Dorothy
DeLay was an American violinist and teacher born (in Medicine Lodge, Kansas) on
March 31, 1917. She is well-known as the
teacher of many world famous violinists and as a pedagogue as accomplished as
Peter Stolyarski, Leopold Auer, Carl Flesch, Ivan Galamian, Otakar Sevcik,
Joseph Gingold, and Zakhar Bron. She
easily taught more than a thousand students during her career. A story is told of how when DeLay was two
years old, she had opportunity to hug and kiss the King of Belgium – just as
the child prodigy Mozart hugged and kissed Marie Antoinette. She began her violin studies at age 4. She first played in public at age 5. By age 14, she was the leader of her high
school orchestra, which numbered about one hundred players. At 16, she entered Oberlin College (Ohio)
where she studied with Raymond Cerf, an obscure violinist who had been a pupil
of Eugene Ysaye. At 17, she entered
Michigan State University, from which she graduated at age 20. Her violin teacher there was another obscure
violinist and conductor named Michael Press.
From there, she went (in 1937) to New York to study with Louis Persinger
at Juilliard. She was still only 20
years old. She also later studied with
Hans Letz and Felix Salmond at the same school.
DeLay earned a living while at Juilliard by doing odd jobs and playing
wherever and whenever she could. It was
during this time that she founded the Stuyvesant Trio which was active from
1939 to 1942. She also became a member
of Leopold Stokowski’s All-American Youth Orchestra which toured South America
and the U.S. in 1940 and 1941. She
graduated from Juilliard in 1941 but also got married that year. She subsequently traveled with her husband due
to his military service during the war but also occasionally performed as a soloist
and with the trio. In 1946, DeLay
decided to take a break from performing and returned to Juilliard for further
study. She was 29 years old. Her teacher then was Ivan Galamian. In 1948 (one source says 1947), she became
Galamian’s teaching assistant. The rest
is history. She was 31 years old. DeLay had also considered studying medicine
during this time but decided against it.
(Interestingly, Austrian violinist Fritz Kreisler did study medicine and
actually became a doctor, though, as far as I know, he never actually practiced.) She also concurrently began teaching at the
Henry Street Settlement School and Sarah Lawrence College (1947-1987.) In 1970, she finally established her own
teaching studio at Juilliard. She was 53
years old and had already been teaching at Juilliard for more than 20 years,
although under Galamian’s shadow. One
fine day, after it had become quite obvious that her teaching style and methods
were incompatible with Galamian’s, Delay let Galamian know that she would not
be teaching at Meadowmount (Galamian’s summer music camp) that summer (in 1970)
but would be at the Aspen Music camp instead; the relationship ruptured and
Galamian (1903-1981) never spoke to her again.
In fact, he tried to get her fired but was unsuccessful. DeLay played a 1778 GB Guadagnini (named the
Dorothy Delay Guadagnini) which was sold at auction in October of 2013 – for
$1,390,000. She acquired the violin in
1969. Today, more than a dozen Juilliard
teachers are former pupils of hers. Besides
Juilliard, DeLay also taught at the University of Cincinnati, the New England
Conservatory, and the Royal College of Music in London. It has been said that DeLay once stated that
“talent is just a mood.” Among her
famous pupils are Anastasia Khitruk, Stefan Milenkovich, Anton Barachovsky, Philippe Quint, Itzhak Perlman, Tijana Milosevic, Miranda Cuckson, Nigel
Kennedy, Peter Oundjian, Jaap van Zweden, Shlomo Mintz, David Kim, Robert
McDuffie, Aaron Janse, Cornelia Heard, Mark Kaplan, Midori Goto, Frank Almond, Juliette Kang, Sarah Chang, Angele Dubeau, Paul Kantor, Tamaki Kawakubo, Robert Chen, Gil Shaham, and Akiko Suwanai. Dorothy DeLay died on March 24, 2002, at age
84. Today, Itzhak Perlman teaches in her
place. The photo shows DeLay in her
early twenties.
Forgive me, but I sincerley wonder how and why you came to dismiss Michael(recte Mikhail)Press as an "obscure violinist", since there is sufficient information available.
ReplyDeletePress started as a child prodigy in his hometown Vilnius, was student of Jan HrimalĂ˝ and graduate of Moscow Imperial conservatory. He made his career in Europe as a soloist and chamber musician (among others with his brother, cellist Joseph (recte Iosif) Press and his wife, pianist Vera Maurina. As a pedagogue he taught at Moscow conservatory, as a successor of his teacher HrimalĂ˝. Fleeing the Russian Revolution he lived in Berlin, later in Sweden and came to the US in the early 1920ies. Assistant of Carl Flesch at Curtis Institute in 1924 he later taught at Lansing, continuing his concert career as a soloist as well as a conductor.
I don't dare to judge Press' violinistic capacities, since I'm not a violinist but a historian. But I think that even if Press may not have been a Heifetz, he surely was more than an "obscure violinist".
Thank you for your fine comment. The word "obscure," as I typically use it, does not mean that the person is not accomplished - it merely means that the person is not a household name. Among professional musicians (even among professional violinists), significant names such as Franz Benda, Peter Rybar, Arkadi Futer, Henri Dupont, Gyorgy Garay, Tor Aulin, Leonora Jackson, Arthur Hartman, Jacob Grun, Tivadar Nachez, Hyman Bress, Emmanuel Wirth, Daisy Kennedy, Nahan Franko, Karl Halir, Otto Joachim, Ion Voicu, Kathleen Parlow, and so many others, are unfamiliar. "Obscure" is a rather subjective and relative term; perhaps I'll use a different term next time.
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