Pablo de Sarasate (Pablo Martín Melitón de Sarasate y Navascués) was a Spanish violinist and composer born on March 10, 1844 (Mendelssohn was 35 years old). His first studies were with his father at age five. At age eight, he performed in public for the first time. At twelve, he entered the Paris Conservatory where he studied with Alard (son-in-law of Vuillaume) and others. His Paris debut took place in 1860 and he henceforth concertized around the world. Several works in the standard violin repertoire were either composed or dedicated to him. Many works which he composed for the violin are also in the standard repertoire and will probably hold their place there forever. Practically every article on him affirms that he was an outstanding, virtuoso violinist. In a brief interview, the Hungarian violinist, Tivadar Nachez, relates how Sarasate twice forgot passages in the third Saint Saens concerto (which had been dedicated to him) while playing a concert performance at which Nachez was present. Nachez also stated that Sarasate did not know how to properly play Bach. There are a few recordings of his available (made toward the end of this career.) Sarasate died in September, 1908, at age 64.
Showing posts with label Messiah Strad. Show all posts
Showing posts with label Messiah Strad. Show all posts
Wednesday, March 11, 2009
Pablo Sarasate
Pablo de Sarasate (Pablo Martín Melitón de Sarasate y Navascués) was a Spanish violinist and composer born on March 10, 1844 (Mendelssohn was 35 years old). His first studies were with his father at age five. At age eight, he performed in public for the first time. At twelve, he entered the Paris Conservatory where he studied with Alard (son-in-law of Vuillaume) and others. His Paris debut took place in 1860 and he henceforth concertized around the world. Several works in the standard violin repertoire were either composed or dedicated to him. Many works which he composed for the violin are also in the standard repertoire and will probably hold their place there forever. Practically every article on him affirms that he was an outstanding, virtuoso violinist. In a brief interview, the Hungarian violinist, Tivadar Nachez, relates how Sarasate twice forgot passages in the third Saint Saens concerto (which had been dedicated to him) while playing a concert performance at which Nachez was present. Nachez also stated that Sarasate did not know how to properly play Bach. There are a few recordings of his available (made toward the end of this career.) Sarasate died in September, 1908, at age 64. 
Sunday, January 18, 2009
Messiah Stradivarius
This is the famous Messiah Stradivarius. It is a beauty, no? It is currently housed in a British museum - the Ashmolean - almost in pristine condition. It is the closest thing to a virgin violin imaginable - it has never been played. According to most experts, it's priceless. For various reasons, I think it's a fake. If you care to research the history of this intriguing violin (I don't know why you would - you don't have the time), you might want to start with Stewart Pollens, one of the world's foremost authorities on this instrument. No one is allowed to get close to this magical violin - not since questions about its authenticity surfaced. It is rather sad that the truth about it cannot be conclusively determined, but only because commercial interests have decided not to rock the boat. Don't make too many inquiries or you might discover that Stradivari never existed.
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