Henry Holst

Henry Holst was a Danish violinist and teacher born (in Saeby, Denmark) on July 25, 1899.  He spent quite a bit of time in England but is not related – as far as I know – to the other Holst.  He was probably the first violinist to play (in 1921 with the Berlin Philharmonic) three concertos in the same concert program – before Yehudi Menuhin, Henryk Szeryng, Szymon Goldberg, and Raymond Cohen did it.  (See comment below.)  Holst must have begun his violin studies while still very young but I don’t know how young nor with whom.  In 1913, he was admitted into the Royal Danish Academy of Music.  He was 14 years old.  His teachers there were Axel Gade (son of Niels Gade) and violinist/composer Carl Nielsen.  At age 18, he made his debut playing Henri Vieuxtemps’ first violin concerto, the longest violin concerto Vieuxtemps ever wrote.  He then studied further with Hungarian violinist Emil Telmanyi.  After that, he traveled to Berlin to study with Willy Hess, a German violinist who played far and wide during his career, including the U.S.  In 1923, Holst became concertmaster of the Berlin Philharmonic.  He was 24 years old.  He quit that post in 1931 and went to live in England where he taught at the Royal Manchester College of Music.  There, he founded the Henry Holst String Quartet which he disbanded in 1941 to start the Philharmonia Quartet which itself was disbanded in 1952.  He was also active as a soloist.  Holst gave the European Premiere of the Walton violin concerto, a work which had been championed by Jascha Heifetz for a time, in 1941.  Holst also gave the world premiere of the revised version of the concerto in 1944.  The Walton concerto is very seldom played now.  In 1945, Holst moved to London to teach at the Royal College of Music.  He was 46 years old.  Holst moved back to Denmark in 1954 where he taught at the Royal Danish College of Music.  I don’t know how many years he was there but it must have been quite a few.  Henry Holst died on October 19, 1991 at age 92, largely forgotten. 

Szymon Goldberg

Szymon Goldberg was a Polish violinist born (in Wloclawek, Poland) on June 1, 1909.  Although he became one of the youngest concertmasters in history, he is best known for creating and leading the Netherlands Chamber Orchestra for more than two decades.  He began studying the violin at age 7 in Warsaw.  His teacher was Mieczyslaw Mihalowicz.  After a year, he went to Berlin (in 1917) where he began lessons with Carl Flesch.  At age 12, he made his debut playing a recital in Warsaw (in 1921) but continued his studies with Flesch afterward.  At age 15, he made his Berlin debut with the Berlin Philharmonic, playing three concertos: the Paganini number one, the Hungarian Concerto by Joachim, and the Bach E Major.  Only four other violinists that I know of have played three concertos in one evening – Yehudi Menuhin and Raymond Cohen are among them.  Goldberg embarked on several European tours before settling down to become concertmaster of the Dresden Philharmonic at age 16, becoming one of the youngest concertmasters on record, though not the youngest.  He remained in Dresden until 1929, at which time he became concertmaster of the Berlin Philharmonic.  At the behest of the German government, he was forced out of that orchestra in 1934.  He was 25 years old.  During his time in Berlin, he also played in a string trio, between 1930 and 1934, with Paul Hindemith (violist) and Emmanuel Feuermann.  After his dismissal from the Berlin Philharmonic, Goldberg toured Europe and the Far East as a recitalist, accompanied by Pianist Lili Kraus, from 1935 to 1940.  He settled in London in the late 1930s and continued to play and teach.  In 1938, he made his U.S. debut in New York City’s Carnegie Hall.  He was 29 years old.  While playing a recital in Java (Indonesia) in 1942, he was arrested by the Japanese government and interned in prisoner-of-war camps until the end of the Second World War.  He resumed his career after 1945, touring far and wide.  From 1951 until 1965, he was on the faculty of the Aspen Music School (Aspen, Colorado, USA.)  In 1955, he began his conducting career in earnest by accepting the post of chief conductor of the Netherlands Chamber Orchestra.  Some sources give him credit for founding this orchestra but others do not.  He led the orchestra from 1955 until 1977.  From 1977 until 1979, he led the Manchester Camerata.  Eventually, he also guest conducted the London Symphony, the BBC Orchestra, the Chicago Symphony, the Boston Symphony, and the Cleveland Orchestra.  He also taught at Yale (1978-1982), Juilliard (1978-1980), the Curtis Institute (1980-1981), and the Manhattan School of Music (1981-).  Goldberg settled in Japan in 1987.  He was 81 years old.  In 1990, he was appointed conductor of the New Japan Philharmonic (Tokyo, Japan) which he led until 1993.  There are several audio files of Goldberg’s playing on YouTube, one of which is here – it is a duo played with Paul Hindemith on viola.  He also recorded many chamber music works which are easy to find on the internet.  Goldberg died (in Japan) on July 19, 1993, at age 84.  Among his pupils are Ronan Lefkowitz, Ruggero Allifranchini, Pamela Frank, and Fiona Simon.  For many years, Goldberg played the Baron Vitta Guarnerius, now owned by the Library of Congress, and the Liegnitz Stradivarius (1711.) 

