius. After devoting much time to her five children, she returned to her career in 1966, though she only played sporadically. Among other schools, Wicks has taught at the University of Michigan, Rice University, and the San Francisco Conservatory of Music. She retired from teaching in 2005.