Andrew Sords is an
American violinist and teacher born (in Newark, Delaware) on June 4, 1985. As do violinists Hilary Hahn and Joshua Bell,
Sords writes a blog to keep his wide audience informed about things related to
his career; he also writes about his unique view of many other things as
well. I will say that his website is
worth visiting for the blog alone although you will see so much more. His repertoire includes two of my favorite
and (unfortunately) seldom-played concertos – Bruch’s second concerto in d
minor and the Schumann concerto. In
fact, I think the time will come when every concert violinist will take on both
of these neglected concertos and perform them as regularly as the Brahms and
Tchaikovsky. Incidentally, the Schumann
concerto was in danger of never surfacing thanks to a low opinion of it given
to Clara Schumann (Robert Schumann’s widow) by none other than Joseph
Joachim. Sords has a very active solo
concert and chamber music career which has taken him all over the globe. He has given concerts with over 100 (different)
orchestras, including the well-known major ones, and played the most important
venues in every continent. That may well
be a record for any violinist but even those numbers, of course, will continue
to increase. Sords began to study violin
privately at about age 6. His first
teacher was Liza Grossman. However, his
first instrumental studies were actually on piano, which he still plays. He thus joins a number of concert violinists who have been quite proficient as pianists - Fritz Kreisler, Louis Persinger, Jascha Heifetz, Arthur Grumiaux, Andor Toth, Arabella Steinbacher, and Julia Fischer just to name a few. Sords later studied at the Cleveland Institute
of Music and Southern Methodist University.
His main teachers were Linda Cerone (pupil of Ivan Galamian), David
Russell, and Chee-Yun (Kim Chee Yun – pupil of Dorothy DeLay.) As do violinists Maxim Vengerov and Tai
Murray, Sords enjoys and has a deep appreciation for dancing and has even
participated in the famous “Dancing With The Stars” show for a charity benefit. He was the first classical artist to do
so. That may seem unusual but French
violinist Jean-Marie LeClair was actually a professional dancer, choreographer,
and violinist in the early 1700s. Sords
is also unique in that he plays a modern violin constructed in 1912 by Belgian
violin maker Augustine Talisse, a violin maker I had never heard of until
now. Albert Markov, Tai Murray,
Christian Tetzlaff, Giora Schmidt, Judith Ingolfsson, Pip Clarke, Ilya Kaler,
and Alina Pogostkina are among the growing number of concert violinists who are
gravitating to modern instruments which, as you may know from reading this
blog, I also favor. Sords’ performances
are typically characterized by music critics as being “utterly radiant.” You can see his Facebook page here. His most recent audio release is the New Age
music CD with composer Sean Christopher.
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