Alexandra Soumm is a Russian violinist, teacher, philanthropist, and poet
born (in Moscow) on May 17, 1989. She is
one of the best known Russian violinists living (and based) in France and has
performed with practically every French orchestra and in every French
venue. When her parents left Russia for
France, she was only 2 years old. As far
as I know, her main teacher has been Boris Kuschnir, with whom she studied (according
to one very reliable source) for almost fourteen years. Soumm also frequently participates in music
festivals, though mostly in Europe. She
began her violin studies with her father (a violinist) at age 5. Her first public appearance took place at age
7 in Ukraine with her mother at the piano.
(Her father is Ukrainian and her mother is Russian.) She entered the Vienna Conservatory, where
she began studying with Kuschnir, at age 10.
Two years later, Soumm made her formal debut in Vienna’s Konzerthaus (in
2002) and has been concertizing ever since.
She won the Eurovision Competition in Lucerne, Switzerland, in 2004, at
age fourteen. According to one source,
she dropped out of high school when she was 16 years old in order to devote
herself to the study of the violin full time and more intensely. In 2011, Soumm began presenting masterclasses
wherever she performed. She made her
U.S. debut in November, 2013, with the Detroit Symphony. She played the Sibelius concerto - Leonard
Slatkin was on the podium. A few days
after that appearance, she made her debut in Chicago, although not with the
Chicago Symphony. She played Mozart’s
third concerto with the Illinois Philharmonic.
David Danzmayr was on the podium.
She was 24 years old. She has
twice appeared at the Hollywood Bowl with the Los Angeles Philharmonic, before
an audience of about 20,000 people – August 15, 2014, playing the Tchaikovsky
concerto and August 20, 2015 playing the Bernstein Serenade. Playing for huge audiences is something which
violinists of a former generation (including Yehudi Menuhin, Jascha Heifetz,
and Bronislaw Huberman) used to do there (at the Hollywood Bowl) and in New York at Lewisohn Stadium
with the New York Symphony or the New York Philharmonic. Soumm is fluent in the German, French,
English, Spanish, and Russian languages.
Although her discography is not at all extensive, she has performed in
almost every famous venue and with every major orchestra (and conductor) in the
world. Soumm used to play a 1785 (or
1782) G.B. Guadagnini violin but I do not know if she is still playing it. She has also played a Gioffredo Cappa violin
constructed in 1700 (approximately.) Since
2018, Soumm has been associated with the Musica Mundi music school (and
festival) which is based in Belgium. She
has stated that one of the key ingredients for learning to play well is an
insatiable curiosity. A direct (and very
interesting) quote from a recent interview follows: “A lot of people just play
nicely, but that is not the idea because when Beethoven or Tchaikovsky composed
their music, they gave their life to it and so should we.” Here is a YouTube video of a Bach concerto played by Soumm with the Galicia Symphony Orchestra.
In 2012, Alexandra co-founded (with violist Maria Mosconi and pianist Paloma Kouider) an artist collaborative called Esperanz'Arts. The collaborative presents free concerts in non-traditional venues for audiences who have almost no access to classical music concerts.
ReplyDeleteRegarding the founding of Esperanz’Arts, Alexandra says: "We ran into opposition. I wrote a hundred emails offering that we come visit and play.... I got about three replies. Two of those were no’s.“
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