Naoum Blinder

Naoum Blinder was a Russian (Ukrainian) violinist and teacher born (in Lutzk) on July 19, 1889 – since various sources vary his exact date and place of birth are approximate.  He is best remembered for being one of Isaac Stern’s teachers – between 1932 and 1935.  He was a touring concert violinist for a while but finally settled in San Francisco to become the orchestra’s concertmaster for 25 years.  He began his violin studies as a child although I don’t know at what age.  By age 14 he had graduated from the Imperial Conservatory in Odessa.  There, he had studied with Peter Stolyarsky and Alexander Fiedemann.  He then entered the Moscow Conservatory (in about 1904) and studied with an unknown teacher there until about 1910.  He was by then 21 years old.  From there, he went to pursue further study in England at the Royal Manchester College of Music.  His main teacher there was Adolph Brodsky.  Blinder graduated from the RMC in 1913 or 1914 and then returned to Odessa to teach at the Conservatory.  He was 25 years old.  He remained there until 1920.  All the while, he toured (mostly Russia and the Middle East) as a soloist.  Between 1923 and 1927, he taught at the Moscow Conservatory.  I don’t know what he did or where he was between 1920 and 1923.  Blinder and his family (his wife and daughter) came to the US (via Japan) in December, 1927.  Between 1929 and 1931, Blinder taught at Juilliard in New York.  In 1931, he became the concertmaster of the San Francisco Symphony at the invitation of a friend who had known him in Russia.  Blinder was 42 years old.  He continued to tour intermittently as a soloist and founded the San Francisco String Quartet in 1935 as well.  In that year, he and Isaac Stern played the Bach concerto for two violins with the orchestra.  That is fairly typical of teachers and their favorite students to do.  Blinder had a very large body of students; many of them became members of the San Francisco Symphony and other orchestras.  Glenn Dicterow and Joseph Roisman also studied with him for a time.  Blinder owned and played several violins – a 1774 G.B. Guadagnini, a 1753 G.B. Guadagnini, and an 1850 J.B. Vuillaume are among them.  He died on November 21, 1965, at age 76.  Here is a rare solo recording of his. 

Hans Sitt

Hans Sitt (Jan Hanus Sitt) was a Hungarian violinist, violist, teacher, conductor, and composer born (in Prague) on September 21, 1850.  When he was born, Brahms had not yet even begun to make a name for himself – when he died, Stravinsky had turned the musical firmament upside down.  Although Sitt was a prolific composer, he is better remembered – if at all - as a teacher.  Unfortunately, he had no outstanding students who would have turned him into a legend.  Louis Zimmermann was probably his most famous pupil.  Sitt’s father was a violin maker, a luthier.  Sitt entered the Prague Conservatory (Czechoslovakia) at age 11 and studied with Moritz Mildner and Antonin Bennewitz, among others.  He graduated in 1867, at age 17 and almost immediately was engaged as concertmaster of the Breslau Opera Orchestra in Wroclaw, Poland – Wroclaw is one and the same as Breslau.  It is about 120 miles northeast of Prague.  Sitt stayed for six years and then served as concertmaster of an orchestra in Chemnitz (Germany) for another six years.  Chemnitz is about 60 miles northwest of Prague and 35 miles south of Leipzig, Germany.  Sitt enjoyed a very brief career as a touring virtuoso and served as conductor of several orchestras in Europe – I don’t know which orchestras – including some in France and Austria.  In 1883 (some sources say 1884) he began his teaching career at the Leipzig Conservatory.  It was here that he was invited to be part of the Brodsky Quartet as a violist, with Ottokar Novacek on second, Adolph Brodsky on first, and Leopold Grutzmacher on cello.  He left the conservatory in 1921.  He had been there almost forty years.  From 1885 to 1903 he conducted the Bach Society Chorale in Leipzig.  His violin studies – although not as well-known as the Kreutzer or DeBeriot or Rode books - are still in use today.  He was one of the first to systematize the study of scales – in thirds, sixths, octaves and tenths.  He composed six violin concertos, two cello concertos, three viola concertos, many concert pieces for violin, viola, or cello, and a few chamber music works.  One of his piano trios is available here.  He probably played a very fine violin but I don’t know what that was.  Sitt died on March 10, 1922, at age 71. 