Max Rostal

Max Rostal was an Austrian violinist, arranger, and teacher born (in Teschen) on July 7, 1905 (Heifetz was four years old.)  He is not particularly well-known for anything other than that he had a long teaching career and was under-rated as a violinist.  He began his violin studies at age 5.  He began playing in public from age 6 (1911.)  From the age of 8, after arriving in Vienna, one of his teachers was Arnold Rose, concertmaster of the Vienna Philharmonic for many years.  (When Fritz Kreisler - as a teenager - applied to the Vienna Philharmonic, it was Arnold Rose who turned him down.)  In 1920, his mother took Rostal to Berlin, along with his siblings. There, he took private lessons with Carl Flesch, when Flesch was still teaching there.  According to at least one source, Rostal was often compared to Bronislaw Huberman, Fritz Kreisler, and Eugene Ysaye. Rostal made his formal debut in Berlin on February 3, 1923. He was 17 years old. Although he played pieces by Reger, Vivaldi, Dvorak, and Paganini, the main work on the program was the violin concerto by Alexander Glazunov. In 1925, he won the Mendelssohn Scholarship.  Another obscure violinist who won this prize was Leonora Jackson in 1897.  In 1926, Rostal moved to Vienna, where he made a living mostly by giving private lessons.  In 1927, he was offered the position of concertmaster of the Oslo Philharmonic. In 1928, he returned to Berlin to become assistant to Carl Flesch at the Berlin Music Academy. From 1930 to 1933 he taught at the Advanced School for Music in Berlin.  Rostal organized the Rostal String Quartet in 1930. The quartet enjoyed great success for the duration of its existence (three years.)  In April of 1933, he was dismissed from his teaching position and subsequently (in 1934) moved to England, where he established himself, primarily as a teacher. From 1944 to 1958, he taught at the Guildhall School of Music in London and played many concerts broadcast over the BBC.  He then taught in Cologne (Germany) from 1957 to 1982.  Simultaneously, he was a violin teacher at the Conservatory in Bern, Switzerland (1958-1985.)  Several recordings of his are posted on YouTube and it is said that his few recordings are now treasured by collectors.  Many critics have also said that he had a very individual style.  He was especially praised for his interpretation of Bartok’s second concerto (as is Silvia Marcovici nowadays) and was known to champion contemporary music.  Rostal premiered Alan Bush’s violin concerto in 1949, a work which has not been heard from since.  He also edited quite a few works for violin and wrote a method book as well.  These works can easily be found on the internet.  A violin (and viola) competition (begun in Bern in 1991 and now held in Berlin) is named after him.  In 1944, Rostal was instrumental in organizing the Carl Flesch violin competition (which ran from 1945 until 1992. Raymond Cohen was the first winner of that competition.)  Among his pupils were Thomas Brandis, Sergiu Luca, Norbert Brainin, Yfrah Neaman, Desmond Cecil, Edith Peinemann, and Igor Ozim.  His Guarnerius del Gesu is now owned by the Stradivari Society (Chicago, USA.)  Max Rostal died in Switzerland on August 6, 1991, at age 86.

Sadistics

Compiling statistics can sometimes be enlightening. Numbers can tell us any number of things.  On this blog however, they are completely irrelevant because the micro biographies are written about violinists which are selected purely arbitrarily.  In any case, here are some numbers you might find interesting.  Oldest living violinist on this blog: Ruggiero Ricci, age 92 (born 7/18/1918) – Raymond Cohen is second (7/27/1919.)  Otto Joachim, Canadian violinist, would have been 100 in October of this year but he died in July, 2010.  Oldest deceased violinist: Arcangelo Corelli (born 1653.)  Youngest violinist is Emmy Storms, age 21.  Violinist with shortest career: Josef Hassid whose career lasted two years, if you count the recordings he made in 1939 as the beginning of his career, otherwise it lasted one year.  Violinist with longest career: Ruggiero Ricci, whose career ran for 70 years.  Violinist whose biography has had the greatest number of views: Nadja Salerno-Sonnenberg (January, 2010); runner up: Albert Markov (November, 2010.)  Biography with the least number of views: Carl Rosa (March, 2009); runner up: Ion Voicu (October, 2009.)  Composer most often referenced: Ludwig Van Beethoven.  Violinist most often mentioned: Jascha Heifetz.  The nationalities with 10 or more representatives are: American (21), Austrian (10), English (20), French (15), German (16), Hungarian (10), Italian (24), Polish (11), and Russian (28.)  Month in which the greatest number of famous violinists were born: August.

Raymond Cohen

Raymond Cohen is an English violinist born on July 27, 1919 (Heifetz was 18 years old.) He first studied violin with his father in Manchester. At 15, he entered the Manchester College of Music where he studied (for four years) with Henry Holst, former concertmaster of the Berlin Philharmonic. Soon thereafter, still aged 15, he joined the ranks of the famed Halle Orchestra, based in Manchester - the youngest member of England’s oldest orchestra (founded in 1858.) At age 18, he became concertmaster of the Blackpool Orchestra, a city less than fifty miles from Manchester. While still studying, he concertized extensively, playing the concertos of Mendelssohn, Beethoven, Busoni, Sibelius, and others. In 1940, he played a historic concert with the Halle Orchestra – still only 19 years old – in which he played the Bach (E Major), the Mendelssohn, and the Brahms concertos in the same evening. Few violinists have ever attempted or accomplished such a feat, though Yehudi Menuhin was one who did. The Second World War interrupted Cohen’s fast rise but he re-emerged in 1945 by winning the Carl Flesch Violin Competition. Soon, he had a full schedule of concerts in Europe, having more than 40 concertos in his repertoire by then. However, he slowly gravitated toward concertmaster positions everywhere – English Chamber Orchestra, Philharmonia, London Symphony, BBC, and Royal Philharmonic (1959, under Thomas Beecham.) He also started teaching at the Royal College of Music in London. In addition, he was very active in the chamber music arena. With his pianist wife (Anthya) and son Robert (a cellist), he eventually formed the Cohen Trio. He was the first to realize a videotaped performance of Vivaldi’s Four Seasons. He has also recorded the entire set of Beethoven Violin Sonatas for the Meridian label. Raymond Cohen teaches privately and is on a very short list of distinguished elder statesmen of the violin still working – with Zvi Zeitlin, Ruggiero Ricci, Ida Haendel, and Ivry Gitlis.