Theodore
Spiering (Theodore Bernays Spiering) was an American violinist, teacher,
composer, and conductor, born (in St Louis, Missouri) on September 5,
1871. He is remembered for a number of
accomplishments which today are largely forgotten, though he was a pioneer of
musical life in America (on both coasts) in the early part of the Twentieth
Century. His first lessons, at age 5,
were with his father (Ernst Spiering), concertmaster of the St Louis
Symphony. He first played in public at
age 7. His later studies from age 15
(1886 to 1888) were with Henry Schradieck, violin professor at the Cincinnati
College of Music. When he arrived, Simon
Jacobsohn was also probably still teaching there. He then went to Europe in 1888 where he
studied with Joseph Joachim in Berlin from 1888 to 1892. He returned to the U.S. in 1892 and soon
joined the violin section of the Chicago Symphony which had been formed a year
earlier (1891.) He was 21 years
old. One source states that he made many
solo appearances with the orchestra under Theodore Thomas. Regrettably,
the source is incorrect. Spiering only
played once as soloist under Thomas - that was on February 17, 1893. The work he played was Schumann’s Fantasy for
violin, opus 131. (Since Max Bendix was concertmaster until
1896, that can only mean that Spiering was one of the other top violinists in
the orchestra. Theodore Thomas was known
for selflessly promoting new music and new artists. He presented no fewer than 112 U.S. premieres
as conductor of the Chicago Symphony, a record which I predict will never be
matched by anyone.) Spiering also
immediately began his teaching career there and eventually became Director at
the Chicago Musical College (1902 to 1905.) He also soon organized the Spiering String Quartet
which was very successful and remained active between 1893 and 1905. He left the Chicago Symphony in 1896. After 1905, Spiering took to concertizing in
Europe for four years. When he again
returned to the U.S. - four years later – he became concertmaster of the New
York Philharmonic (1909-1911) at Gustav Mahler’s invitation, the salary offered
being $5,000 (equivalent to about $130,000 in today’s dollars.) In fact, when Mahler returned to Europe due
to serious illness (from which he died), Spiering conducted the last 17
concerts of the orchestra’s season. He
was 40 years old. Spiering debuted with
the Philharmonic in Carnegie Hall on November 10, 1909 with the Bach E Major
concerto. Mahler requested this work
himself. On February 25 and again on
March 27, 1910, Spiering played the Vieuxtemps violin concerto number 5 with
the Philharmonic. For each solo appearance,
Spiering received an additional $200. It
was expected that Spiering would be offered the conducting job after Mahler’s
death but he was passed over in favor of a European conductor – Josef
Stransky. Spiering subsequently returned
to Europe to guest conduct the Bluthner Orchestra of Berlin and (possibly) the Berlin
Philharmonic, among other orchestras. He
was highly regarded in Germany and England – a review of a concert given in
Berlin by the Bluthner Orchestra in late December of 1912 is a testament to
that fact. It has been said that when Jascha Heifetz (at age 12) played at a private residence in Berlin, Spiering was one of the violinists present - Fritz Kreisler was there too. When war broke out in Europe
in 1914, Spiering once more returned to the U.S. He was 43 years old. He guest conducted the New York Philharmonic,
concertized, and did a lot of teaching. Reviewing
a recital he presented at Aeolian Hall in New York on November 3, 1916, the
music critic of the New York Times perceptively noted that Spiering’s
virtuosity as a violinist was somewhat diluted (“especially as it referred to
his bowing”) by his varied interests in music – conducting, teaching, and
composing. On
December 8 of the same year, he played the Bruch concerto in g minor with the
Chicago Symphony under Frederick Stock. In 1921, he expected the
conducting job at the St Louis Symphony to be offered to him - St Louis was his
hometown, after all - but that, too, went to someone else – Rudolf Ganz. In September of 1923, he again relocated to
Europe, resided in Berlin and Vienna, wrote music, and guest conducted various
orchestras. On March 18, 1925, having
once more made the trip back to the U.S., Spiering guest conducted the Portland
(Oregon) Symphony and was almost immediately offered the post of Music
Director. He accepted and then traveled
to Europe once again to rest and select new scores for the upcoming season of
his orchestra. Spiering died suddenly
(in Munich) on August 11, 1925, at age 53, having never gotten any of the
conducting jobs he really wanted. He
played a Guarnerius Del Gesu from 1729.
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