Showing posts with label Roederer Strad. Show all posts
Showing posts with label Roederer Strad. Show all posts

Sunday, December 9, 2018

Ayla Erduran


Ayla Erduran is a Turkish violinist and teacher born (in Istanbul) on September 22, 1934.  She is one of Turkey’s best known concert violinists.  She is also one of the very few pupils of Zino Francescatti.  Erduran is still active as a recitalist.  Although her career began with a recital at age ten, she was never known as a child prodigy.  That first recital included Mozart’s fourth concerto and Beethoven’s Spring Sonata.  She began violin lessons at age 4 - her first teacher was her mother (who was a violinist though not a very good one.)  Erduran’s early years were difficult because her mother was not unlike Guila Bustabo’s mother, which is to say, she was domineering and very pushy.  (Guila Bustabo’s mother was known to beat her on occasion.  Bustabo’s fellow pupils many times saw her with bruises on her little head and arms.)  After a short while, Erduran began lessons with Karl Berger in Istanbul.  Berger was known as the best violin teacher in Turkey at the time and Erduran studied with him for five years.  From age 10 to age 15 or 16, Erduran studied in Paris with Rene Benedetti, also a very well-known French violin teacher of that day.  (Several biographical summaries say Erduran studied at the Paris Conservatory but I was not able to confirm that.  Perhaps it’s true.)  In 1951, she traveled to the U.S. where she studied for four years with Ivan Galamian and Zino Francescatti, presumably in New York and not at the same time.  Many concert violinists concertize while studying but I do not know if Erduran did that.  She left the U.S. in 1955 – she was either 21 or 22 years old.  Before leaving, she made her American debut in New York but I do not know with which orchestra she played or when or what she played – all I know is that Thomas Scherman conducted the program.  Her European debut took place in Warsaw, Poland, where she played the Glazunov concerto with the Warsaw Philharmonic.  In 1957 she went to Moscow to study with David Oistrakh.  She stayed until sometime in 1958.  She was 24 or 25 years old.  In 1957, she was awarded fifth place in the Wieniawski violin competition – there were more than 120 competitors that year.  The next 40 years she spent concertizing around the world playing with many famous conductors and orchestras in prestigious concert halls.  Erduran premiered the Elgar concerto in Turkey.  Between 1973 and 1990 she taught at the Lausanne Conservatory in Switzerland.  She returned to Istanbul in 1990 – she was 56 years old.  Erduran has been recognized for her artistic achievements by several countries, including Turkey, the Netherlands, England, Poland, and Belgium.  Among the violins she has played are a Guarnerius from 1720 (not a Del Gesu) and the famous Roederer Stradivarius from 1710, now played (though not owned) by French violinist David Grimal.  Two biographies have been written about Erduran – they are probably still in print.  Here is a YouTube audio file where Erduran plays a popular Kreisler piece. 

Sunday, November 4, 2018

David Grimal

David Grimal is a French violinist, conductor, and teacher born on February 9, 1973.  He is best known as the Artistic Director (and Conductor) of the French group Les Dissonances.  Ironically, Les Dissonances plays without a conductor and performs challenging repertoire (such as the Rite of Spring) which no other conductor-less orchestra would dare.  Grimal leads from the first chair.  Regarding Les Dissonances, Grimal has stated: “We work together in the sense of community of mind, a gathering of very strong positive energy and joy.”  Regarding the violin itself, he has said: “What interests me is the invisible - that something which makes the dancer take flight and causes his gesture to be eternal.”  The Dissonances musicians are from different parts of France and Europe – from various other ensembles – almost none are permanent members.  The orchestra plays in many different cities and venues.  Understandably, Grimal frequently plays the violin concerto repertoire with this orchestra.  When he does, he never actually conducts, as all other conductor/violinists do - he just lets the orchestra play by itself (and it is fully capable of doing so.)  His style of playing, although virtuosic and brilliant, is relaxed, unassuming, and unpretentious.  His repertoire includes the Schumann concerto, which is now gaining in popularity.  Grimal began lessons at age five but I do not know the name of his first teacher.  First teachers are usually not famous pedagogues or even famous violinists – sometimes they are immediate family members.  At the Paris Conservatory Grimal won first prizes in violin and chamber music at age 20 (1993.)  He later studied with the enigmatic Philippe Hirschhorn, most likely in the Netherlands, where Hirschhorn was then teaching.  He also briefly studied with other violinists after he graduated.  In 1996, he received the European Culture Prize.  He was 23 years old.  Needless to say, he has played in most of the world’s great halls with high-profile conductors and orchestras.  However, other than live recordings, his discography (on various labels) is not extensive.  Nonetheless, the few studio (commercial) recordings he has done have received national and international awards and recognition.  A great many composers have written works for him.  In 2004 Grimal founded Les Dissonances.  In 2008, he became artist in residence at the Dijon Opera.  (Dijon is about 200 miles southeast of Paris and is the birthplace of Rameau.)  Grimal has taught at the Advanced School of Music in Saarbrucken (Germany) for some time although I don’t know how long he has been there.  (Saarbrucken is about 180 miles north of Dijon and 200 miles east of Paris.  It is very close to the French border with Germany.)  Additionally, he plays at many music festivals around Europe and has frequently held masterclasses wherever he performs.  His violin is the Roederer Stradivarius from 1710, previously owned by Turkish violinist Ayla Erduran.  He also plays a modern violin made for him by French luthier Jacques Fustier.  You can listen to the finale from Brahms’ Third Symphony hereHere is Grimal playing Mozart’s fifth concerto – first movement.