Jules Garcin

Jules Garcin (Jules Auguste Salomon Garcin) was a French violinist, teacher, composer, and conductor born (in Bourges) on July 11, 1830.  He was an important musician in his day but, as were so many other significant violinists of his time, he was, after his death, soon forgotten.  Nevertheless, unlike orchestral musicians, he can never be completely invisible because of two historical facts: he taught Henri Marteau and he conducted the premiere of Cesar Franck’s d minor symphony.  In old age, he bore a striking resemblance to Czech violinist, Ottokar Novacek, although his claim to fame does not in the least depend on that fact.  He must have started violin lessons at an early age but I don’t know what age.  At 13, he entered the Paris Conservatory, studying with Jean Delphin Alard among other teachers.  He graduated in 1853, and was about 23 years old by then.  Three years later (1856) he became a member of the opera orchestra.  Fifteen years after that (1871), he was appointed concertmaster and assistant conductor of the orchestra.  Fourteen years later (1885), he was made chief conductor.  During all that time, he had also been assistant conductor and solo violinist of other orchestras (or concert associations) in Paris.  One such orchestra was the Orchestra of the Concert Society of the Conservatory.  He began teaching at the Paris Conservatory in 1875.  He was 45 years old.  On February 17, 1889, he conducted the premiere of Cesar Franck’s symphony in d minor, a work which was initially much-maligned by French musicians and critics alike.  Garcin played a copy (constructed in 1868 by JB Vuillaume) of the famous Messiah Stradivarius (1716), a Stradivarius from 1715 (the Cremonese, later owned by Joseph Joachim and now held by the City of Cremona), and another Strad from 1731 which bears his name.  The 1731 Strad was later owned by Israel Baker, then Sidney Harth, and later still by Kees Hulsmann.  Among the small number of Garcin compositions is a violin concerto which he used to play.  I don’t know if anyone else ever played it.  After retiring from the conservatory due to illness, Garcin died (in Paris) on October 10, 1896, at age 66.  

Jose Lafitte

Jose Silvestre White Lafitte was a Cuban violinist and composer born on January 17, 1836 (Brahms was 3 years old.) Some sources give December 31, 1835 as his date of birth (an indication that record keeping can sometimes get sloppy.) He began studying as a child and later studied at the Paris Conservatory (1855-1871) because of encouragement and financial assistance he received from American pianist-composer Louis Moreau Gottschalk. Delphin Alard (Pablo Sarasate's teacher) was his teacher at the conservatory. Lafitte later taught for a year at the same conservatory when Alard took a leave of absence. Later, he was made Director of the Imperial Conservatory in Rio de Janeiro, Brazil (1877-1889) after which he returned to Paris. He concertized in Europe, Latin America, and in the U.S., where he performed with some of the major orchestras (including the New York Philharmonic) in 1875. His most famous composition is La Bella Cubana. His long-neglected violin concerto has been recorded by Rachel Barton on the Cedille label. Lafitte also wrote a string quartet and other small chamber works. He died in Paris on March 12, 1918, at age 82.

Pablo Sarasate

Pablo de Sarasate (Pablo Martín Melitón de Sarasate y Navascués) was a Spanish violinist and composer born on March 10, 1844 (Mendelssohn was 35 years old). His first studies were with his father at age five. At age eight, he performed in public for the first time. At twelve, he entered the Paris Conservatory where he studied with Alard (son-in-law of Vuillaume) and others. His Paris debut took place in 1860 and he henceforth concertized around the world. Several works in the standard violin repertoire were either composed or dedicated to him. Many works which he composed for the violin are also in the standard repertoire and will probably hold their place there forever. Practically every article on him affirms that he was an outstanding, virtuoso violinist. In a brief interview, the Hungarian violinist, Tivadar Nachez, relates how Sarasate twice forgot passages in the third Saint Saens concerto (which had been dedicated to him) while playing a concert performance at which Nachez was present. Nachez also stated that Sarasate did not know how to properly play Bach. There are a few recordings of his available (made toward the end of this career.) Sarasate died in September, 1908, at age 64.