Orlando Barera

Orlando Barera was an Italian (some would say American) violinist and conductor born (in Bologna, Italy) on February 6, 1907.  Two sources say he was born in Ferrara, Italy in 1908.  (Ferrara is about 25 miles north of Bologna.)  He began his career as a concert violinist but is best known for being the conductor of the El Paso (Texas) Symphony from the fall of 1951 to the spring of 1970.  Prior to that he was the conductor of the Baton Rouge (Louisiana) Symphony for one year and just before that, he was the concertmaster and Assistant Conductor (for one year also) of the Houston Symphony.  Before those two posts, he had served as concertmaster of the Kansas City (Missouri) Symphony and the Havana Symphony (prior to Fidel Castro’s political revolution.)  Barera is one of many violinists who turned from concertizing to conducting – Jaap Van Zweden, Eugene Ormandy, David Zinman, Alan Gilbert, Neville Marriner, Pierre Monteux, Peter Oundjian, Jacques Singer, Charles Munch, and Theodore Thomas are among them.  He began his studies with his father, who was a professor at the conservatory of music in Bologna.  He graduated at age 15 with diplomas in violin, composition, and piano.  Immediately thereafter, he added an additional two years of study before embarking on a solo career.  His concertizing began in Italy but then later included France, Germany, Hungary, Czechoslovakia, Russia, and the Netherlands.  His first appearance in the U.S. took place at Town Hall in New York on February 10, 1936.  He was 29 years old.  He later played at the Library of Congress in Washington D.C. that same year but returned to play in Europe in the latter part of that year.  On November 11, 1936, he played Lalo’s Symphonie Espagnol with the Prague Radio Symphony.  Karl Ancerl was on the podium.  I do not know if the performance was recorded.  Upon his return to the U.S., he gave a second recital at Town Hall on December 27, 1936. He played Mozart’s fourth concerto with the Boston Symphony on February 21, 1937.  Serge Koussevitzky conducted.  On December 3, 1938, he was guest artist with the New York Philharmonic.  This time, he played the Mendelssohn concerto, the one in e minor.  John Barbirolli conducted.  When war broke out, he enlisted in the U.S. Army and served a tour of duty until the war’s end.  His career - which he took up again when he was appointed concertmaster in Kansas City – was thus interrupted.  An interesting detail in his career is that between July 11 and November 10, 1950, he participated (as assistant principal second violinist) in 14 recording sessions which Leopold Stokowski conducted in New York.  At many of these recording sessions, Victor Aitay, the soon-to-be concertmaster of the Chicago Symphony, was Barera’s stand partner – Aitay was, at that time, a section violinist in the Metropolitan Opera Orchestra.  Being the well-known figure he was on the east coast and beyond, Barera was able to introduce many world class string players to El Paso audiences.  Among them were Ruggiero Ricci, Zvi Zeitlin, Isaac Stern, Berl Senofsky, Zino Francescatti, Pierre Fournier, Mischa Elman, Michael Rabin, Zara Nelsova, Arturo Delmoni, Salvatore Accardo, and Tossy Spivakovsky.  Of his association with Barera, Michael Rabin once said “Barera is very good and a hell of a nice guy.  Believe me, I wish every conductor would be as easy to work with as he is.  He takes away all the tightness and strain and just lets me enjoy myself.”  Barera owned and played a Gagliano violin from a year and specific maker unknown to me – the Gagliano violin-making family produced several good makers.  Barera died on March 26, 1971, at age 64.  

Eugene Ormandy

Eugene Ormandy (Jeno Blau) was a Hungarian violinist, conductor, and arranger born (in Budapest) on November 18, 1899.  Since he became a famous conductor, hardly anyone remembers that he played violin.  He enjoyed the longest tenure (unlikely to ever be surpassed) of any American conductor – 44 years with the Philadelphia Orchestra.  Nobody seems to know where the name “Ormandy” came from – he only adopted it after coming to the U.S. in 1921.  He began studying violin at the Royal Academy of Music (the Franz Liszt Academy) at age 5 then studied with Jeno Hubay (from age 9) for a number of years graduating at age 14, though some sources say at age 17.  Eddy Brown was a fellow student of his – in fact, when Brown and Ormandy competed in the Budapest Concerto Competition, Ormandy took second prize and Brown took first.  He then also studied Philosophy and received a degree in that subject in 1920.  For a time, Ormandy served as concertmaster of the Bluthner Orchestra in Germany and made recital and concert appearances as well.  In the U.S., he started out playing second violin in the Capitol Theatre Orchestra in New York City.  This was a rather large orchestra comprised of about 75 players of which Elias Breeskin, the notorious gambler and future father of Olga Breeskin, was concertmaster.  However, being a superlative violinist, Ormandy was soon promoted to concertmaster.  He was 22 years old.  Though he had been trained as a concert violinist, he never got a chance to concertize in this country since he quickly developed a taste for conducting.  Nevertheless, he recorded as a solo violinist between 1923 and 1929.  I do not know where those recordings can be found; perhaps among his archives at the University of Pennsylvania.  Among other conductors who entirely abandoned the instrument are Neville Marriner, David Zinman, Pierre Monteux, Charles Munch, Orlando Barera, Theodore Thomas, and Jaap Van Zweden.  Though he conducted the New York Philharmonic in 1929, Ormandy’s big break came on October 30, 1931, when he was asked to substitute in Philadelphia for an indisposed Toscanini – the ill-tempered Italian conductor.  Many a big career has been launched under similar circumstances.  It is known that Arthur Judson, another violinist who abandoned the violin (in favor of concert management), helped him to establish his career.  In 1931, he was appointed conductor of the Minneapolis Symphony and stayed until 1936.  That year (1936), he was appointed to his post in Philadelphia where he stayed for 44 years (1936-1980.)  He actually shared the post with Stokowski for the first two years.  Though he conducted many U.S. premieres, he never came close to Theodore Thomas’ record of 112 works premiered with the Chicago Symphony.  His most historic recording might be the three Rachmaninoff piano concertos he recorded with the composer at the keyboard.  His recorded legacy is very extensive and can be easily accessed on the Internet.  The Philadelphia Orchestra under Ormandy was the first to tour China (1973) and the first to appear on American Television (1948.)  He sometimes guest conducted other orchestras too - the New York Philharmonic, the London Symphony, and the Metropolitan Opera among them.  Ormandy died (in Philadelphia) on March 12, 1985, at age 85.  He died of pneumonia, just as did Theodore Thomas eighty years before him.