Henry Holst was a Danish violinist and teacher born (in Saeby, Denmark)
on July 25, 1899. He spent quite a bit
of time in England but is not related – as far as I know – to the other
Holst. He was probably the first
violinist to play (in 1921 with the Berlin Philharmonic) three concertos in the
same concert program – before Yehudi Menuhin, Henryk Szeryng, Szymon Goldberg,
and Raymond Cohen did it. (See comment below.) Holst must
have begun his violin studies while still very young but I don’t know how young
nor with whom. In 1913, he was admitted
into the Royal Danish Academy of Music.
He was 14 years old. His teachers
there were Axel Gade (son of Niels Gade) and violinist/composer Carl
Nielsen. At age 18, he made his debut
playing Henri Vieuxtemps’ first violin concerto, the longest violin concerto
Vieuxtemps ever wrote. He then studied
further with Hungarian violinist Emil Telmanyi.
After that, he traveled to Berlin to study with Willy Hess, a German
violinist who played far and wide during his career, including the U.S. In 1923, Holst became concertmaster of the
Berlin Philharmonic. He was 24 years
old. He quit that post in 1931 and went
to live in England where he taught at the Royal Manchester College of Music. There, he founded the Henry Holst String
Quartet which he disbanded in 1941 to start the Philharmonia Quartet which
itself was disbanded in 1952. He was
also active as a soloist. Holst gave the
European Premiere of the Walton violin concerto, a work which had been
championed by Jascha Heifetz for a time, in 1941. Holst also gave the world premiere of the
revised version of the concerto in 1944.
The Walton concerto is very seldom played now. In 1945, Holst moved to London to teach at
the Royal College of Music. He was 46
years old. Holst moved back to Denmark
in 1954 where he taught at the Royal Danish College of Music. I don’t know how many years he was there but
it must have been quite a few. Henry
Holst died on October 19, 1991 at age 92, largely forgotten.
A reliable source has stated that none other than the great French violinist Henri Marteau played 3 concertos at six different concerts (two weeks apart) prior to 1914. He did not repeat any works so that would mean he played 18 different concertos - 3 at each concert - within that ten-week time frame. That is something that would be nearly impossible to accomplish in modern times due to programming complications.
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