Hans Sitt

Hans Sitt (Jan Hanus Sitt) was a Hungarian violinist, violist, teacher, conductor, and composer born (in Prague) on September 21, 1850.  When he was born, Brahms had not yet even begun to make a name for himself – when he died, Stravinsky had turned the musical firmament upside down.  Although Sitt was a prolific composer, he is better remembered – if at all - as a teacher.  Unfortunately, he had no outstanding students who would have turned him into a legend.  Louis Zimmermann was probably his most famous pupil.  Sitt’s father was a violin maker, a luthier.  Sitt entered the Prague Conservatory (Czechoslovakia) at age 11 and studied with Moritz Mildner and Antonin Bennewitz, among others.  He graduated in 1867, at age 17 and almost immediately was engaged as concertmaster of the Breslau Opera Orchestra in Wroclaw, Poland – Wroclaw is one and the same as Breslau.  It is about 120 miles northeast of Prague.  Sitt stayed for six years and then served as concertmaster of an orchestra in Chemnitz (Germany) for another six years.  Chemnitz is about 60 miles northwest of Prague and 35 miles south of Leipzig, Germany.  Sitt enjoyed a very brief career as a touring virtuoso and served as conductor of several orchestras in Europe – I don’t know which orchestras – including some in France and Austria.  In 1883 (some sources say 1884) he began his teaching career at the Leipzig Conservatory.  It was here that he was invited to be part of the Brodsky Quartet as a violist, with Ottokar Novacek on second, Adolph Brodsky on first, and Leopold Grutzmacher on cello.  He left the conservatory in 1921.  He had been there almost forty years.  From 1885 to 1903 he conducted the Bach Society Chorale in Leipzig.  His violin studies – although not as well-known as the Kreutzer or DeBeriot or Rode books - are still in use today.  He was one of the first to systematize the study of scales – in thirds, sixths, octaves and tenths.  He composed six violin concertos, two cello concertos, three viola concertos, many concert pieces for violin, viola, or cello, and a few chamber music works.  One of his piano trios is available here.  He probably played a very fine violin but I don’t know what that was.  Sitt died on March 10, 1922, at age 71. 

Adolph Brodsky

Adolph Brodsky (Adolph Davidovich Brodsky) was a Russian violinist, teacher, and conductor born (in Taganrog) on April 2, 1851.  He is perhaps best known as the violinist who premiered Tchaikovsky’s difficult violin concerto after Leopold Auer turned it down because he found it unplayable.  Although he spent three years in the U.S., his career began and ended in Europe.  His grandfather and father (David) were both violinists and he is said to have begun his lessons at age 4 in his hometown.  At age 9, he played a concert in Odessa (Russia-Ukraine) and was subsequently sponsored by a wealthy patron, to continue his studies in Vienna, at the Vienna Conservatory, with Joseph Hellmesberger (the elder.)  For a time, Brodsky played second violin in the Hellmesberger Quartet, said to be the first string quartet that actually bore a specific name.  In addition, from 1866 to 1868, Brodsky played in the Imperial (Vienna) Court Orchestra.  He was 15 years old.  In 1870, at about age 20, he left Vienna to tour as a concert violinist.  He settled in Moscow in 1873 where he obtained a teaching position at the Moscow Conservatory in 1875.  He held this post until 1878.  On December 4, 1881, he premiered the Tchaikovsky concerto in Vienna with Hans Richter conducting.  He was 30 years old.  Although initially dedicated to Leopold Auer, the dedication was re-assigned to Brodsky.  Nevertheless, Auer subsequently learned the concerto and taught it to his young pupils, one of which was Jascha Heifetz.  Tchaikovsky was not present at Brodsky’s premiere performance although he later attended a concert in Leipzig (in 1888) in which Karl Halir was the soloist and was extremely pleased with the concerto.  From 1883 to 1891, Brodsky taught at the Leipzig Conservatory.  It was here that Brodsky formed the Brodsky String Quartet with Ottokar Novacek, Hans Sitt, and Leopold Grutzmacher.  It was also at Brodsky’s home that Tchaikovsky, Edvard Grieg, and Johannes Brahms met (all at once) for the first time.  Though Brahms advised against it, in 1891, Brodsky accepted a position as concertmaster of the New York Symphony (for which Carnegie Hall was built), playing under Walter Damrosch.  Brodsky returned to Europe in 1894.  Some sources say he returned in 1895.  He was 43 years old.  After spending some time in Berlin, he was invited to England (by Charles Halle) to teach at the Royal Manchester College of Music and to lead the Halle Orchestra as concertmaster.  It was here that he changed his name from Adolf to Adolph.  From 1895 until his death in 1929, Brodsky taught and was Director at the Royal College.  He also occasionally conducted the Halle Orchestra.  It is said that he was one of the first automobile owners in town.  While in Manchester, Brodsky re-established his string quartet with Rawdon Briggs, Simon Speelman, and Carl Fuchs.  In 1919, Edward Elgar wrote and dedicated his Opus 83 string quartet (in e minor) to this new Brodsky Quartet.  In 1927, Brodsky played the Elgar violin concerto with the Halle Orchestra with Elgar on the podium.  He was 75 years old.  For 17 years (1880 to 1897) his violin was the LaFont Guarnerius of 1735, for many years now played by Nigel Kennedy.  Brodsky, who was also a chess player, died on January 22, 1929, at age 77.  Other than Naoum Blinder (Isaac Stern's teacher), I don’t know if he had any famous pupils.  

Ottokar Novacek

Ottokar Novacek (Ottokar Eugen Novacek) was a Czech (some would say Hungarian) violinist and composer born on May 13, 1866. He is best known for his Perpetual Motion for violin and piano (or orchestra). He studied first with his father (Martin Novacek) then with Jacob Dont, Henry Schradieck, and Adolf Brodsky. He played in the Gewandhaus Orchestra (Leipzig) and in the Brodsky Quartet (second violin and later, viola). When he came to the U.S., he played in the Boston Symphony (1891). In 1892, he was appointed Principal violist in the New York Symphony under Walter Damrosch. An illness forced him to soon retire and devote himself to composition. His works include a piano concerto, three string quartets, and many other pieces for violin and piano which are seldom played. There are many videos of different world famous violinists playing his Perpetual Motion on YouTube. One of them (with Nathan Milstein) is here. Novacek died (in New York City) on February 3, 1900, at age 33.