Bronislaw Gimpel was a
Polish violinist, conductor, and teacher born (in Lviv, Ukraine) on January 29,
1911. Although he was a very active and
successful artist for many years, today, Gimpel is almost totally
forgotten. Perhaps fame is fleeting
after all unless you can tie it to something transcendental. Corelli and Vivaldi had their concertos;
Tartini had his Devil’s Trill Sonata; Paganini had his caprices; Kreutzer had
his Beethoven Sonata; Clement had his Beethoven concerto: Rode had his
Caprices; Joachim had Brahms; Auer had his students; Flesch had his scale book;
Mischakoff had Toscanini; Stern had his Carnegie Hall; Briselli had his Barber
concerto; any number of famous violinists had their original concertos or
recital pieces to be remembered by – Viotti, Spohr, DeBeriot, Wieniawski,
Vieuxtemps, Conus, Sarasate, Kroll, Bazzini, Achron, Kreisler – Huberman had
his Israel Philharmonic; Heifetz, Kogan, Rabin, Kaufman, and Ricci had their
fabulous techniques and recordings, and so on and so forth. Alma Rose’, a very ordinary violinist, became the conductor of an infamous orchestra in a concentration camp (where she also died) so we shall know her name forever. Josef Hassid had a one-and-a half-year career
(between the ages of 16 and 17), but he became mentally ill, was in an asylum
for seven years, underwent a lobotomy, and died at age 26, so his name will
live on. Tie yourself to something that
will live beyond your lifetime and perhaps you’ll be remembered past your own
generation – if that means anything to you.
Gimpel began to study violin with his father at age 5. He entered the Lviv Conservatory at age
8. His main teacher there was Moritz
Wolfstahl, someone about whom I do not know anything. Gimpel made his debut playing Mendelssohn’s
concerto at that same age. The concert
was a complete triumph for the young child.
At age 11, he traveled to Vienna to study with Robert Pollack (aka
Robert Pollak, one of Isaac Stern’s teachers) at the Vienna Conservatory. His brother (Jakob, the piano player) was
already there. At age 14 (1925), he
soloed with the Vienna Philharmonic playing Karl Goldmark’s concerto. Some critics compared him to Bronislaw
Huberman, another child prodigy. From
age 15 until about age 19, he concertized in Italy, Europe, and South
America. In Italy, he got to play for
royalty and the Pope. Then he went to Berlin
for further study at the Advanced School for Music. His teacher there was Carl Flesch. I don’t know how long he studied with Flesch
but in 1937, Gimpel came to the U.S. At
the invitation of Otto Klemperer, he served as concertmaster of the Los Angeles
Philharmonic. He also conducted the
philharmonic from time to time and was very active in the musical life of the
city. In 1942, he enlisted in the Army
and after the war, he resumed his solo career.
He was 34 years old. From 1942 to
1950, he served as concertmaster, conductor, and soloist of the ABC Radio Symphony
in New York. He then formed the
Mannes-Gimpel-Silva Piano trio and enjoyed outstanding success with that
ensemble. In 1956, he relocated to
Europe. It has been said that he gave
over 100 concerts in a single year in Germany alone. He was playing concerts in Russia as
well. He formed the Warsaw Quintet in
1963 and played with that group until about 1967. In that year, he returned to the U.S. and taught
at the University of Connecticut from 1967 to 1973. In Connecticut, he founded the New England
String Quartet. From 1973, he taught at
the Royal Northern College of Music in Manchester, England. All the while, he continued to concertize,
which is pretty much standard practice for all conservatory violin teachers or
professors. Gimpel was a member of
various chamber music ensembles throughout his career, not just the ones already
mentioned. In 1978, he returned to the
U.S. once again. It is not well-known
that toward the end of his life, he instructed three youth symphonies in Caracas,
Venezuela. He also had a pilot’s
license. In his last public performance
– at the time, of course, he didn’t know it would be his last – he played the
Tchaikovsky concerto and he later said it was one of the very best performances
of his career. He was 68 years old. He made numerous recordings which can easily
be found on the internet – a few are posted on YouTube. He played a 1730 Santo Serafin violin and a
J.B. Vuillaume constructed in 1845. The
Santo Serafin is now owned by a first violinist in the San Francisco Symphony –
Mariko Smiley. I don’t know where the
Vuillaume is. It has been said of
Bronislaw Huberman that he died in his sleep and it’s been said of Gimpel as
well, who died, in Los Angeles, on May 1, 1979, at age 68.
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