Jascha Brodsky

Jascha Brodsky was a Russian (Ukrainian) violinist and teacher born (in Kharkof aka Kharkiv) on June 6, 1907.  Although he began his career as a concert violinist, he is primarily remembered as a great violin pedagogue, in the same league as Peter Stolyarsky, Carl Flesch, Leopold Auer, Zakhar Bron, Ivan Galamian, and Josef Gingold.  Brodsky shares a surname with another (not related) famous violinist: AdolphBrodsky.  His first lessons (at age six) were with his father.  Such was also the case with Jascha Heifetz and his father.  He also studied at the music conservatory of Tblisi (Georgia) and began concertizing in Russia, appearing with several orchestras in Russia in his early teens.  He left for Paris in 1926.  He was 19 years old.  In Paris he studied with Lucien Capet and later on, in Belgium, with Eugene Ysaye.  During that time, he played with Nathan Milstein and Vladimir Horowitz.  Milstein and Horowitz were very close friends and had fled Russia at almost the same time in 1925.  In 1930, with advice from Mischa Elman, Brodsky became a student of Efrem Zimbalist at the Curtis Institute (U.S.).  In 1932, he began teaching at Curtis.  By then, he had also become first violinist of what became the Curtis String Quartet, with Benjamin Sharlip, Max Aronoff, and Orlando Cole.  The quartet was invited to play at the White House at a later time.  It was also the quartet for whom Samuel Barber wrote his string quartet - the one that includes the famous Adagio (Opus 11, completed in 1936.)  The Curtis String Quartet did not, however, premiere the Barber quartet - Barber did not finish it in time.  Barber's Opus 11 was premiered by the Pro Arte Quartet in late 1936 in Italy and was subsequently revised and re-premiered by the Budapest String Quartet in the U.S. in 1943.  Brodsky retired from the quartet in 1981 and from Curtis in 1996.  He was 88 years old.  An audio file of Schumann's Opus 41, number 1 (with Louis Berman on second violin) can be heard here in its entirety.  He also taught (from 1942 onward) at the New School for Music (later – in 1986 - merging with Temple University) in Philadelphia.  His students include Jaime Laredo, Judith Ingolfsson, Juliette Kang, Judy Barrett, Julie Kurtzman, Joey Corpus, Hilary Hahn, Alan McChesney, Herbert Greenberg, Monica Bauchwitz, Ellen de Pasquale, Joseph de Pasquale, Robert de Pasquale, Levon Zarasian, Martin Chalifour, Chin Kim, Leila Josefowicz, and Nadia Salerno-Sonnenberg.   For a short while, Brodsky played – on loan from Curtis – the 1697 Molitor Stradivarius.  Curtis acquired the Molitor in 1929 but got rid of it in 1936.  The Molitor has been around a bit and is now owned by Anne Akiko Meyers - it had been previously played by Henri Temianka and (more recently) Elmar Oliveira.  For about ten years, Brodsky also played a Stradivarius violin from 1694, also from the Curtis Institute’s collection.  The violin had previously been owned by Karl Halir.  Curtis sold it in 1947.  I don’t know what violin Brodsky played after that. He died (in Ocala, Florida) on March 3, 1997, at age 89.  

Adolph Brodsky

Adolph Brodsky (Adolph Davidovich Brodsky) was a Russian violinist, teacher, and conductor born (in Taganrog) on April 2, 1851.  He is perhaps best known as the violinist who premiered Tchaikovsky’s difficult violin concerto after Leopold Auer turned it down because he found it unplayable.  Although he spent three years in the U.S., his career began and ended in Europe.  His grandfather and father (David) were both violinists and he is said to have begun his lessons at age 4 in his hometown.  At age 9, he played a concert in Odessa (Russia-Ukraine) and was subsequently sponsored by a wealthy patron, to continue his studies in Vienna, at the Vienna Conservatory, with Joseph Hellmesberger (the elder.)  For a time, Brodsky played second violin in the Hellmesberger Quartet, said to be the first string quartet that actually bore a specific name.  In addition, from 1866 to 1868, Brodsky played in the Imperial (Vienna) Court Orchestra.  He was 15 years old.  In 1870, at about age 20, he left Vienna to tour as a concert violinist.  He settled in Moscow in 1873 where he obtained a teaching position at the Moscow Conservatory in 1875.  He held this post until 1878.  On December 4, 1881, he premiered the Tchaikovsky concerto in Vienna with Hans Richter conducting.  He was 30 years old.  Although initially dedicated to Leopold Auer, the dedication was re-assigned to Brodsky.  Nevertheless, Auer subsequently learned the concerto and taught it to his young pupils, one of which was Jascha Heifetz.  Tchaikovsky was not present at Brodsky’s premiere performance although he later attended a concert in Leipzig (in 1888) in which Karl Halir was the soloist and was extremely pleased with the concerto.  From 1883 to 1891, Brodsky taught at the Leipzig Conservatory.  It was here that Brodsky formed the Brodsky String Quartet with Ottokar Novacek, Hans Sitt, and Leopold Grutzmacher.  It was also at Brodsky’s home that Tchaikovsky, Edvard Grieg, and Johannes Brahms met (all at once) for the first time.  Though Brahms advised against it, in 1891, Brodsky accepted a position as concertmaster of the New York Symphony (for which Carnegie Hall was built), playing under Walter Damrosch.  Brodsky returned to Europe in 1894.  Some sources say he returned in 1895.  He was 43 years old.  After spending some time in Berlin, he was invited to England (by Charles Halle) to teach at the Royal Manchester College of Music and to lead the Halle Orchestra as concertmaster.  It was here that he changed his name from Adolf to Adolph.  From 1895 until his death in 1929, Brodsky taught and was Director at the Royal College.  He also occasionally conducted the Halle Orchestra.  It is said that he was one of the first automobile owners in town.  While in Manchester, Brodsky re-established his string quartet with Rawdon Briggs, Simon Speelman, and Carl Fuchs.  In 1919, Edward Elgar wrote and dedicated his Opus 83 string quartet (in e minor) to this new Brodsky Quartet.  In 1927, Brodsky played the Elgar violin concerto with the Halle Orchestra with Elgar on the podium.  He was 75 years old.  For 17 years (1880 to 1897) his violin was the LaFont Guarnerius of 1735, for many years now played by Nigel Kennedy.  Brodsky, who was also a chess player, died on January 22, 1929, at age 77.  Other than Naoum Blinder (Isaac Stern's teacher), I don’t know if he had any famous pupils.